Mfg MfgCat Group Category Title Description Link Image Thumbnail SKU Price Accu Cable Accu Cable 3 Pin Dmx Cables Accu-Cable 5’-3 Pin DMX Cable AC3PDMX5

Accu-Cable 5'-3 Pin DMX Cable AC3PDMX5

5'-3 Pin DMX Cable

Length: 5-9ft

Gage: 6

1st End: XLR Male

2nd End: XLR Female

Primary Usage: Lighting

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Accu-Cable 25'-3 Pin DMX Cable AC3PDMX25

25'-3 Pin DMX Cable

Length: 25-29ft

Gage: 6

1st End: XLR Male

2nd End: XLR Female

Primary Usage: Lighting

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Accu-Cable 50'-3 Pin DMX Cable AC3PDMX50

50'-3 Pin DMX Cable

Length: 50-99ft

Gage: 6

1st End: XLR Male

2nd End: XLR Female

Primary Usage: Lighting

Get Your Accu-Cable 50'-3 Pin DMX Cable AC3PDMX50 Today!

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Accu-Cable 100'-3 Pin DMX Cable AC3PDMX100

100'-3 Pin DMX Cable

Length: 100+ Feet

Gage: 6

1st End: XLR Male

2nd End: XLR Female

Primary Usage: Lighting

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Accu-Cable 10’-3 Pin DMX Cable AC3PDMX10

  • 10'-3 Pin DMX Cable
  • Length: 10-14ft
  • Gage: 6
  • 1st End: XLR Male
  • 2nd End: XLR Female
  • Primary Usage: Lighting

    Get Your Accu-Cable 10’-3 Pin DMX Cable AC3PDMX10 Today!

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    Accu-Cable 3 Pin male XLR to 5 pin AC3PM5PFM

    100'-3 Pin DMX Cable

    Length: Under 1ft

    Gage: 6

    1st End: XLR Male

    2nd End: XLR Female

    Primary Usage: Lighting

    3 Pin male XLR to 5 pin female XLR turnaround

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    Accu-Cable 10'-5 Pin DMX Cable AC5PDMX10

  • Five Pin 10' DMX Cable.
  • 22 AWG stranded (0.15 x 19 ) tinned copper conductors
  • Polyethylene insulation,
  • Polyethylene inner jacket
  • Duofoil® (100% coverage)
  • Tinned copper braid shield (85% coverage) PVC jacket.

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    Accu-Cable 100'-5 Pin DMX Cable AC5PDMX100

    5 Pin Male to 3 Pin Female XLR Cable:

  • AC5PM3PFM (5 Pin Male XLR to 3 Pin Female XLR Turnaround)

    Description:

    22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket, Duofoil® (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

    Physical Characteristics:

  • Conductor:
  • Number of Pairs: 2
  • Total Number of Conductors: 4
  • AWG: 22
  • Stranding: 0.15 x 19
  • Conductor Diameter: .0354"
  • Conduct or Material: TC-Tinned Copper

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    Accu-Cable 25'-5 Pin DMX Cable AC5PDMX25

    25 Foot 5 Pin DMX Cable

    22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket, Duofoil® (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

    Conductor:

  • Number of Pairs: 2
  • Total Number of Conductors: 4
  • AWG: 22

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    Accu-Cable 5'-5 Pin DMX Cable AC5PDMX5

    5 Foot 5 Pin DMX Cable

    22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket, Duofoil® (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

    Conductor:

  • Number of Pairs: 2
  • Total Number of Conductors: 4
  • AWG: 22

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    Accu-Cable 50'-5 Pin DMX Cable AC5PDMX50

  • 5 Pin DMX Cables
  • 50'-5 Pin DMX Cable
  • 22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket,
  • Duofoil (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

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    Accu-Cable 5 Pin male XLR to 3 pin AC5PM3PFM

    5 Pin male XLR to 3 pin female XLR turnaround

    5 Pin Male to 3 Pin Female XLR Cable

    22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket,

    Duofoil® (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

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    Accu-Cable 3 Pin, 1 Male & 1 Female XLR ACXLR3PSET

    3 Pin, 1 Male & 1 Female XLR Connectors w/ Gold Pins.

    Packaged in Blister Pack.

    3 Pin DMX Connector - ACXLR3PSET (3 Pin, 1 Male & 1 Female XLR Connectors w/Gold Pins

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    Accu-Cable 5 Pin, 1 Male & 1 Female XLR ACXLR5PSET

    5 Pin, 1 Male & 1 Female XLR Connectors w/ Gold Pins.

    Packaged in Blister Pack.

    5 Pin DMX Connector - ACXLR5PSET (5 Pin, 1 Male & 1 Female XLR Connectors w/Gold Pins

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    Accu-Cable MALE 3 & 5 Pin. 110 OHM DMX T PACK

  • Male 3 & 5 pin. 110 OHM.
  • DMX terminator set in blister pack.

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    Accu-Cable ACXLRRAAC Adaptor Cables

    Description:

    Accu Cable ACXLRRAAC 3 Pin XLR Right Angle Adapter

    Specifications:

  • ACXLRRAAC 3 Pin XLR Right Angle Adapter
  • SKU: ACXLRRAAC
  • Accu Cable ACXLRRAAC 3 Pin XLR Right Angle Adapter

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    Accu-Cable 300' Spool 3 Pin DMX Cable AC3CDMX300

  • 22 AWG stranded (0.15 x 19 ) tinned copper conductors, polyethylene insulation, twisted pair, polyethylene inner jacket, Duofoil®
  • (100% coverage) and cotton plus a tinned copper braid shield (85% coverage), PVC jacket.

    Physical Characteristics:

  • Conductor:
  • Number of Pairs: 1
  • Total Number of Conductors: 2
  • AWG: 22
  • Stranding: 0.15 x 19
  • Conductor Diameter: .0354"
  • Conduct or Material: TC-Tinned Copper

    Insulation:

  • Insulation Material PE Polyethylene

    Lay Length:

  • Lay Length: 2.5"
  • Direction: Left Hand Lay
  • Twists: 4.8 per foot

    Inner Jacket:

  • Inner Jacket Material: PE- Polyethylene
  • Inner Jacket Diameter: .055"
  • Pair Color Code: Black/White

    Outer Shield:

  • Outer Shield Trade Name: Duofoil®
  • Outer Shield Type: Tape/Braid

    Outer Shield Material:

  • Layer Number:1, Material Trade Name: Dufoil®, Type: Tape, Material: Aluminum Foil-Polyester, Coverage %: 100
  • Layer Number: 2, Material Trade Name: Dufoil®, Type: Braid, Material: TC-Tinned Copper, Coverage %: 85

    Outer Jacket:

  • Outer Jacket Material: PVC-Polyvinyl Chloride

    Overall Nominal Diameter:

  • Overall Nominal Diameter: .229"

    Mechanical Characteristics:

  • Operating Temperature Range: (-30 degrees C To + 75 degrees C)
  • Bulk Cable Weight: 31 lbs/1000
  • Minimum Bend Radius (Install): 3.2"
  • Maximum Recommended Pull Tension: 72 lbs.

    Electrical Characteristics:

  • Nominal Characteristic Impedence: 110 Ohms
  • Nominal Capacitance Conductor to Conductor @ 1KHz: 12.8 pF/f t
  • Nominal Cap Cond. To Other Cond. & Shield @ 1KH z: 23 pF/ft
  • Nominal Velocity of Propagation: 66%
  • Nominal Delay: 1.6 Nanoseconds per foot
  • Nominal Conductor DC Resistance @ 20 degrees C: 24 Ohms/1000 ft
  • Nominal Outer Shield D C Resistance @ 20 degrees C: 3.4 Ohms/ 1000 ft
  • Nominal Attenuation (dB/100 ft): 0.6 (@ 1 MH z) dB/100 ft
  • Maximum Recommended Current: 2.1 A mps per conductor @ 25 degree C

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    Accu-Cable 300' Spool 5 Pin DMX Cable AC5CDMX300

    5 Pin XLR Cable Spools:

  • 5 Pin XLR Cable Spool - AC3CDMX300 (300 Foot 5 Pin DMX Cable)
  • 300' Spool 5 Pin DMX Cable

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    Accu-Cable 25'-12 Gauge EC-123-3FER25

    25' - 12 Gauge

    25' length, 12 gauge, black tri-tap power cord

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    Accu-Cable 25'-12 Gauge EC-123-25

    25' - 12 Gauge

    25' length, 12 gauge, black extension cord

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    Accu-Cable 50'-12 Gauge EC-123-50

    50' - 12 Gauge

    50' length 12 gauge black extension cord

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    Accu-Cable 100'-12 Gauge EC-123-100

    100' - 12 Gauge

    100' length 12 gauge black extension cord

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    Accu-Cable 10'-16 Gauge EC-163-3FER10

    10' - 16 Gauge

    10' length, black tri-tap power cord

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    Accu-Cable25'-16 Gauge EC-163-3FER25

    25' - 16 Gauge

    25' length, 16 gauge, black tri-tap power cord

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    Accu-Cable 6'-16 Gauge EC-163-6G

    6' - 16 Gauge

    6' length 16 gauge gray extension cords

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 10'-16 Gauge EC-163-10G

    10' - 16 Gauge

    10' length 16 gauge extension cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 25'-16 Gauge EC-163-25G

    25' - 16 Gauge

    25' length 16 gauge gray extension cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 50'-16 Gauge EC-163-50G

    50' - 16 Gauge

    50' length 16 gauge gray extension cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 25'-12 Gauge EC-123-25G

    25' - 12 Gauge

    25' length 12 gauge gray extension cord

    Gray cord blends in better with truss than traditional black.

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    Accu-Cable 50'-12 Gauge EC-123-50G

    50' - 12 Gauge

    50' length 12 gauge gray extension cord

    Gray cord blends in better with truss than traditional black.

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    Accu-Cable 100'-12 Gauge EC-123-100G

    100' - 12 Gauge

    100' length 12 gauge black extension cord

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    Accu-Cable 10'-16 Gauge EC-163-3FER10G

    10' - 16 Gauge

    10' length 16 gauge gray Tri-Tap power cord

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    Accu-Cable 25'-16 Gauge EC-163-3FER25G

    25' - 16 Gauge

    25' length 16 gauge Tri-Tap power cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 25'-12 Gauge EC-123-3FER25G

    25' - 12 Gauge

    25' length 12 gauge gray Tri-Tap power cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 50'-12 Gauge EC-123-3FER50G

    50' - 12 Gauge

    50' length 12 gauge gray Tri-Tap power cord

    Gray cord blends into truss better than traditional black.

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    Accu-Cable 50'-12 Gauge EC-123-3FER50

  • 50' - 12 Gauge
  • Black Cable

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    Accu-Cable 10'-16 Gauge EC-163-10

    10' - 16 Gauge

    10' length black extension cord

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    Accu-Cable 25'-16 Gauge EC-163-25

    25' - 16 Gauge

    25' length black extension cord

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    Accu-Cable 50'-16 Gauge EC-163-50

    50' - 16 Gauge

    50' length black extension cord

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    Accu-Cable 6'-16 Gauge EC-163-6

    6' - 16 Gauge

    6' length black extension cord

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DACCEC1636 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/ELAEC1636a.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/ELAEC1636a.jpg ACCEC1636 8.95 Accu Cable Accu Cable Power Extension Cables and 3fers Accu-Cable Black Edison 3Fer (Tri Tap) EC3FER

    Accu-Cable Black Edison 3Fer (Tri Tap) EC3FER

    Black Edison 3Fer (Tri Tap)

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    Accu-Cable 8' Edison to bare end SJTW ECAC8

    8' Blk, 12/3 Gauge, Edison plug to bare end SJTW

    Black Cable

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    Accu-Cable 10' Black, 16/3 Gauge ECCOM-10

    10' Black, 16/3 Gauge

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    Accu-Cable 3'- IEC male to female ECCOM-3

    3'bk,16/3Gauge,IEC Male to IEC

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    Accu-Cable 6'- Female IEC to Edison ECIEC-6

    6'bk,16/3Gauge,IEC Female to Edison

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    Accu-Cable LL PAR30 Replacement Lamp Opti 30

    Features:

  • Light weight extruded Aluminum
  • Uses Par 30 Lamps (Max 100 Watts)
  • Aluminum hanging bracket
  • Includes Gel Frame & Power Cord
  • Includes lamp: LL PAR30, 75W (E27 Base)

    Specifications:

  • Gel Frame size: 5" x 5" (octagon)
  • Power cable include grounded Edison plug
  • Dimensions (LxWxH): 6" x 7" x 8" / 152x177x203 mm
  • Weight: 3 lbs. / 1.4 kg.

