DBX 162SL Stereo Compressor

The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers AutoVelocity™ manual mode, in addition to our classic dbx OverEasy® mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus™, are included in the 162SL.

The heart of any dynamics processor is its VCA. The dbx 162SL is no different. It features dual proprietary dbx VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard of dynamic range and ultra-low distortion seen only previously in the Blue 160SLs. With sonic clarity designed for the studio, the 162SL maintains its superior performance in harsh environments, pure enough for the studio, rugged enough for the road was the engineering motto of the Purple Series of Compressors / Limiters. Like it's big brother the 162SL, it takes full advantage of the best parts available and dbx's advanced manufacturing, including Jensen® transformers on each output standard. Following in the footsteps of the Blue Series 160SL, with the Purple Series 162SL, dbx continues to create to the most technologically advanced compressors in the world.

Features:

• Super fast manual attack and release
• High-Drive Jensen® output transformers
• Hard-knee/OverEasy® switchable
• Ultra-low distortion compression for unheard of clarity even under extreme gain reduction
• Program-dependent "Auto," Patent-pending AutoVelocity™ Manual, or fully variable attack and release modes

Accu Cable Akai AKG Alesis Alvarez American Audio American DJ Ampeg Anchor Audio Antari Applause Aria Artley Arturia Ashdown Audio Technica Auralex Axis AXL B.C. Rich Bach Bornemark Boss Breedlove Casio Celemony Celestion Cerwin Vega Chauvet Conn Crate Crown D'Aquisto Daisy Rock DBX Dean Denon Digidesign Digitech DW EAW Edirol Elation Electro Harmonix Electro Voice Emerson EMG ESP Event Fender Acoustics Fender Amplifiers Fender Audio Fender Basses Fender Custom Shop Fender Guitars Focusrite Fostex Furman Gallien Krueger Gator Gemini Genz Benz Gig Skinz Gon Bops Hammond Hartke HHB Hiwatt Holton Hosa Hughes And Kettner Ibanez Icons of Rock ImageLine Jasmine Jay Turser JBL Johnson Korg KRK Latin Percussion LeBlanc Lexicon Line 6 Loar Ludwig Luna Guitars M-Audio Mackie Marshall Martin Martin Band Microboards Milab Mindprint Monster Montana Moog Motu MusicXPC Musser MXL Nady Nord Notion Numark Odyssey Ortofon Oscar Schmidt Ovation Pacific Paiste Palatino Paris Swing Pearl Pearl Percussion Peavey Pioneer Presonus Propellerhead Prosoniq QSC Rane Recording King Road Ready Roland Rosendahl Sabian Samick Samson Schecter Selmer Sennheiser Seymour Duncan Shure Silvertone Soundcraft Squier Stanton Steinberg Takamine Tama Tannoy Tapco Tascam Taylor The Loar Toca Percussion Vestax Virsyn Vito Vocopro Vox Yairi Yamaha Drums Yamaha Guitars Yamaha Keyboards Yanagisawa Zildjian Zoom