This product has been discontinued. Please contact our sales department for help in selecting a similar replacement.
The Heritage 1000 brings the unmistakable sound and legendary engineering quality of the Midas brand in a light and compact modular frame.
Its sophisticated automation (like a mini XL4) makes it suitable for a variety of applications, but especially for theatres where space is often at a premium. On top of this Midas' Heritage 1000 Library Manager software allows sound designers the option of creating hundreds of scene snapshots in the comfort of their own home before rehearsals have even started. The standard 8-way matrix, which can be fed from auxiliaries, groups and masters, can be expanded to suit the largest zoning requirements.
The Heritage 1000 also enables traditional Midas customers to use their preferred brand of console for their smaller events, or even link to existing stocks of Heritage consoles for big, complex shows where large numbers of inputs are required (matrix ouIPuts can be swapped for inputs). For smaller rental companies, the Heritage 1000 is the perfect vehicle for introducing Midas values and performance to a more price-sensitive area of the market.
The H1000 automation system can store and recall up to 500 snapshot scenes including timed VCA Master cross fades, all major console Mutes **, Automute group assignments, audio and VCA group assignments plus 4 MIDI messages per scene.
With 10 audio sub groups, 10 aux busses and 3 master (SIS TM) busses, the H1000 is well equipped to handle the vast majority of live applications. Additionally the group and aux routing is fully automated and global master switching is provided to change 4 of the aux busses to stereo level and pan operation.
The sonic performance of the legendary XL3 equaliser is fully maintained including the full parametric mid's and traditional Midas bass and treble shelving responses.
Midas H1/56/4/IP Features
Frames: 24, 32, 40, 48, and 56
Stereo: All inputs wired for stereos 2 Inputs per channel (A/B)
EQ: 4 band semi-parametric (XL3)
10 Aux Sends
10 Audio Sub Groups
10 VCAs 10 Automute groups A zinc plated steel chassis with internal box sections provides a rugged mechanical structure and effective electromagnetic screening.
High quality Alps faders used throughout.
Low noise types used throughout.
Low noise virtual earth topology with hum and HF interference cancelling systems.
Mechanically stable, sealed, Alps pcb type design used throughout.
Tight tolerance resistors and capacitors used as standard.
Midas has confidence in their products resulting in an industry beating 3 -year warranty.
Midas H1/56/4/IP Specifications
10 audio groups = 10
6 mono aux = 6
2 stereo aux = 4
1 stereo master = 2
1 mono master = 1
1 stereo AFL = 2
1 mono PFL = 1
TOTAL = 26
The 1000 has 10 automute sub groups and 10 VCA sub groups which include VCA sub group muting.
The 1000 has 56 input channels.
56 channel mic inputs
56 B channel mic inputs
10 group bus injects
10 aux bus injects
8 matrix bus direct inputs
3 solo bus inject inputs
2 external inputs (2 track return)
3 master bus inject
1 talk mic input
1 talk external input
10 audio group ouIPuts
10 aux ouIPuts
8 matrix ouIPuts
3 master ouIPuts
3 solo ouIPuts
3 local ouIPuts
1 talk external ouIPut
56 input channel insert sends
56 input channel insert returns
10 audio group insert sends
10 audio group insert returns
10 aux insert sends
10 aux insert returns
8 matrix insert sends
8 matrix insert returns
3 master insert sends
3 master insert returns
(56 channel line inputs)
(56 channel direct ouIPuts)
The 1000 has 71 long throw faders for mix control.
560 input channel aux virtual assign switches
560 input channel VCA sub group virtual assign switches
560 input channel mute sub group virtual assign switches
56 input channel mute switches
10 audio sub group mute switches
10 aux mute switches
10 auto mute switches
10 VCA master mute switches
8 matrix mute switches
3 master mute switches
The 1000 has a total of 70 peak program meters with 20 LED segments on all ouIPuts and 11 LED segments on input channels.
Mic 2k Balanced
Line 20k Balanced
Input Gain (all faders at 0dB)
Mic continuously variable from + 15dB to + 60dB
Mic + Pad continuously variable from - 15dB to + 30dB
Line Level Inputs 0dB
Maximum Input Level Mic + 6dBu
Mic + Pad + 31dBu
Line Level Inputs + 21dBu
CMR at 1kHz
Mic (gain + 40dB) > 80dB
Mic + Pad (gain 0dB) > 50dB
Frequency Response (20 to 20kHz)
Mic to Mix (gain + 40dB) + 0dB to - 1dB
Noise (20 to 20kHz) Mic EIN ref. 150Ω
(gain + 60dB) - 128dBu
System Noise (20 to 20kHz)
Summing Noise (56 channels routed with faders down) - 80dB
Line to Mix Noise (56 channels routed at 0dB, pan centre) - 75dB
Distortion at 1kHz
Mic to Mix (+ 40dB gain, 0dBu ouIPut) < 0.03%
Crosstalk at 1kHz
Channel to Channel < - 90dB
Mix to Mix < - 90dB
Channel to Mix < - 90dB
Maximum Fader attenuation > 80dB
OuIPut Impedance All Line OuIPuts 50 Ohms Balanced Source to drive > 600Ω
Headphones To drive > 8Ω
Maximum OuIPut Level All Line OuIPuts + 21dBu
Headphones + 21dBu
Nominal Signal Level
Mic - 60dBu to + 10dBu
Headphones + 10dBu
Hi pass Slope 12dB / Oct
Hi pass Frequency Continuously variable - 3dB point from 20Hz to 400Hz
Treble Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Treble Shelving Freq. Continuously variable - 3dB point from 1k to 20k
Hi Mid Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Hi Mid Freq. Continuously variable centre from 400Hz to 8k
Hi Mid Bandwidth Continuously variable 0.1 Oct. to 2 Oct Centre detent = 0.5 Oct
Lo Mid Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Lo Mid Freq. Continuously variable centre from 100Hz to 2k
Lo Mid Bandwidth Continuously variable 0.1 Oct. to 2 Oct Centre detent = 0.5 Oct
Bass Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
Bass Shelving Freq. Continuously variable - 3dB point from 20Hz to 400Hz
Midas H1/56/4/IP Includes
Touring Flight Case
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