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    Accu-Cable LL UVW100 Replacement Lamp UV Wash

    Specifications:

  • Watts: 100
  • Volts: 120
  • Length: 11"
  • Base Type: E26
  • Estimated Life: 1000 hrs.

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    Accu-Cable ZB-300 4 Protron Strobes Lamp

    Specifications:

  • Lamp: ZB-300 (750W)
  • Dimensions (LxWxH): 10 x 14.5 x 9.2 / 254 x 368 x 249mm
  • Weight: 14 lbs., 6.4 kg
  • Fuse: 20 amp fuse
  • Voltage: 120V
  • Power draw: 10 amp
  • Fan cooled: 1 axial fan for head 1 for base
  • Thermal protection

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    Accu-Cable ZB-EGT

    Specifications:

  • Full focusing knob
  • Zoom control
  • Built-in individual gel frames
  • Lamp: ZB EGT 120V 1000W
  • Power: 120V/60Hz ~ 230V/50Hz
  • Breaker : 15 Amp
  • Ventilation: Fan Cooling
  • Working Position: Any
  • Optional Stand Available: Model PRO FS STAND
  • Weight: 26.5 lbs.
  • Size: 27.5” x 10” x 6.75”

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    Accu-Cable ZB-GLA 575W Halogen Opti Par

    Specifications:

  • Design Par 575H - 575W Halogen Opti Par Moving Head Fixture
  • 575W Halogen Opti Par Moving Head Fixture
  • 8 DMX Channel
  • 40 degree beam angle
  • Pan: up to 630 degrees
  • Tilt: up to 265 degrees
  • Features: Fine Pan & Tilt, Dimming, Strobe, Built-in programs
  • Lamp: ZB-GLA 115V, 575W Halogen

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    Aer Basic-Performer Speaker

    Features:

  • Speaker: 4 x 8’ twin-cone speaker system, (98 dB 1w/1m, freq. range, 60 Hz - 18 kHz)
  • Cabinet: 0.59’ 3(15 mm) birch plywood
  • Dimension: 20.87’ (530 mm) high, 14.17’ (360 mm) wide, 15.75’ (400 mm) deep
  • Finish: waterbased acrylic, black spatter finish
  • Weight: 50.72 (23 kg)
  • Analog Signal Processor: Limiter, Subsonic Filter and Enhancer
  • Input Ch 1: Line: unbalanced, 1 MEG, Mic: balanced, 600 Ohm
  • Input Ch 2: Line: unbalanced, 1 MEG, Mic: balanced, 600 Ohm
  • EQ Channel 1:Bass: ± 18 dB/ 100 Hz, Middle: ± 13 dB/ 550 Hz, Treble: ± 11 dB/ 10 kHz
  • EQ Channel 2: Bass: ± 10 dB/ 80 Hz, Middle: ± 10 dB/ 200 Hz - 1kHz, Treble: ± 10 dB/ 10 kHz
  • Colour: - 3 dBV/ 700 Hz and

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    Aer Basscube 2 Bass Combo Amp

    Features:

  • Model: BassCube 2 (BCU)
  • Twin-channel 2-way coaxial system, 550 watt
  • Channel 1 and 2 equally equipped with:
  • combined XLR/6.3 mm (1/4“) input jack socket
  • to access the pre-amp section with 6 presets
  • (to be addressed by mode switch)
  • Piezo: sources with piezo level, instruments with passive
  • pickup systems only
  • Line: sources with line level, instruments with
  • active pre-amps and/or magnetic pickups
  • 9V: phantom power supply for line function, activated by
  • keeping the mode switch pushed for 3 seconds
  • Mic: sources with microphone level, balanced or unbalanced
  • 48V: phantom power supply microphone function, activated
  • by keeping the mode switch pushed for 3 seconds
  • E/P: electret-microphone / piezo - blender mode. Twin signal
  • is directly passed to channel 1 and 2 by stereo cable.
  • EQ: 3-band-EQ with parametric
  • mid-range and contour
  • Eff ect: compressor with ratio and threshold, notch-fi lter
  • with frequency, level and bandwidth switch
  • Power amp: class d, 550 W/8 ohm RMS, dynamic control
  • Speaker: two-way coaxial neodymium speaker system,
  • 12“ bass plus 1“ HF driver
  • Crossover: two-way, fc = 3.9 kHz, 12dB/oct.
  • Features: AUX-in, tuner-, line-out, eff ect loop,
  • footswitch: channel mute, ensemble/solo
  • Specials:
  • AUX-out, monitor, subbass, hf level
  • Accessories:
  • SoftCover
  • Cabinet:
  • 0.7“ (18 mm) birch plywood
  • Finish:
  • waterbased acrylic, black spatter fi nish
  • Dimensions:
  • 405 mm x 405 mm x 365 mm
  • (15.9“ x 15.9“x 14.37“), HxWxD
  • Weight: 20 kg (44 lbs)
  • for Acoustic, Jazz and Fusion
  • BassCube 2
  • Analogue sound design, digital power Bass Solutions Weight

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    Aer Alpha Guitar Combo Amp

    Features:

  • High quality, portable Acoustic Combo
  • Input one: XLR Combi - Line: unbalanced, 1 MEG Ohm, Mic: balanced, 600 Ohm Voice filter 300 Hz
  • Input two: Line: unbalanced, 2.2 MEG Ohm, pad: -10dBV
  • Outputs: line: 0dBV/ DI: -20dBV send: -10dBV
  • Foot switch tip: built in effect, ring: external effect ,sleeve: ground
  • EQ: bass: 8 dB/100 Hz, middle: 3 dB/550 Hz, treble: 11 dB/ 10 kHz
  • Analogue Signal Processor: limiter, subsonic filter and enhancer
  • Effect: digital reverb
  • Power amp: power consumption: 220-240 V / 50-60Hz / 55 VA (110V / 50-60Hz)
  • Rating: 40 Watt / 4 ohm rms
  • Speaker: 8 inch twin-cone speaker-system (96 dB 1w/1m, freq. range 60Hz-18kHz)
  • Cabinet: 0.47 inch (12 mm) birch plywood
  • Dimension: 10.24 inches (260 mm) high x 10.43 inches (265 mm) wide, 9.25 inches (235 mm) deep
  • Finish: water based acrylic, black spatter finish
  • Weight: 14.33 (6.5 kg)

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    Aer Alpha Plus Guitar Combo Amp

    Features:

  • High quality, portable Acoustic Combo
  • Input one: XLR Combi - Line: unbalanced, 1 MEG Ohm, Mic: balanced, 600 Ohm Voice filter 300 Hz
  • Input two: Line: unbalanced, 2.2 MEG Ohm, pad: -10dBV
  • Outputs: line: 0dBV/ DI: -20dBV send: -10dBV
  • Foot switch tip: built in effect, ring: external effect ,sleeve: ground
  • EQ: bass: 8 dB/100 Hz, middle: 3 dB/550 Hz, treble: 11 dB/ 10 kHz
  • Analogue Signal Processor: limiter, subsonic filter and enhancer
  • Effect: digital reverb
  • Power amp: power consumption: 220-240 V / 50-60Hz / 55 VA (110V / 50-60Hz)
  • Rating: 50 Watt / 4 ohm rms
  • Speaker: 8 inch twin-cone speaker-system (96 dB 1w/1m, freq. range 60Hz-18kHz)
  • Cabinet: 0.47 inch (12 mm) birch plywood
  • Dimension: 10.24 inches (260 mm) high x 10.43 inches (265 mm) wide, 9.25 inches (235 mm) deep
  • Finish: water based acrylic, black spatter finish
  • Weight: 14.33 (6.5 kg)

    Get Your Aer Alpha Plus Guitar Combo Amp Today! http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERALPHAPLS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Alpha-Plus.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Alpha-Plus.jpg AERALPHAPLS 899.10 AER AER Acoustic Systems Aer Compact-60 Acoustic Combo Amp

    Aer Compact-60 Acoustic Combo Amp

    Specifications:

  • Inputs Ch1: Line: unbalanced., 2.2 MEG
  • High/Low -10 dbV
  • Ch2: Line: unbalanced., 1MEG _ Mic: balanced., 600 Ohm
  • Eff. Return: -10dBV/10k
  • Outputs: Tuner: -10dBV
  • Line: 0dBV
  • DI: -20dBV
  • Send: -10dbV
  • Foot switch Tip: built in effect
  • Ring: external effect
  • Sleeve: ground
  • EQ:
  • Ch1: Bass: +- 8 dB/ 100 Hz
  • Middle: +- 3 dB/ 550 Hz
  • Treble: +- 11 dB/ 10 kHz
  • Ch2: Bass: +- 8 dB/ 100 Hz
  • Treble: +- 11 dB/ 10 kHz
  • Analog Signal
  • Processor: Limiter, Subsonic Filter and Enhancer
  • Effect: Four build-in effects, hall, bright hall, reverb/chorus, flanger
  • Power Amp: Power consumption: 220-240 V / 50-60Hz / 70 VA (110V / 50-60Hz)
  • Rating: 60 Watt / 4 ohm RMS
  • Mains Fuse: 1A slow
  • Speaker: 8" twin-cone speaker-system (96 dB 1w/1m, freq. range 60Hz-18kHz )
  • Cabinet: 0.59" 3(15 mm) birch plywood
  • Dimension: 10.24" 3(260 mm) high, 13.00"
  • 3(330 mm) wide, 19.06" 3(230 mm) deep
  • Finish: water based acrylic, black spatter finish
  • Weight: 18.74 (8.5 kg)
  • 0dB/V ~ 1V

    Get Your Aer Compact-60 Acoustic Combo Amp Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCMPCT60 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Compact-60-II.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Compact-60-II.jpg AERCMPCT60 1299.99 AER AER Acoustic Systems Aer Compact-Mobile Amp

    Aer Compact-Mobile Amp

    Specifications:

  • Inputs Ch1: Line: unbalanced., 2.2 MEG
  • High/Low -10 dbV
  • Ch2: Line: unbalanced., 1MEG _ Mic: balanced., 600 Ohm
  • Eff. Return: -10dBV/10k
  • Outputs: Tuner: -10dBV
  • Line: 0dBV
  • DI: -20dBV
  • Send: -10dbV
  • AUX CD input
  • Foot switch Tip: built in effect
  • Ring: external effect
  • Sleeve: ground
  • EQ:
  • Ch1: Bass: +- 8 dB/ 100 Hz
  • Middle: +- 3 dB/ 550 Hz
  • Treble: +- 11 dB/ 10 kHz
  • Ch2: Bass: +- 8 dB/ 100 Hz
  • Treble: +- 11 dB/ 10 kHz
  • Analog Signal
  • Processor: Limiter, Subsonic Filter and Enhancer
  • Effect: Four build-in effects, hall, bright hall, reverb/chorus, flanger
  • Power Amp: Power consumption: 220-240 V / 50-60Hz / 70 VA (110V / 50-60Hz)
  • Rating: 60 Watt / 4 ohm RMS
  • Mains Fuse: 1A slow
  • Speaker: 8" twin-cone speaker-system (96 dB 1w/1m, freq. range 60Hz-18kHz )
  • Cabinet: 0.59" 3(15 mm) birch plywood
  • Dimension: 10.24" 3(260 mm) high, 13.00"
  • 3(330 mm) wide, 19.06" 3(230 mm) deep
  • Finish: water based acrylic, black spatter finish
  • Weight: 18.74 (8.5 kg)
  • 0dB/V ~ 1V

