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Taylor Grand Slam Acoustic
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Taylor Grand Slam Acoustic
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  Description   

Taylor Grand Slam Acoustic

It's big. And if you think you know the Taylor sound, you're in for a big surprise. Meet the all-new Grand Symphony, an original body shape developed by Bob Taylor. Its big voice is bold and new, and unlike any other Taylor. The GS Series features four wood combinations, each with the same visual appointments -- and all for around the same price. Try each one and find your big tone.

Acoustic Roots

Pure acoustic styling is identical on all GS Series models. Taylor changes only the wood combinations, creating four new and unique tones.

A Little Equals a Lot

Small changes go a long way. A higher, wider waist and a rounder lower bout add up to a big difference in tone.

Another Taylor Flavor

Deep, piano-like bass, rich mids and clear, balanced highs. And plenty of volume. This is the new GS.

It's About Tone

All four models sell for about the same price. Try each one and let tone be your guide.

Grand Symphony Shape

Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.

Gloss Finish

The finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes.

Mahogany/Cedar

The Tropical American mahogany/Western Red cedar combination is a true powerhouse. It's one of Taylor's favorites, and a natural choice to be among the inaugural models in the GS Series. Like all GS models, it has "pure acoustic" detailing: abalone micro dot inlays, Ivoroid binding, abalone rosette, and rosewood peghead veneer.

  • Top: Western Red cedar
  • Back sides: Tropical American mahogany

Maple/Spruce

You'll detect distinct tonal differences as you move from model to model within the GS Series. The Big Leaf maple/Sitka spruce combination is stunning from first glance, and clear and articulate from first listen. If you thought you knew the maple guitar sound, think again.

  • Top: Sitka spruce
  • Back sides: Big Leaf maple

Rosewood/Cedar

Indian rosewood and Western Red cedar is a pairing that is traditionally among Taylor's best-selling models. The softness of cedar will yield subtle differences in tone when compared to the rosewood/spruce combination.

  • Top: Western Red cedar
  • Back sides: Indian rosewood

Rosewood/Spruce

For many guitar enthusiasts, Indian rosewood is the definitive tonewood. Paired with a Sitka spruce top, it's a traditional combination that sings in the GS body shape. Taylor expects this to be the "go-to" GS model for many players.

  • Top: Sitka spruce
  • Back sides: Indian rosewood

Technical Description

  • Type/shape: 6-string GS
  • Soundhole rosette: abalone
  • Neck: tropical American mahogany
  • Fretboard: ebony with binding
  • Fretboard inlay: abalone dots
  • Headstock overlay: Indian rosewood
  • Binding: Ivoroid
  • Bridge: ebony
  • Nut saddle: Tusq
  • Tuning machines: gold-plated Taylor tuners
  • Strings: Elixir Medium Gauge Strings with NANOWEB coating
  • Scale length: 25 1/2 in.
  • Truss rod: adjustable
  • Neck width at nut: 1 3/4 in.
  • Number of frets: 20
  • Bracing: scalloped, X-brace
  • Finish: gloss
  • Cutaway: none
  • Electronics: none
  • Body Width: 16 1/4 in.
  • Body depth: 4 5/8 in.
  • Body length: 20 in.
  • Overall length: 41 in.
  • Case: GS Series Deluxe hardshell

 

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