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  • Obsolete
Midas H1/56/4/IP

This product has been discontinued. Please contact our sales department for help in selecting a similar replacement.

Midas H1/56/4/IP

The Heritage 1000 brings the unmistakable sound and legendary engineering quality of the Midas brand in a light and compact modular frame.

Its sophisticated automation (like a mini XL4) makes it suitable for a variety of applications, but especially for theatres where space is often at a premium. On top of this Midas' Heritage 1000 Library Manager software allows sound designers the option of creating hundreds of scene snapshots in the comfort of their own home before rehearsals have even started. The standard 8-way matrix, which can be fed from auxiliaries, groups and masters, can be expanded to suit the largest zoning requirements.

The Heritage 1000 also enables traditional Midas customers to use their preferred brand of console for their smaller events, or even link to existing stocks of Heritage consoles for big, complex shows where large numbers of inputs are required (matrix ouIPuts can be swapped for inputs). For smaller rental companies, the Heritage 1000 is the perfect vehicle for introducing Midas values and performance to a more price-sensitive area of the market.

Automation

The H1000 automation system can store and recall up to 500 snapshot scenes including timed VCA Master cross fades, all major console Mutes **, Automute group assignments, audio and VCA group assignments plus 4 MIDI messages per scene.

Audio Busses

With 10 audio sub groups, 10 aux busses and 3 master (SIS TM) busses, the H1000 is well equipped to handle the vast majority of live applications. Additionally the group and aux routing is fully automated and global master switching is provided to change 4 of the aux busses to stereo level and pan operation.

Equalizer

The sonic performance of the legendary XL3 equaliser is fully maintained including the full parametric mid's and traditional Midas bass and treble shelving responses.

Midas H1/56/4/IP Features

  • Frames: 24, 32, 40, 48, and 56
  • Stereo: All inputs wired for stereos 2 Inputs per channel (A/B)
  • EQ: 4 band semi-parametric (XL3)
  • Direct OuIPut
  • SIS panning
  • 10 Aux Sends
  • 10 Audio Sub Groups
  • 10 VCAs 10 Automute groups A zinc plated steel chassis with internal box sections provides a rugged mechanical structure and effective electromagnetic screening.
  • High quality Alps faders used throughout.
  • Low noise types used throughout.
  • Low noise virtual earth topology with hum and HF interference cancelling systems.
  • Mechanically stable, sealed, Alps pcb type design used throughout.
  • Tight tolerance resistors and capacitors used as standard.
  • Midas has confidence in their products resulting in an industry beating 3 -year warranty.

    Midas H1/56/4/IP Specifications

  • Technical Overview
  • 10 audio groups = 10
  • 6 mono aux = 6
  • 2 stereo aux = 4
  • 1 stereo master = 2
  • 1 mono master = 1
  • 1 stereo AFL = 2
  • 1 mono PFL = 1
  • TOTAL = 26
  • The 1000 has 10 automute sub groups and 10 VCA sub groups which include VCA sub group muting.
  • The 1000 has 56 input channels.
  • 56 channel mic inputs
  • 56 B channel mic inputs
  • 10 group bus injects
  • 10 aux bus injects
  • 8 matrix bus direct inputs
  • 3 solo bus inject inputs
  • 2 external inputs (2 track return)
  • 3 master bus inject
  • 1 talk mic input
  • 1 talk external input
  • 10 audio group ouIPuts
  • 10 aux ouIPuts
  • 8 matrix ouIPuts
  • 3 master ouIPuts
  • 3 solo ouIPuts
  • 3 local ouIPuts
  • 1 talk external ouIPut
  • 56 input channel insert sends
  • 56 input channel insert returns
  • 10 audio group insert sends
  • 10 audio group insert returns
  • 10 aux insert sends
  • 10 aux insert returns
  • 8 matrix insert sends
  • 8 matrix insert returns
  • 3 master insert sends
  • 3 master insert returns
  • (56 channel line inputs)
  • (56 channel direct ouIPuts)
  • The 1000 has 71 long throw faders for mix control.
  • 560 input channel aux virtual assign switches
  • 560 input channel VCA sub group virtual assign switches
  • 560 input channel mute sub group virtual assign switches
  • 56 input channel mute switches
  • 10 audio sub group mute switches
  • 10 aux mute switches
  • 10 auto mute switches
  • 10 VCA master mute switches
  • 8 matrix mute switches
  • 3 master mute switches
  • The 1000 has a total of 70 peak program meters with 20 LED segments on all ouIPuts and 11 LED segments on input channels.
  • Input Impedance
  • Mic 2k Balanced
  • Line 20k Balanced
  • Input Gain (all faders at 0dB)
  • Mic continuously variable from + 15dB to + 60dB
  • Mic + Pad continuously variable from - 15dB to + 30dB
  • Line Level Inputs 0dB
  • Maximum Input Level Mic + 6dBu
  • Mic + Pad + 31dBu
  • Line Level Inputs + 21dBu
  • CMR at 1kHz
  • Mic (gain + 40dB) > 80dB
  • Mic + Pad (gain 0dB) > 50dB
  • Frequency Response (20 to 20kHz)
  • Mic to Mix (gain + 40dB) + 0dB to - 1dB
  • Noise (20 to 20kHz) Mic EIN ref. 150Ω
  • (gain + 60dB) - 128dBu
  • System Noise (20 to 20kHz)
  • Summing Noise (56 channels routed with faders down) - 80dB
  • Line to Mix Noise (56 channels routed at 0dB, pan centre) - 75dB
  • Distortion at 1kHz
  • Mic to Mix (+ 40dB gain, 0dBu ouIPut) < 0.03%
  • Crosstalk at 1kHz
  • Channel to Channel < - 90dB
  • Mix to Mix < - 90dB
  • Channel to Mix < - 90dB
  • Maximum Fader attenuation > 80dB
  • OuIPut Impedance All Line OuIPuts 50 Ohms Balanced Source to drive > 600Ω
  • Headphones To drive > 8Ω
  • Maximum OuIPut Level All Line OuIPuts + 21dBu
  • Headphones + 21dBu
  • Nominal Signal Level
  • Mic - 60dBu to + 10dBu
  • Line 0dBu
  • Headphones + 10dBu
  • Equaliser
  • Hi pass Slope 12dB / Oct
  • Hi pass Frequency Continuously variable - 3dB point from 20Hz to 400Hz
  • Treble Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
  • Treble Shelving Freq. Continuously variable - 3dB point from 1k to 20k
  • Hi Mid Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
  • Hi Mid Freq. Continuously variable centre from 400Hz to 8k
  • Hi Mid Bandwidth Continuously variable 0.1 Oct. to 2 Oct Centre detent = 0.5 Oct
  • Lo Mid Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
  • Lo Mid Freq. Continuously variable centre from 100Hz to 2k
  • Lo Mid Bandwidth Continuously variable 0.1 Oct. to 2 Oct Centre detent = 0.5 Oct
  • Bass Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB
  • Bass Shelving Freq. Continuously variable - 3dB point from 20Hz to 400Hz

    Midas H1/56/4/IP Includes

  • Littlites
  • Dust Cover
  • Touring Flight Case

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