    Get Your Aer Compact-Mobile Amp Today! http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCMPCTMBLE http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/COMPACT-MOBILE.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/COMPACT-MOBILE.jpg AERCMPCTMBLE 1529.10 AER AER Acoustic Systems Aer Compact Classic pro Amp

    Aer Compact Classic pro Amp

    Specifications:

  • cabinet 15 mm (0.59") fi nnish birch plywood
  • fi nish waterbased acrylic, black spatter fi nish
  • dimensions 265 mm x 330 mm x 235 mm
  • (10.40" x 13.00" x 9.25"), HxWxD
  • weight 7,8 kg (17.20 lbs)
  • 60 watts, dynamic control
  • two-way speaker system, 8" (200 mm) twin cone
  • speaker plus tweeter
  • Single-channel, two inputs, 3 band EQ with bass parametric
  • 32 bit AER digital effect processor with 16 presets 7,8
  • kg (17.20 lbs)

    Get Your Aer Compact Classic pro Amp Today! http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCMPCTCLSCPRO http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/Compact%20Classic%20pro.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/Compact%20Classic%20pro.jpg AERCMPCTCLSCPRO 1619.10 AER AER Acoustic Systems Aer Compact-XL Amplifier

    Aer Compact-XL Amplifier

    Features:

  • cabinet 15 mm (0.59") fi nnish birch plywood
  • fi nish waterbased acrylic, black spatter fi nish
  • dimensions 325 mm x 330 mm x 285 mm
  • (12.80" x 13.00" x 11.22"), HxWxD
  • weight 10,60 kg (23.30 lbs)
  • 200 watts, dynamic control
  • 2-way speaker system
  • Twin-channel, 3 and 2 band EQ
  • 4 digital e! ect presets (reverb and delay)
  • 10,60 kg (23.30 lbs)

    Get Your Aer Compact-XL Amplifier Today! http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCMPCTXL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/COMPACT-XL.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/COMPACT-XL.jpg AERCMPCTXL 1709.10 AER AER Acoustic Systems Aer Domino-2 Guitar Combo Amp

    Aer Domino-2 Guitar Combo Amp

    Specifications:

  • cabinet 15 mm (0.59") ! nnish birch plywood
  • " nish waterbased acrylic, black spatter ! nish
  • dimensions 365 mm x 420 mm x 295 mm
  • (14.37" x 16.53" x 11.69"), HxWxD
  • weight 13,95 kg (30.76 lbs)
  • 100 watts, dynamic control
  • 2 x 8" twin cone mono speaker system.
  • Quad-channel acoustic system
  • 32 bit AER digital e! ect processor with 16 presets
  • 13,95 kg (30.76 lbs)

    Get Your Aer Domino-2 Guitar Combo Amp Today! http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERDMNO2 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Domino-2.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Domino-2.jpg AERDMNO2 1619.10 AER AER Acoustic Systems Aer AcoustiCube-3 Guitar Combo Amp

    Aer AcoustiCube-3 Guitar Combo Amp

    Specifications:

  • 120 watts, dynamic control
  • two-way speaker system with 8"-diecast neodymium,
  • kevlar® cone bass and neodymium tweeter
  • Twin-channel 2-way acoustic system
  • 32 bit AER digital e" ect processor with 100 presets
  • PC Software for managing individual e" ect presets
  • 13,00 kg (28.67 lbs)
  • cabinet 15 mm (0.59") " nnish birch plywood
  • # nish waterbased acrylic, black spatter " nish
  • dimensions 325 mm x 335 mm x 260 mm
  • (12.80" x 13.20" x 10.20"), HxWxD
  • weight 13,00 kg (28.67 lbs)

    Get Your Aer AcoustiCube-3 Guitar Combo Amp Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERACSTCCBE3 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AcoustiCube-3.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AcoustiCube-3.jpg AERACSTCCBE3 2969.10 AER AER Electric Bass Systems Aer Amp-One

    Aer Amp-One

    Features:

  • 200watts (RMS)
  • 1x 10" neodym speaker
  • Aux input
  • Effects loop
  • XLR
  • DI and headphone outputs
  • Built-in compressor
  • Dimensions: 369 x 320 x 285mm (HxWxD)
  • Weight: 13.4kg

    Get Your Aer Amp-One Today!

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    Aer Amp Two

    Features:

  • Model: Amp two (AP2)
  • Single-input, bass combo amplifi er, 240 watt
  • Input: 6.3 mm (1/4”) input jack socket as highimpedance
  • line input stage with pad (high/
  • low attenuation) and gain control
  • EQ: bass ± 8 dB / 80 Hz
  • middle ± 15 dB / 200…2000 Hz (adjustable)
  • treble ± 12 dB / 6 kHz
  • bass boost + 10 dB / 55 Hz
  • colour -1 db / 300 Hz, + 8 db / 3,7 kHz
  • Tone balance: the tone balance enables the bass- or treble
  • emphasis or a combination of both
  • Compressor: 1 mV… 350 mV at instrument input
  • ratio = 1:1… 10:1
  • Power amp: 200 W/8 ohms,
  • descrete bipolar transistor design
  • Speaker system: 12“ (300 mm) woofer, neodymium magnet,
  • bass refl ex enclosure, 4“ (100 mm) mid-high
  • direct-radiation speaker
  • Features: adjustable DI-out, lineout, headphones,
  • tuner, sub-out, eff ect loop
  • footswitch: input muting, eff ect loop on/off
  • Accessories: padded gigbag
  • Cabinet: 0.7“ (18 mm) birch plywood
  • Finish:
  • waterbased acrylic, black spatter fi nish
  • Dimensions:
  • 500 mm x 420 mm x 350 mm
  • (19.7“ x 16.5“x 13.8“), HxWxD
  • Weight: 23,5 kg (51.7 lbs)

    Get Your Aer Amp Two Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAMPTWO http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AERAMPTWO.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AERAMPTWO.jpg AERAMPTWO 2069.10 AER AER Electric Bass Systems Aer Amp Three

    Aer Amp Three

    Specifications:

  • cabinet 18 mm (0.70”) finnish birch plywood
  • finish waterbased acrylic, black spatter finish
  • dimensions 366 mm x 416 mm x 315 mm
  • (14,41 x 16,38 x 12,40 HxWxD)
  • weight 16 kg (34,97 lbs)
  • single channel bass combo
  • 200 watts, dynamic control
  • 2 x 8“ heavy-duty bass-speakers
  • compressor with adjustable ratio and threshold
  • 13,50 kg (29.50 lbs)

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAMPTHREE http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Amp-Three.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AER-Amp-Three.jpg AERAMPTHREE 1799.10 AER AER Electric Bass Systems Aer Head One Bass Guitar Amp

    Aer Head One Bass Guitar Amp

    Features:

  • Input:1/4" unbalanced
  • Senstive:-26 dbV
  • Pad:-15 dbV
  • Output:1/4" unbalanced
  • Colour:-3dB / 300Hz +7dB / 4 kHz
  • EQ 1:Bass:+/- 9 dB / 45 Hz, Low Mid:+/- 9 dB / 240 Hz, High Mid:+/- 9 dB / 880 Hz, Treble:+/- 9 dB / 7.2 kHz
  • EQ 2:Bass:+/- 9 dB / 45 Hz, Low Mid:+/- 9 dB / 420 Hz, High Mid: +/- 9 dB / 880 Hz, Treble: +/- 9 dB / 7.2 kHz
  • Weight: 6 kg
  • Dimensions: 88 x 366 x 306 mm

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERHEADONE http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/HEAD-ONE.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/HEAD-ONE.jpg AERHEADONE 2339.10 AER AER Electric Bass Systems Aer Cab One Bass Guitar

    Aer Cab One Bass Guitar

    Features:

  • Model: Cab one (CB1)
  • Two-way full-range loudspeaker-system
  • Speaker: two-way system with vented 2 x 10“
  • neodymium in push-pull mode plus 1 x 8“-
  • twin-cone extended range
  • Rated power: 300 W
  • Impedance: 4 ohm
  • Frequency
  • response: 65 Hz –15 kHz
  • Crossover: 2-way, fc = 3.9 kHz, 12 dB/oct.
  • Accessories: SoftCover, 1 m cable with Speakon® plug
  • Cabinet: 0.71“ (18 mm) birch plywood
  • Finish: water based acrylic, black spatter fi nish
  • Dimensions: 570 mm x 480 mm x 440 mm
  • (22.44“x 18.90“x 17.32“), HxWxD
  • weight: 27kg ( 59.54 lbs )

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCABONE http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/CAB-ONE.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/CAB-ONE.jpg AERCABONE 1169.10 AER AER Electric Bass Systems Aer Cab Two Bass Guitar

    Aer Cab Two Bass Guitar

    Features:

  • Frequency: 55Hz-2kHz (-3db)
  • Dimensions: 18.9"x22"x17.3"
  • Weight: 50.7 Lbs
  • Light-weight two channel Class D integrated amplifier
  • 2 channel full range mode
  • 2-way-active mode
  • Bridge mode
  • Equipped with ‘tube emulation’ for ‘drive’ sounds
  • Two independent EQs
  • AER Cab One & Head One not included

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCABTWO http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/CAB%20TWO.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/CAB%20TWO.jpg AERCABTWO 989.10 AER AER Electric Bass Systems Aer Cab Three Bass Cabinet

    Aer Cab Three Bass Cabinet

    Features:

  • The AER Cab T. Cab Three is a 12" neodym bass reflex loud-speaker-system.
  • Work it stand-alone with Head One. Or for those larger rooms, Cab Two in addition is the perfect match in conjunction with Cab One as full stack.

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCABTHREE http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/cab%20three.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/cab%20three.jpg AERCABTHREE 809.10 AER AER Electric Guitar Systems Aer Cheeky D Combo Amp

    Aer Cheeky D Combo Amp

    Specifications:

  • 200/240 watts, dynamic control
  • cheeky d. 10: 10“ (250 mm) twin cone fullrange speaker
  • cheeky d. 12: 12“ (300 mm) AlNiCo guitar loudspeaker
  • Single channel guitar combos
  • 4 digital effect presets and distortion
  • cheeky d. 10: 16 kg (35.50 lbs)
  • cheeky d. 12: 17,20 kg (37.90 lbs)
  • cabinet 15 mm (0.59”) finnish birch plywood
  • finish waterbased acrylic, black spatter finish
  • dimensions cheeky d. 10 cheeky d. 12
  • 325 x 376 x 296 mm 366 x 416 x 315 mm
  • (12.80“ x 14.80“ x 11.70“) (14.40“ x 16.40“ x 12.40“) (HxWxD)
  • weight 16 kg (35.50 lbs) 17,20 kg (37.90 lbs)

    Get Your Aer Cheeky D Combo Amp Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCHEEKYD http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/CHEEKY-D.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/CHEEKY-D.jpg AERCHEEKYD 1889.10 AER AER PA Systems Aer AG8-2 Active Monitor

    Aer AG8-2 Active Monitor

    Features:

  • insert pre/post EQ, ground lift, adjustable line, mic and Aux

    Specifications:

  • 60 watts, dynamic control
  • 8” (200 mm) twin cone speaker
  • multi-functional full-range system
  • 7,55 kg (16.67 lbs)

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAG82 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AG8-2.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AG8-2.jpg AERAG82 854.10 AER AER PA Systems Aer AS-281/2

    Aer AS-281/2

    Specifications:

  • 100 watts, dynamic control
  • 2 x 8“ polypropylene low-midrange speaker, biradial
  • horn tweeter
  • two-way full-range system.
  • D’Appolito construction
  • 14 kg (30.68 lbs)
  • cabinet 15 mm (0.59”) finnish birch plywood
  • finish waterbased acrylic, black spatter ! nish
  • dimensions 560 x 260 (front) x 135 (back) x 285 mm
  • trapezoid angle 50°
  • (22.0“ x 10.2“ x 5.31“ x 11.22“) HxWxD
  • weight 14 kg (30.68 lbs)

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAS2812 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/As281.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/As281.jpg AERAS2812 1484.10 AER AER PA Systems Aer CX8-2

    Aer CX8-2

    Specifications:

  • 120 watts, dynamic control
  • two-way speaker system with 8“-diecast neodymium,
  • kevlar® cone bass and neodymium tweeter
  • multi-functional full-range system
  • 12 kg (26.50 lbs)
  • cabinet 15 mm (0.59”) Finnish birch plywood
  • finish waterbased acrylic, black spatter finish
  • dimensions 335 mm x 265 mm x 260 mm
  • (13.20 “ x 10.43“ x 10.20“), HxWxD
  • weight 12 kg (26.50 lbs)

    Get Your Aer CX8-2 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCX82 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/CX8-2.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/CX8-2.jpg AERCX82 1709.10 AER AER PA Systems Aer SUB-10 Bass Speaker

    Aer SUB-10 Bass Speaker

    Features:

  • 10"-250 W / 8 ohm, crossover frequency 200Hz, in combination with the Acousticube and/or CX8
  • Dimensions: 330 x 330 x 260 mm (13.00" x 13.00" x 10.24")
  • Weight: 12,5 kg (26.9 lbs)
  • Accessoires: Speaker cable and SoftCover

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERSUB10 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/SUB-10.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/SUB-10.jpg AERSUB10 1889.10 AER AER Pickups and Accessories Aer AK15 Plus

    Aer AK15 Plus

    Features:

  • The pickup has an active piezo undersaddle with a condenser mic so its dual source.
  • It has a built in pre-amp as well as volume and blend wheels fitted to the inner edge of the soundhole.

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAK15PLUS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AK15-PLUS.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AK15-PLUS.jpg AERAK15PLUS 299.00 AER AER Pickups and Accessories Aer AK30 Plus Instrument Preamp

    Aer AK30 Plus Instrument Preamp

    Specification:

  • AK30 PLUS is a twin-source retrofit side mounted acoustic instrument preamp with 2 band EQ, presence control and low battery indicator.
  • Based on the AK15, the AK30 PLUS features AER's standard piezo under saddle pickup and a single microphone, each addressable by separate fader.
  • The microphone is dependant on the Piezo volume.
  • It can be used for a wide range of instruments, if you need tone and volume controls directly accessible.
  • AK30 PLUS can be phantom powered by AER amps without having to remove the battery.

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERAK30PLUS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AK30-preamp.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AK30-preamp.jpg AERAK30PLUS 329.00 AER AER Pocket Tools Aer Colourizer Guitar Preamp

    Aer Colourizer Guitar Preamp

    Features:

  • 2-band parametric EQ (level: +/- 15 dB, bandwidth: 1 octave - 1/6 octave
  • Frequencies: f1=90Hz - 1,6kHz, f2=680Hz - 11kHz
  • Jack input (10kOhm input impedance)
  • Phase invert (in relation to the input signal-phase from 0 to 180 degrees)
  • Gain control
  • Bypass
  • Dimensions (h x b x d): 6.5 cm x 10.5 cm x 13.5 cm
  • Weight: 420 g, 24V DC
  • External power supply (included)

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    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAERCOLURIZER http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/COLOURIZER.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/COLOURIZER.jpg AERCOLURIZER 429.00 AER AER Pocket Tools Aer Dual Mix Guitar Preamp

    Aer Dual Mix Guitar Preamp

    Features:

  • two inputs, each for one microphone or instrument and line-level signal with switchable 24V-phantom-power
  • separate active two-band EQ networks for each input
  • a 4-preset multi-effects-unit with two reverbs, one echo and one chorus
  • a stereo aux-in
  • line-out and DI-out
  • plus a stereo-headphone-preamplifier

    Get Your Aer Dual Mix Guitar Preamp Today!

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    Aer Dual Para EQ Guitar Preamp

    Features:

  • 2-band parametric EQ (level: +/- 15 dB, bandwidth: 1 octave - 1/6 octave
  • Frequencies: f1=90Hz - 1,6kHz, f2=680Hz - 11kHz, jack input (10kOhm input impedance)
  • Phase invert (in relation to the input signal-phase from 0 to 180 degrees)
  • Gain control
  • Bypass
  • Dimensions(h x b x d): 6.5 cm x 10.5 cm x 13.5 cm
  • Weight: 420g
  • 24V DC external power supply (included)
  • Incl. bag

    Get Your Aer Dual Para EQ Guitar Preamp Today!

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    Akai MP12-1

    Akai MP12-1 Description:

    AC Adaptor for MPC500 (Included)and XR20 (included)

    Get your Akai MP12-1 today!

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    Akai EWM1

    Akai EWM1 Description:

    EWI4000S replacement mouthpeice

    A mouthpiece for the Award Winning Akai EWI4000S wind instrument.

    Get your Akai EWM1 today!

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    Akai MP6-1

    Akai MP6-1 Description:

    AC Adaptor (optional) for MPD24, MPD32, and MPK49

    Akai MP6-1 AC Adapter for MPD24 and MPK49 (optional).

    Get your Akai MP6-1 today!

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    Akai MP9-II

    Akai MP9-II Description:

    AC Adaptor for EWI4000S (Optional) & E2 (Included) - Can use MP9-3

    The MP9-II from Akai is an optional AC adaptor for use with the EWI4000S wind controller.

    The MP9-3 from Akai is a 9VDC (95mA) optional power supply for the MPD16 pad controller.

    Get your Akai MP9-II today!

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    Akai APC Bag

    Transport your APC setup in plush protection.

    The APC BAG is a padded, protective live bag, designed specifically for APC performers. This purpose-designed carry case has red, plush-lined APC and laptop compartments for securely transporting your performance rig to and from the show in style. An additional APC BAG compartment holds small accessories such as hard drives, pens, cables, and more. Custom-cut, high-density foam protects your APC when it's in the APC BAG. The APC BAG works with the APC40 or APC20 and virtually all standard laptops. The bag has hand-carry handles and a shoulder strap.

    Get Your Akai APC Bag Today!

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    Akai LAPTOP STAND

    Features:

  • Solid, easy-to-assemble laptop stand for producers, performers and DJs
  • Secure construction, yet portable, and collapsible with low-weight design
  • Top, underside, and inner rubber grips for secure computer placement
  • Wall mountable for use in studios and DJ booths
  • Comes with a zippered, protective case for convenience in transport

    Includes:

  • Laptop Stand
  • Carrying Case

    Get Your LAPTOP STAND Today!

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    Akai XR20

    Beat production center with over 700 sounds & effects. Battery or AC

    THE PERFECT PORTABLE BEAT MACHINE.

    Inspiration can happen anywhere. The XR20 is loaded with pro-grade, industrial-strength drum, percussion, bass, synth, sound effects, vocal and instrument hit sounds and has the ability to lay them in a groove wherever and whenever you're ready.

    Over 700 pre-loaded sounds, and an integrated effects engine for Reverb, EQ and Compression put you in full control of your beat production.

    A microphone input is even included for mixing vocals with your patterns. Brilliant backlit pads provide visual cues for added beat precision.

    The XR20 features sounds of standard and electronic drums, single (one-shot) hits, bass and synth sounds to easily create your maximum mix in minimal time.

    Akai XR20 Features:

  • Backlit LCD
  • Bright, glowing, backlit pads that follow the beat
  • Microphone input and Headphone output
  • Pattern Play Mode - Different patterns can be triggered from individual pads
  • Drum Roll / Note Repeat feature for realism and expression
  • Battery Power capability and AC Adapter

    • Get Your Akai XR20 Today!

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    Akai E2 Headrush

    The Akai Professional E2 Headrush pedal brings delay, tape echo simulations and a looping recorder in one convenient pedal.

    User selectable delay options allow for maximum control of output signal. Real time feedback and gain adjustment as well as echo rate.

    HEADRUSH also simulates a 4-head analog tape echo machine with control over decay and spacing between virtual tape heads to create complex multiple delays and repeats.

    The signal from each virtual head appears on an individual output for multiple returns when used with an external mixing console.

    The LOOPING RECORDER mode allows you to record and overdub layer after layer of sound in real-time making the HEADRUSH an unbelievable live performance tool.

    Depending upon which mode is selected, the left footswitch controls the on/off and play/stop functions while the right footswitch sets the tap delay time or recording and overdub options.

    The LED display indicates which effect in use and blinks in time showing the delay time selected.

    The Akai Professional E2 Headrush pedal puts delay, tape echo simulations and a looping recorder in one convenient pedal.

    A versatile delay pedal for live use, in particular for guitar and bass players, or vocalists.

    Akai E2 Headrush Features:

  • 16-bit Digital Delay - Delay time from 0.5ms to an astonishing 23.8 seconds maximum
  • Real-time delay control - sets delay time by tapping footswitch twice
  • Tape Echo mode with four individual outputs for each head
  • Looping Recorder with overdub mode - Powerful tool for solo performances
  • Selectable Fixed or Adjustable Loop Level.

    • Akai E2 Headrush Specifications:

  • Modes
  • NORMAL DELAY, TAPE ECHO and LOOPING
  • Resolution 16bit
  • Sample rate
  • Normal : 44.1kHz
  • Extend: 29.4kHz
  • Maximum time
  • Delay: 23.8 seconds
  • Tape Echo: 5.9 seconds
  • Looping: 23.8 seconds, 11.9 seconds overdub [Normal]
  • 35.6 seconds, 17.8 seconds overdub [Extended]
  • Controls
  • LEVEL, HF DAMP, FEEDBACK, TIME COARSE/TIME, TIME FINE/HEAD GAP, RATIO
  • Switches MODE SELECT, LOOP LEVEL, LOOP TIME, Footswitch x 2
  • LEDs MODE x 3, EFFECT ON/OFF x1, TEMPO x1
  • Connections
  • Input:
  • 1/4" jack. Input impedance 500kOhms or more/td>
  • Outputs:
  • Mix, Effect/Head 1, Heads 2-4: 1/4" jack x 5, output impedance 1kOhms or lesss
  • 9V DC in (160mA
  • Options
  • AC adaptor (MP9-III
  • Dimensions
  • (W x D x H) 5.51" x 7.22" x 2.56"
  • (140mm x 183.5mm x 65mm)
  • Weight
  • 2.54lbs (1.15kg)

    • Get Your Akai E2 Headrush Today!

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    Akai Compressor

    Compressor, from the Akai Professional Analog Custom Shop, is the ideal solution to sculpting a defined guitar tone. Compressor combines Level and Sensitivity knobs in a heavy-duty polished stainless-steel housing with classic custom graphics evoking the true sound of guitar glory.

    With just two knobs, Analog Custom Shop’s Compressor provides precise control over the input signal resulting in a more balanced overall output. Level controls how much of the compression effect is applied while Sensitivity determines when the effect kicks in. Careful adjustments between these two parameters results in signal clarity not otherwise achievable.

    Compressor is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Features:

  • Squeeze your sound to increase sustain or create harder attacks
  • Wide range of compression sounds from one pedal
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Includes: Pedal, Power cable and Quick start guide

    Get Your Akai Compressor Today!

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    Akai Blues Overdrive

    Chorus, from the Akai Professional Analog Custom Shop, is your secret weapon in creating a thick, lush customized sound. Chorus is housed in heavy-duty polished stainless-steel. True-bypass switching combined with adjustable Tone, Speed and Spread knobs provide a wide range of precision control.

    Chorus can be set to achieve a variety of effects ranging from a multiple guitar sound to fast-repeat staccato attacks. Dialing in the desired effect is accomplished by adjusting three onboard knobs. Tone controls the frequency from low to high, Speed changes the rate at which the repetition occurs and Spread sets the spatial dynamics of the effects sound. The Rate Switch provides an extra level of control adding fast and slow repetition control.

    Akai Professional’s Analog Custom Shop Chorus adds natural sounding, clear adjustable accompaniment for a unique sound. Chorus is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Features:

  • Dynamic response to incoming signal (soft to saturate)
  • Vintage circuit design with boutique sound quality
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Includes: Pedal, Power cable and Quick start guide

    Get Your Akai Blues Overdrive Today!

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    Akai Deluxe Distortion

    The Akai Professional Deluxe Distortion guitar effects pedal is the flagship of the Analog Custom Shop product line. Deluxe Distortion combines distortion, tone-control and amplifier simulation in heavy-duty polished stainless-steel housing. True-bypass switching, adjustable frequency knobs, amp simulation and tone toggle switches provide precision control.

    Deluxe Distortion’s EQ mode toggle-switch provides detailed tone control with a choice of Modern, Normal or Classic. The Modern setting provides a scooped-mid tone recognizable as a cornerstone of the hard rock and heavy metal guitar sound. Normal passes the input frequency directly to the distortion effect while the Classic setting boosts mid-tone for an enhanced, warm tone reminiscent of classic rock.

    Dir Rec switch provides emulation of amplifier power and speaker perfect for direct input to a mixer, DAW or other amplification or recording device. Gain is highly adjustable with the Fat, Boost, Warm tone Tri-Mode toggle-switch enabling soaring leads, lush chords and satisfying rhythm tones. Tone may be further adjusted using the six precision knobs and High Cut toggle-switch.

    Deluxe Distortion is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Features:

  • The most flexible distortion on the market
  • Three distortion types, 3-band EQ, Amp simulator switch
  • Subtle, Dark, bright, harsh, classic, warm
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Includes: Pedal, Power cable and Quick start guide

    Get Your Akai Deluxe Distortion Today!

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    Akai Analog Delay Effects

    The Akai Professional Analog Delay, part of the Analog Custom Shop product line, is essential ammo in the modern guitarists effects pedal arsenal. Analog Delay provides three-dimensional control in heavy-duty polished stainless-steel housing. True-bypass switching, adjustable Mix, Time and Repeat knobs and a durable Time Switch toggle provide precision delay control.

    Analog Delay’s toggle-switch adjusts the Time knob so that it functions between 0-600ms or 0-1200ms of delay. This range of settings encompasses delay sounds evocative of the classic slap-back popularized by rockabilly and surf to the urgent, atmospheric echo which prevailed in the ‘80s and remains popular today.

    Three knobs are the heart of Analog Delay’s precision control. Mix allows guitarists to dial in the precise amount of delay effect for the current performance. In association with the Time Switch toggle, the Time knob controls the length between repeats. Repeat controls how many duplicates of the source sound are generated. Using Mix, Time and Repeat knobs in conjunction provides a multitude of delay styles ranging from spacey freedom to direct duplication and everything in-between. Analog Delay is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Features:

  • True analog BBD design for a vintage sound
  • Short and long modes for up to 1.1 seconds of delay
  • Solid metal chassis and vintage knobs
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Includes: Pedal, Power cable and Quick start guide

    Get Your Akai Analog Delay Effects Today!

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    Akai Flanger

    Flanger, from the Akai Professional Analog Custom Shop, is a great example of a classic sound improved. Flanger includes Rate, Depth, Manual and Res knobs in heavy-duty polished stainless-steel housing. True-bypass switching and four adjustable knobs provide precision control.

    At first glance Flanger looks a breeze but once explored reveals a perfect storm of sound. The Rate knob sets how often the oscillation effect waveform repeats as well as the resulting pitch and depth of the signal. Depth sets the intensity of the flange effect, ranging from a mellow stir to an intense swirling maelstrom. Manual and Res work in combination to both delay and increase the intensity of the overall effect.

    In the right hands, Flanger unlocks a key to the instantly recognizable, cradle-rocking sound of 80’s hard rock. Flanger is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Features:

  • Rich 100% analog flanging
  • Depth, resonance, speed and manual controls
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Includes: Pedal, Power cable and Quick start guide

    Get Your Akai Flanger Today!

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    Akai Phase Shifter

    Phase Shifter, from the Akai Professional Analog Custom Shop, is one of the more esoteric pedals in the product line. Phase includes A and B frequency toggle-switches and a Rate knob in heavy-duty polished stainless-steel housing. True-bypass switching and three control mechanisms provide precision control.

    Phase Shifter provides an instantly recognizable swirling sound. The Rate knob sets how often the oscillation effect waveform repeats as well as the resulting pitch and depth of the signal. The A and B frequency toggle-switches can be set in four different ways. Combining these four settings with subtle changes to the Rate knob results in a range of lush, atmospheric ambience that swirls around as much or as little as desired.

    Phase is powered by the included 9-volt battery or 9v AC adapter (sold separately).

    Key Features:

  • Four distinct modes to match the character of multiple vintage phasers
  • Great for keyboards as much as guitars
  • Warm, classic sound
  • True Bypass for retaining a pure signal when the effect is disengaged

    Includes:

  • Phase Shifter pedal
  • Power cable
  • Quick start guide

    Get Your Akai Phase Shifter Today!

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    Akai Analog Chorus

    Chorus, from the Akai Professional Analog Custom Shop, is your secret weapon in creating a thick, lush customized sound. Chorus is housed in heavy-duty polished stainless-steel. True-bypass switching combined with adjustable Tone, Speed and Spread knobs provide a wide range of precision control.

    Chorus can be set to achieve a variety of effects ranging from a multiple guitar sound to fast-repeat staccato attacks. Dialing in the desired effect is accomplished by adjusting three on-board knobs. Tone controls the frequency from low to high, Speed changes the rate at which the repetition occurs and Spread sets the spatial dynamics of the effects sound. The Rate Switch provides an extra level of control adding fast and slow repetition control.

    Akai Professional’s Analog Custom Shop Chorus adds natural sounding, clear adjustable accompaniment for a unique sound.

    Chorus is powered by the included 9-volt battery or 9V AC adapter (sold separately).

    Key Features:

  • Totally analog warm rich sound
  • Depth, Speed and Mix controls with Slow/Fast switch
  • True Bypass for retaining a pure signals when the effect is disengaged

    Includes:

  • Chorus pedal
  • Power cable
  • Quick start guide

    Get Your Akai Analog Chorus Today!

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    Akai Drive3 Distortion

    Features:

  • Triple-throw toggle switch for Fat, Boost or Warm
  • Pure analog with top quality components
  • Large vintage style knobs for easy setting and viewing
  • Level, Distortion and Tone controls.
  • True Bypass for retaining a pure signal when the effect is disengaged

    Includes:

  • Drive3 Distortion pedal
  • 9V battery
  • Quick start guide

    Get Your Akai Drive3 Distortion Today!

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    Akai Drive3 Overdrive

    Features:

  • Triple-throw toggle switch for Scream, Boost or Warm
  • Replaceable gain chip allows for custom tailoring of drive circuit
  • True Bypass for retaining a pure signal when the effect is disengaged
  • Level, Drive, and Tone controls

    Includes:

  • Drive3 Overdrive pedal
  • 9V battery
  • Quick start guide

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    Akai Drive3 Fuzz

    Features:

  • Three modes of classic Fuzz sounds: Muffy, Boost and Warm
  • Pure analog design
  • Level, Fuzz, and Tone controls
  • True Bypass for retaining a pure signal when the effect is disengaged

    Includes:

  • Drive3 Fuzz pedal
  • 9V battery
  • Quick start guide

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    Akai MPC1000

    64 track 32 voice sampling sequencer. Built in FX and 6 assignable outs

    PRODUCTION POWER, ON THE MOVE.

    Inheriting all the essential features which make the MPC series so iconic, the MPC1000 is not only a perfect complement to its larger MPC siblings, but a powerful Music Production Center in its own right.

    The MPC1000 combines a 64?Track MIDI Sequencer and a 32?voice Stereo Digital Sampler, with 16 velocity and pressure sensitive rubber pads.

    16MB of on?board memory comes standard and can be expanded up to 128 MB of RAM. You can save your work to a Standard Compact Flash Card (up to 2GB).

    A preloaded CF card is included, to get you going.

    When connected to a Mac or PC via its built?in USB port, you can simply drag & drop data between the computer and the MPC1000's CF card.

    Incredibly portable, the MPC1000 is small and ruggedly designed, to easily fit in a backpack or laptop bag for the traveling producer.

    The perfect machine to quickly create punchy beats.

    Anyone who wanted an MPC but could not afford it!

    Typically: Hip-Hop and R and B artist or "Producer", as well as DJ/Live Club performer.

    Akai MPC1000BK Features:

  • Pattern?based and linear 64?track sequencer with 32 MIDI channels
  • 32?voice drum/phrase sampler with up to 128MB RAM
  • Velocity and pressure sensitive pads for expressive programming
  • 16 levels function: one sound on all pads with varied level, tuning, attack, decay or filter per pad
  • Two Q?Link sliders for real?time performance control
  • Built?in Compact Flash drive and USB port (Mass Storage Class)
  • Standard WAV files samples and MIDI Files sequences
  • Built?in Analog and Digital I/Os, headphone output and 2 x MIDI In /Out
  • Internal sounds in flash
  • 4?way sample layering and velocity switching per pad
  • 4?pole filters (two 2?pole filters) filtering for each of the 32 voices
  • 2 onboard effects processors plus 1 main out effect processor; all which can be used simultaneously
  • Can resample its own output
  • Optional available accessory: 128MB Ram Expansion (EXM128)

    • Akai MPC1000BK Specifications:

    Sound Generator

  • Data format: 16-bit linear WAV
  • Sampling rate: 44.1 kHz
  • Memory: 16MB standard (11.5MB sound memory), expandable to 128MB with EXM128 option
  • Preset sound memory: 5MB Flash
  • Recording time: 136 sec (16MB mono) 24m28sec (128MB mono)
  • Polyphony: 32-voice
  • Filters: 2 x 2-pole filters per voice
  • Filter types: Low pass, band pass, high pass
  • Number of active programs: 24 (with 64 pads per program)

    • Effects

  • 2 general effects: Chorus, Flanger, 4-band EQ, Bit-Grunger, Compressor, Phaser, Tremolo, Auto Pan, Reverb
  • Master effect: 4 band EQ, Compressor

    • Sequencer

  • Capacity: 100,000 notes
  • Resolution: 96ppq
  • 99 Sequences
  • 64 Tracks per sequence
  • 32 MIDI output channels (16 channels x 2 output ports)
  • Song mode: 20 songs, 250 steps per song
  • MIDI Clock Sync: Master/Slave

    • Drumpads

  • 16 velocity and pressure sensitive pads
  • 4 pad banks
  • 16 Levels: Velocity, Tuning, Filter Cutoff, Attack, Decay
  • Track Mute and Next Sequence features for live performance

    • Connections

  • Record Input (L and R): jack x 2, balanced
  • Digital Input: RCA x 1, SPDIF
  • Stereo Output (L and R): jack x 2, unbalanced
  • Individual Outputs: jack x 4, unbalanced
  • Headphone Output: stereo jack x 1
  • Digital Output: RCA x 1, SPDIF
  • MIDI: 2 x MIDI In and 2 x MIDI Out
  • USB: Device connector x 1 (Mass Storage Class support)
  • Footswitches: jack x 2

    • General

  • Display: 240x64 dot graphic LCD w/back light
  • Power: 100-240V AC, 50/60Hz
  • Consumption: 19W
  • Dimensions (H x W x D):
  • 2.97" x 12.99" x 8.985" [max 9.235"]
  • (75.5mm x 330mm x 228.2mm [max 234.6mm])
  • Weight: 7.6 lbs (3.45kg)

    • Get Your Akai MPC1000BK Today!

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    Akai MPC500

    TAKE THE MPC PLATINUM STANDARD EVERYWHERE YOU GO.

    48 track 32 voice sampling sequencer. Built in FX. Battery or AC

    The MPC500 is the first truly portable all-in-one Music Production Center, affording artists the ability to sample and create music on-the-go.

    Whether you travel around the globe for hit-making sessions or across town to link up for a casual beatmaking hang, the MPC500 is the ultimate answer to your mobile production needs.

    Fully compatible with the legendary MPC line, you can work anywhere with the MPC500's battery-powered capability and drop them back into your MPC2500 when you get back to the studio.

    The MPC500 combines a 48-Track MIDI Sequencer and a 32-voice Stereo Digital Sampler, with 12 velocity and pressure sensitive rubber pads.

    16MB of on-board memory comes standard and can be expanded up to 128 MB of RAM.

    When connected to a Mac or PC via its built-in USB port, you can simply drag & drop data between the computer and the MPC500's CF card.

    Compatible with other MPC products, the MPC500 extends users' studios to fit in with their mobile lifestyles.

    Applications:

    Sampling and Beat Creation

    MIDI sequencing

    Live Performance

    Travelling

    Akai MPC500 Features:

  • Battery powered (6 AA's) or AC powered (with included power adaptor)
  • Pattern-based 48-track sequencer with 16 MIDI channels
  • 32-voice drum/phrase sampler with up to 128MB RAM
  • Velocity and pressure sensitive pads for responsive, accurate programming
  • 12 Levels function: one sound on all pads with varied level or tuning per pad
  • Built-in Compact Flash drive and USB port (Mass Storage Class)
  • Support for standard WAV files and MIDI sequences
  • Built-in Analog I/O, headphone output, and MIDI In/Out
  • Internal sounds in Flash
  • 4-way sample layering and velocity switching per pad
  • 1 low pass filter with resonance per voice
  • On-board effects: 2 stereo effects and a Master effect

    • Akai MPC500 Specifications:

    Sound Generator

  • Data format: 16-bit linear WAV
  • Sampling rate: 44.1 kHz
  • Memory: 16MB standard (11.5MB sound memory), expandable to 128MB with EXM128 option
  • Preset sound memory: 5MB Flash
  • Recording time: 136 sec (16MB mono) 24m28sec (128MB mono)
  • Polyphony: 32-voice
  • Dynamic filtering: 2-pole lowpass filter per voice
  • Number of active programs: 24 (with 48 pads per program)

    • Effects

  • Effects: 2 stereo effects and Master effect
  • Effect type: Chorus, Flanger, Bit grunger, 4 band EQ, Compressor, Phase shifter, Tremolo, Flying pan, Reverb, Delay
  • Master effect: 4 band EQ, Compressor

    • Sequencer

  • Maximum events: 100,000 notes
  • Resolution: 96ppq
  • 99 Sequences
  • 48 Tracks per sequence
  • 16 MIDI output channels (16 channels x 1 output ports)
  • Song mode: 20 songs, 250 steps per song
  • MIDI Clock Sync: Master/Slave

    • Drumpads

  • 12 velocity and pressure sensitive pads
  • 4 pad banks

    • Connections

  • Record input (L and R): 1/4-inch stereo phone x 2, pseudo balanced -40dBu, input impedance 9k ohm; Max. Input level: +10dBu
  • Stereo output (L and R): 1/4-inch phone x 2 pseudo balanced +11dBu, output impedance 1k Ohms; Max. Output level: +5 dBu
  • Phones output: 1/4-inch stereo phone x 1, 200mW / 100 ohms
  • Headphone Output: stereo jack x 1
  • MIDI: 1 x MIDI In and 1 x MIDI Out [both 5-pin DIN]
  • USB: Slave connector x 1, USB MASS STORAGE CLASS support (Windows 2000/ME/XP or later version, or Mac OS 9.x/10.x or later version.)

    • General

  • Display: 2 x 16 character LCD w/back light
  • Memory card slot:Compact Flash (The size of the compact flash card that MPC500 can handle is from32MB to 2GB)
  • Power Supply: 12v DC 600mA (negative tip)
  • Battery life: Approximately 4.5 hours of continuous use with LCD backlight ON.
  • Dimensions (W x H x D):
  • 266mm x 175mm x 44mm
  • Weight: 1.34 kg

    • Data Compatibility

  • MPC1000: SEQ, WAV, PGM
  • MPC2000/2000XL: SEQ, WAV, SND, PGM (Most parameters of PGM file can be loaded.)
  • MPC2500: SEQ, WAV, PGM
  • MPC4000: SEQ, WAV, PGM (DRUM program only. Only note assign and tune are loaded.)
  • MPC3000: SND (THRU Computer)
  • Z4/Z8: WAV, PGM (DRUM program only. Only note assign and tune are loaded.)
  • S5000/6000: WAV only (THRU Computer)

    • Get Your Akai MPC500 Today!

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    Akai MPC5000

    Flagship Music Production Center, sampler, sequencer, 8 track recorder, synth

    LEGENDARY MPC FEEL AND WORKFLOW WITH A GREATLY EXPANDED FEATURE SET.

    The MPC series set the standard for beat production. What would it take to make the ultimate MPC? Dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever.

    Introducing the MPC5000; the new standard for music production.

    The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks.

    There's even a new FX engine with 4 FX buses and 2FX per bus.

    In addition, the MPC5000 features a 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB.

    The display is twice the size of the MPC2500 and MPC1000 so waveforms appear crystal-clear.

    Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases.

    The MPC5000 is also the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play.

    A turntable preamp is also included.

    The MPC5000's virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers.

    The new 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material.

    Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix.

    Over 650MB of premium-quality sounds from Loopmasters are included to get you up and running with pro-quality production in seconds.

    Akai MPC5000 Features:

  • 64-voice drum/phrase sampler with 64MB memory built-in. Expandable up to 192MB RAM
  • Three-oscillator virtual analog synth engine with built-in arpeggiator
  • Over 300 Virtual Analog synth presets included
  • Eight tracks of Direct-to-Hard Disk recording
  • Over 40 all new effects available within a modular 4-bus effects processor
  • Master compressor and equalizer
  • Built-in hard disk drive
  • Optional CD-R/DVD drive
  • USB 2.0 port for computer connectivity
  • CF Type-2 card slot (up to 2GB)
  • Chop-Shop 2.0 - slices a stereo loop into individual samples with automatic pad assignment
  • Patched Phrases - creates multiple splits in looped samples to ensure proper tempo sync without changing pitch
  • Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop
  • 12 Q-link controllers for internal automation, external MIDI control and quick parameter editing
  • 240 x 128 hinged backlit LCD
  • 10 built-in analog outputs, plus 8 ADAT-optical outputs and stereo S/PDIF IO
  • Powerful new multimode filter
  • Two MIDI inputs and Four MIDI outputs
  • Turntable phono inputs with RIAA pre-amp
  • XLR / 1/4" combo jacks with selectable mic/line levels
  • Sample library provided by Loopmasters.com

    • Akai MPC5000 Specifications:

  • Dimensions [W x D x H]: 18" x 16 1/16" x 3 3/8 (6 7/8 with screen at max)
  • Weight: 18.2 lbs

    • Get Your Akai MPC5000 Today!

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    Akai MPD32

    Buy an MPD32 and get $30 CASH BACK!

    Akai MPD32 Description:

    MIDI/USB SOFTWARE CONTROL SURFACE

    USB/Midi Software Control Surface with 16-MPC style pads, BPM note repeat

    AKAI'S FLAGSHIP PAD CONTROLLER WITH GENUINE MPC PADS.

    The MPD32 is Akai Professional's ultimate velocity-sensitive pad controller for musicians and DJs.

    Modeled after the industry-standard MPC series, the MPD32 delivers the most expressive software beat control available.

    Sixteen velocity and pressure-sensitive genuine MPC pads provide the industry's finest feel and expression.

    Four selectable pad banks for a total of 64 playable pads, eight assignable faders, eight assignable switches and eight assignable, 360° knobs for transmitting MIDI Control Change data, all combine for unprecedented creative freedom.

    Three selectable control banks extend the number of available faders, buttons and knobs to 24 each.

    Two assignable footswitch inputs and an expression pedal input takes the total assignable controller count to 75 - the most by far in any pad controller.

    The MPD32 also features transport controls for interfacing with DAW/sequencing applications.

    The MPD32 is a fully programmable controller and multi-functional control surface that fits perfectly within any production or performance environment.

    Akai MPD32 Features:

    Get Your Akai MPD32 Today!

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    Akai MPK49

    Akai MPK49 Description:

    PERFORMANCE CONTROLLER WITH 12 MPC DRUM PADS

    CAPTURE EVERY NUANCE OF YOUR PERFORMANCE.

    Maximize musical ideas on-stage or in the studio with the new Akai MPK49 performance controller.

    The Akai MPK49 ushers in a new era for USB/MIDI controllers by combining a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads.

    48 total pads are accessible via 4 pad banks. The pads feature the heart and soul of hip hop: the MPC Note Repeat function and Swing parameters.

    The Akai MPK49 Performance Controller also has its own arpeggiator, for creating quick, creative riffs in seconds.

    The Akai MPK49 features MPC 'Full Level' and '12 Levels' functions on its pads, and MPC Swing can be applied to both Note Repeat and Arpeggio functions.

    Tap Tempo and time-division buttons allow for real-time control of Note Repeat and Arpeggio clock speeds.

    The Akai MPK49 delivers an amazing 76 assignable controls, with assignable inputs that include an expression pedal, footswitch, pitch bend and modulation wheel.

    More than just a USB/MIDI controller, the MPK49 captures the soul of your performance.

    Akai MPK49 Features:

    Akai MPK49 Specifications:

    Get your Akai MPK49 today!

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    Akai MPK88

    Piano-action production powerhouse

    The Akai Professional MPK88 is a professional performance keyboard controller with MPC production controls. The MPK88 draws on the design of the popular MPK49, the first keyboard ever to features MPC pads. This first-of-its-kind keyboard is ideal for performance, starting with a premium, fully weighted, hammer-action keyboard, adding MPC pads, Q-Link controls, and a selection of MPC technologies. The MPK88 is born for the stage and is equally at home in the studio.

    Creative Input:

    MPK88 features an 88-key keyboard and 16 genuine MPC pads. The hammer-action keyboard is fully weighted and features aftertouch for expressive melodic control. The MPC pads are pressure and velocity-sensitive to capture every nuance of your creative concepts. The pads can access four banks of sounds, so you have 64 samples at your fingertips with the touch of a button. The MPK88 places dedicated transport controls within your reach for easy control of some of the most important tracking and editing controls. The MPK88 has modulation and pitch-bend wheels for expressive musicality, and two assignable footswitch inputs enable you to connect an expression pedal or other continuous controller and a footswitch for momentary controls like patch change or start/stop.

    Q-Link Command:

    One of the most important input devices on an MPC is its Q-Link assignable control section. Akai Pro built a massive collection of Q-Links into the MPK series. The MPK88 gives you eight virtual knobs that are assignable to control nearly any software parameter. You can control three different parameters per knob thanks to the knobs' three-bank selection, totaling 24 parameters of instant, hands-on control. Like the virtual knobs, eight virtual faders and eight virtual buttons also control three banks of parameters each, so you get 24 virtual faders and 24 virtual buttons. That's 72 Q-Link controls!

    Expressive Engine:

    Two technologies pioneered in the MPC series and built into the MPK series are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat is a capability that enables the MPK (or MPC) to automatically play a rhythm pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop" because it turns perfectly aligned sequences into human feeling time alignments. You can specify exactly the degree and timing of swing you want to apply for the perfect feel. The MPK88 has Key Split, enabling you to control two different sounds from the same keyboard. On top of MPC technologies, the MPK88 has its own arpeggiator, which enables you to create quick, creative riffs in seconds. Just pick a note or chord and a rhythm pattern in the arpeggiator's library and the MPK will play your notes in the rhythm and sequence you choose. The MPK88 also has MPC Full Level and MPC 16-Level on its pads, as well as Tap Tempo and Time Division so you can nail the tempo, timing, and dynamics exactly as you hear them in your head.

    Complete System:

    The MPK88 is a MIDI controller that sends its MIDI values over USB. It is bus powered, so all you need to connect and power the MPK88 is the supplied USB cable. Because it is MIDI compliant, the MPK88 works with most MIDI recording, sequencing, and performance software for musical performers from keyboard players to producers to DJs and even VJs! The MPK88 comes with Ableton Live Lite Akai Edition, one of the most popular and powerful performance and production programs in the world. Ableton Live Lite enables musicians to spontaneously compose, record, remix, improvise, and edit musical ideas in a seamless audio/MIDI environment. Hit the stage with the only keyboard designed to enable you to perform the way today’s music is made.

    Features:

  • 88-key fully weighted, hammer-action keyboard with aftertouch for expressive melodic creativity
  • 16 genuine MPC pads with pressure and velocity sensitivity
  • MPC pads access four banks each for instant access to 64 samples
  • Control up to 72 software parameters with 24 assignable Q-Link knobs, buttons, and faders
  • Key Split enables two different sounds from the same keyboard
  • MPC Note Repeat, MPC Swing, and arpeggiator aid in creative process
  • Transport controls for use with sequencers and DAWs
  • MPC Full Level, MPC 16-Level, Tap Tempo, and Time Division assist with tempo and dynamics
  • MIDI output over USB, bus powered, class compliant: plug and play with one USB cable
  • Comes with Ableton Live Lite Akai Edition software
  • Works with virtually all MIDI recording, sequencing, and performance software

    Includes:

  • MPK88 keyboard controller
  • USB cable
  • Software Cd
  • Quick Start guide

    Specifications:

  • Number of Keys: 88 + 16 x 4 banks of drum pads
  • Type of action: Fully weighted hammer action
  • Aftertouch (Channel)
  • Computer Interface: USB/MIDI
  • Displays: Custom LCD
  • Footswitchable Patch Changes: yes
  • Number of Independent MIDI Ins/Outs: 1
  • Programmable Continuous Footpedals: 1
  • Programmable Footswitches: 2
  • Programmable controllers: MMC, MIDI START/STOP, MIDI CC
  • System Real-Time Controls: MMC, MIDI START/STOP, MIDI CC

    Get Your Akai MPK88 Today!

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    Akai MPK61

    The MPK61 is a keyboard performance MIDI controller that expands the popular MPK line. Each MPK controller combines a piano-style keybed with a bank of genuine Akai Professional MPC pads, assignable Q-Link controllers and key technologies from the iconic MPC family of music production workstations.

    Producers, performers and DJs will appreciate the MPK61's mix of 61 semi-weighted keys with aftertouch, 16 MPC pads with velocity and pressure sensitivity, 72 assignable Q-Link controllers, MPC Note Repeat, MPC Swing and an arpeggiator. The MPK61's size is ideal for performers who need a larger keyboard than the original 49-key MPK49 offers, but also prefer the lighter weight and associated portability of a semi-weighted keyboard. The MPK61 retains the key split features from the MPK88, enabling you to divide the keyboard into two zones for performing with two different programs at once.

    Like its 25, 49 and fully-weighted 88-key siblings - the MPK25, MPK49 and MPK88, respectively - the MPK61 empowers you to create and manipulate melodic, harmonic and rhythmic content and inspires creative production with its arpeggiator, MPC Swing and MPC Note Repeat technologies.

    The MPK61 comes with Ableton Live Lite Akai Edition software, one of the most popular and powerful performance and production programs worldwide. Ableton Live Lite enables musicians to spontaneously compose, record, remix, improvise and edit musical ideas in a seamless audio/MIDI environment. The MPK61 is a MIDI controller that sends MIDI data over USB for plug-and-play performance with Mac and PC. Because they are MIDI compliant, the MPK series works with virtually all MIDI recording, sequencing, and performance software for musical performers from keyboard players to producers to DJs and VJs.

    Features:

  • 61-key semi-weighted keyboard with aftertouch for expressive melodic creativity
  • 16 genuine MPC pads with pressure and velocity sensitivity
  • MPC pads access four banks each for instant access to 48 samples
  • Control 72 software parameters with 24 assignable Q-Link controllers
  • Key Split enables two different sounds from the same keyboard
  • MPC Note Repeat, MPC Swing, and arpeggiator aid in creative process
  • Transport controls for use with sequencers and DAWs
  • MPC Full Level, MPC 16-Level, Tap Tempo, and Time Division assist with tempo and dynamics
  • MIDI output over USB, bus powered, class compliant: plug and play with one USB cable
  • Comes with Ableton Live Lite Akai Edition software
  • Works with virtually all MIDI recording, sequencing, and performance software

    Includes:

  • MPK61 controller
  • USB cable
  • Software CD
  • Quick start guide

    Specifications:

  • Number of Keys: 61 + 16 x 4 banks of drum pads
  • Type of Action: Semi-weighted
  • Aftertouch (channel)
  • Computer Interface: USB/MIDI
  • Displays: Custom LCD
  • Footswitchable Patch Changes: yes
  • Number of Independent MIDI Ins/Outs: 1
  • Programmable Continuous Footpedals: 1
  • Programmable Footswitches: 1
  • Programmable Controllers: MMC, MIDI START/STOP, MIDI CC
  • System Real-Time Controls: MMC, MIDI START/STOP, MIDI CC

    Get Your Akai MPK61 Today!

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    Akai MPK25

    Features:

  • 25-key semi-weighted keyboard with aftertouch for expressive melodic creativity
  • MPC-pad section of 12 genuine MPC pads with pressure and velocity sensitivity
  • MPC pads access four banks each for instant access to 48 samples
  • Assignable Q-Link controller section for flexible control of most software parameters
  • Two banks of 12 Q-Link knobs and four buttons, two banks each
  • Dedicated transport controls for tracking and editing
  • MPC Note Repeat, MPC Swing, and arpeggiator aid in creative process
  • MPC Full Level, MPC 12-Level, Tap Tempo, and Time Division assist with tempo and dynamics
  • MIDI outputs over USB, bus powered, class compliant: plug and play with one USB cable
  • Comes with Ableton Live Lite Akai Edition software
  • Works with most MIDI recording, sequencing, and performance software

    Includes:

  • MPK25 keyboard controller
  • USB cable
  • Software Cd
  • Quick Start guide

    Specifications:

  • Number of Keys: 25 + 12 x 4 banks of drum pads
  • Type of action: Semi-weighted
  • Aftertouch (Channel)
  • Computer Interface: USB/MIDI
  • Displays: Custom LCD
  • Footswitchable Patch Changes: yes
  • Number of Independent MIDI Ins/Outs: 1
  • Programmable Continuous Footpedals: 1
  • Programmable Footswitches: 1
  • Programmable controllers: MMC, MIDI START/STOP, MIDI CC
  • System Real-Time Controls: MMC, MIDI START/STOP, MIDI CC

    Get Your Akai MPK25 Today!

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    Akai MPKmini

    The Akai Pro MPK mini is an ultra-compact mini-keyboard with an impressive array of buttons, knobs and pads to provide "hands-on" performance and production control no matter your location. MPK mini strikes the perfect balance between portability and comprehensive software control by melding together the complete control offered in the popular Akai Pro MPK family with the grab-and-go convenience of the LPK25 and LPD8. With a 25-note keyboard, 8 back-lit, MPC-style pads and 8 Q-Link knobs, the MPK mini is the ultimate portable controller to get your music moving.

    The MPK mini keyboard is ideal for quickly entering notes and phrases into your computer. The velocity-sensitive keys allow you to accurately express dynamics, while accessing different pitch ranges is done instantly through dedicated Octave Up and Down buttons. Create sparkling, staccato leads and driving bass-lines in a variety of time denominations and patterns with MPK mini's built-in Arpeggiator. A Tap-Tempo button gives you the ability to quickly adjust the Arpeggiator clock which is essential if you're looking to stay in sync with a band. A Sustain button holds notes after releasing your hand from the keyboard allowing you the opportunity to easily pound pads and twist knobs, with no pedal required.

    MPK mini's 8 back-lit, velocity-sensitive pads are based on Akai Professional’s MPC line of iconic music production stations. Great for firing one-shot samples and sequencing drum patterns, you can use the pads to send note information, MIDI CCs, or even program changes. Pressing the Bank button will quickly toggle between 2 banks of pads giving you access to 16 pads in total. Additionally, the MPK mini has 8 assignable Q-Link knobs to control virtually any parameter in your software.

    MPK mini works plug-and-play with Mac and PC and requires no software driver installation or wall power for operation. It has four memory banks for programming and recalling settings appropriate to your favorite software programs. The included software editor lets you quickly map MPK mini's controls as well. Go mobile without losing control with MPK mini.

    Key Features:

  • Ultra-portable software MIDI controller
  • 25-note, velocity-sensitive mini keyboard
  • Eight backlit, velocity-sensitive MPC-style pads (2 banks, 16 total)
  • Pads can send note information, MIDI CCs and program changes
  • Eight assignable Q-Link knobs to adjust virtually any parameter
  • Built-in Arpeggiator with adjustable resolution, range and patterns
  • Tap-Tempo button to quickly adjust pace of the Arpeggiator
  • Dedicated Octave Up, Octave Down and Sustain buttons
  • Program Recall button to restore up to 4 separate global settings
  • Solid Akai Pro design
  • Powered through USB; no AC adaptor required

    Includes:

  • MPK mini controller
  • MPK mini software editor

    Specifications:

  • Number of Keys: 25
  • Pads: 2 banks of 8 LPD style backlit drum pads for 16 total pads
  • Knobs: 8 assignable controller pots
  • Computer Interface: USB/MIDI
  • Dimensions: 6" x 13.6" x 1.2"
  • Weight: 2 lbs (shipping weight 2.5 lbs)

    Get Your Akai MPKmini Today!

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    Akai LPD8

    The LPD8 laptop pad controller is a USB-MIDI controller for musicians, producers, DJs and other music creators. It measures less than 13" across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.

    The LPD8 is based on Akai Professional's MPC line of iconic music production stations. Producers who love the feel of the MPC and want to work with software on their computer will find that the LPD8 gives their laptop the controls they prefer over a mouse and keyboard.

    The LPD8 has eight orange light-up pads that are velocity sensitive for programming rhythmic or melodic parts. The pads can also send program-change information to software. Additionally, the LPD8 has eight assignable Q-Link knobs you can assign to virtually any parameters in their software for hands-on control.

    The LPD8 works plug and play with Mac and PC and requires no software driver installation or wall power for operation. It has four memory banks for programming and recalling settings appropriate to different software programs you use.

    Features:

  • USB-MIDI controller works with virtually all audio software
  • Eight backlit, velocity-sensitive drum pads can send note or program change
  • Eight Q-Link knobs for controlling virtually any parameters in software
  • Plug-and-play USB connection for Mac and PC requires no driver installation
  • Small enough to fit in a backpack or laptop bag
  • Four programmable memory banks
  • Comes with editor software for Mac and PC
  • USB bus powered - no additional power cable needed

    Includes:

  • LPD8 Controller
  • USB Cable
  • Software CD

    Get Your Akai LPD8 Today!

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    Akai LPK25

    The LPK25 laptop performance keyboard is a USB-MIDI controller for musicians, producers, DJs and other music creators. It measures less than 13" across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability.

    Keyboard players who want to work with software on their computer will find that the LPK25 gives their laptop the keys they need to express themselves anywhere. The LPK25 is a scaled-down relative to the MPK series of keyboard performance controllers. The diminutive keyboard is made up of 25 miniature, velocity-sensitive keyboard keys with synth action.

    The LPK25 contains an arpeggiator, which steps through chords automatically, assisting musicians with creating quick melodic ideas. Sustain, octave up and down and tap tempo controls round out the LPK25's easy-to-learn layout.

    The LPK25 works plug and play with Mac and PC and requires no software driver installation or wall power for operation. It has four memory banks for programming and recalling settings appropriate to different software programs you use.

    Features:

  • USB-MIDI controller works with virtually all audio software
  • 25 velocity-sensitive mini-keyboard keys
  • Arpeggiator, sustain button, octave up and down, and tap tempo controls
  • Plug-and-play USB connection for Mac and PC requires no driver installation
  • Small enough to fit in a backpack or laptop bag
  • Four programmable memory banks
  • Send note information or program changes from keys
  • Comes with editor software for Mac and PC
  • USB bus powered - no additional power cable needed

    Includes:

  • LPK25 keyboard controller
  • USB cable
  • Software CD

    Get Your Akai LPK25 Today!

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    Akai APC40

    Features:

  • Designed in partnership with Ableton for Ableton Live
  • Unique clip matrix with multicolor lighting displays current clip status
  • No mapping required; every knob, button, and fader is customizable
  • Bidirectional communication between APC40 and Ableton Live
  • Solid, professional feel with rugged, metal chassis and premium controls
  • Comes with Ableton Live Akai Professional APC40 Edition software
  • Works with standalone editions of Ableton Live
  • USB plug-and-play connection for Mac and PC
  • Premium controller with rugged, metal chassis

    Includes:

  • APC40 Ableton performance controller
  • USB cable
  • Power supply
  • Software CD
  • Quick start guide

    Specifications:

  • Dimensions (W x D x H): 16.88" x 13.13" x 2.62"
  • Weight: 5.8 lbs
  • Power Supply: 12V 2.0A pin-positive, included
  • Communication: USB-MIDI with proprietary hardware/software handshake
  • Inputs: USB, two assignable footswitch inputs
  • Mac System Requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
  • PC System Requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port

    Get Your Akai APC40 Today!

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    Akai APC20

    Features:

  • Designed in partnership with Ableton, mapped for Live, and fully customizable
  • Clip Launch matrix with multicolor lighting displays current clip status
  • No mapping required; every button and fader is pre-mapped
  • Bi-directional hardware/software communication for visual feedback on APC20
  • Solid, professional feel with rugged, metal chassis and premium controls
  • Comes with Ableton Live Akai Professional APC Edition software
  • Works with standalone editions of Ableton Live
  • USB plug-and-play connection for Mac and PC

    Includes:

  • APC20 Ableton performance controller
  • USB cable
  • Power supply
  • Software CD
  • Quick start guide

    Specifications:

  • Power Supply: DV 12V 2.0A pin-positive, auto-switching (100-240V, 50-60Hz)
  • Communication: USB-MIDI with proprietary hardware/software handshake
  • Inputs: USB
  • Weight: 3.8 lbs
  • Dimensions: 29.5cm x 33.3cm x 5.7cm (WxDxH)
  • 11.61" x 13.11" x 2.24"
  • (measured to the highest point, which is the CUE knob)

    Minimum System Requirements:

  • Mac: G4 / Intel recommended, OS X 10.3.9 / 10.4+ recommended
  • PC: 1.5GHz, Windows XP or Vista, Windows-compatible sound card / ASIO driver support recommended
  • 512MB RAM / 1GB recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port

    Get Your Akai APC20 Today!

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    Akai SynthStation49

    The SynthStation49 from Akai is a 49-key controller designed specifically for use with the iPad. The intuitive music controller is a true performance tool for musicians, and working with Akai Professional's SynthStation software, the keyboard provides extensive music creation capabilities. These include direct in-app MIDI recording from the velocity-sensitive keyboard, 9 MPC-style drum pads and transport controls. Additionally, the SynthStation49 is completely iOS CoreMIDI compatible, allowing it work with dozens of music apps already in the App Store.

    An angle-adjustable cradle helps position the iPod to a comfortable viewing angle. The controller's keyboard, pitch/modulation wheels and sustain pedal input provide the essential controls for musicians and producers to compose, record and perform. The pads give users immediate, intuitive beat-creation capabilities over the 50 classic and modern kits available within the SynthStation software. Program, sequence, song select and transport buttons also provide quick navigation to the SynthStation app's most used components for a seamless, efficient workflow.

    A headphone output allows users to practice and compose in private. The USB port can be connected directly to a Mac or PC computer to receive power in addition to transmitting MIDI to and from music software or hardware. This allows the SynthStation49 to function as a traditional USB MIDI controller - no iPad required.

    Features:

  • Portable, velocity-sensitive keyboard with pitch and modulation wheels
  • 9 velocity-sensitive MPC-style drum pads which light when triggered
  • Dedicated transport control buttons including Play, Pause and Record
  • Play MIDI keyboard and drum pad performances into an iPad via CoreMIDI or AkaiConnect apps
  • Built-in, adjustable dock charges the iPad while positioning the screen at the perfect angle
  • USB port for connecting to a Mac or PC, receiving power and controlling MIDI music software
  • Professional 1/4" stereo outputs with volume control to connect mixers, speakers and recording equipment
  • Headphone output to practice and compose in private

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    Akai SynthStation25

    The SynthStation25 from Akai transforms an iPhone or iPod touch into a portable music production studio for mobile music creation. The MIDI keyboard controller gives your handheld device a two-octave set of piano keys and audio outputs, and it works with the Akai Professional SynthStation Studio app.

    The 25-key synthesizer style keyboard features a built-in dock for the iPhone or iPod touch. The keyboard is velocity-sensitive, and includes pitch and modulation wheels, along with octave up and down and sound-bank buttons. The SynthStation25 has a stereo pair of RCA line outputs and a headphone output for connection to recording and sound reinforcement systems.

    You can use the keyboard with Akai's SynthStation Studio app as well as virtually any MIDI music software on your computer. Additionally, it can trigger MIDI hardware devices such as sound modules, samplers, and MPCs using its USB/MIDI output. The SynthStation25 is powerful enough for professional musicians, yet virtually anyone can use is to easily create music.

    Features:

  • 25-key MIDI keyboard controller for iPhone and iPod touch
  • Velocity-sensitive, synth-action keys for expressive performance
  • Pitch and modulation wheels, octave +/-, and sound-bank buttons
  • Stereo RCA line outputs and headphone jack
  • USB/MIDI for virtually any MIDI music software or MIDI hardware devices
  • Seamlessly compatible with Akai SynthStation Studio app

    Get Your Akai SynthStation25 Today!

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    Akai MPD26

    Features:

  • Access 64 samples on 16 pressure and velocity-sensitive MPC pads with four banks each
  • MPC technologies include Note Repeat, Swing, 16 Level, Full Level, and Tap Tempo
  • Control virtually any 12 software parameters on assignable Q-Link knobs and faders
  • Dedicated transport controls transmit MMC and MIDI to DAW and sequencing applications
  • MIDI output over USB and traditional DIN MIDI I/O for controlling software and hardware
  • Backlit, easy-to-read screen
  • USB bus powered, class compliant: plug and play with one USB cable
  • Comes with Ableton Live Lite and Editor Librarian software

    Includes:

  • MPD26 controller
  • USB cable
  • Software CD
  • Quick start guide

    Specifications:

  • Pads: 16 pressure and velocity sensitive
  • Pad banks: 4
  • Q-Link Faders: 6 - MIDI Control Change data
  • Q-Link Knobs: 6, 360-degree pots
  • LCD: blue, backlit
  • Transport controls: Rew, FF, Stop, Play, Rec – MMC / MIDI Machine Control or MIDI
  • I/O: USB, MIDI In, MIDI Out
  • Power: USB bus powered or MP6-1 AC adapter for DIN MIDI, sold separately

    Get Your Akai MPD26 Today!

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    Akai MPD18

    Features:

  • MIDI controller for production and performance
  • MPC pads: bank of 16, velocity and pressure sensitive
  • Three pad banks for a total of 48 sounds accessible from pads
  • Q-Link assignable fader control
  • MPC Note Repeat
  • MIDI-over-USB interface
  • MPC 16-Level and Full Level
  • 16 configurable presets
  • USB powered, requires no AC adapter

    Includes:

  • MPD18 portable performance controller
  • USB cable
  • Software CD

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    Akai EWI USB

    The Akai EWI USB, USB Wind Instrument is an electronic wind instrument for musicians looking for an easy-to-play, easy-to-use controller.

    Akai EWI USB Wind Instrument is the only choice for serious wind players looking to make music electronically. While EWI USB is easy and fun to use, it’s also powerful, flexible, and most importantly reliable enough for use on stage and in the studio by professional musicians.

    Features:

  • Electronic wind instrument controller
  • Easy to play, easy to use, and easy to own
  • Powerful, flexible, and reliable
  • Plug-and-play USB connection to Mac or PC
  • Custom Garritan Aria Player software, contains wind instrument sounds
  • Multiple fingering modes: sax, traditional EWI, flute, oboe, and EVI brass
  • Expandable sound palette
  • Removable, dishwasher-safe mouthpiece
  • Neck strap
  • Cleaning cloth
  • USB cable
  • Software DVD
  • Quick start guide
  • Safety instructions

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    Akai Max49

    Specifications:

  • 49 semi-weighted keys with Aftertouch for complete musical expression
  • Built-in step sequencer for detailed track construction
  • Expanded arpeggiator with latch and time division controls
  • Included AkaiConnect software automatically maps to VST plug-ins
  • 12 backlit, real MPC pads with MPC Note Repeat and MPC swing
  • Eight backlit LED touch faders for gradual or instant parameter value changes
  • Four pad banks & four fader banks provide a total of 80 assignable pads & faders
  • CV & Gate outputs for use with vintage analog synths (1V/Oct)
  • Large, centrally-positioned transport controls & rubberized pitch and modulation wheels
  • Mackie Control & HUI modes provide instant compatibility with many DAWs

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    Akai EIE

    The EIE I/O from Akai is a tabletop USB audio interface, perfect for the project or portable studio setup. It features four microphone preamps with switchable phantom power (in pairs), and each input can also be set to accept a line input or an instrument input, such as a guitar or bass, or a synthesizer.

    Each channel has a dedicated gain knob and a rear panel insert jack for external processing. The four balanced, rear panel output jacks can be used to monitor sessions on multiple sets of studio monitors. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style.

    In addition to the high quality analog-to-digital and digital-to-analog converters, MIDI input and output (16 channels) allows for bridging other MIDI controllers. For those situations where more USB ports are required, the unit can function as a hub with the three additional USB connectors available from the rear panel.

    The EIE I/O sends and receives four audio channels on a single USB cable for simple interfacing with a computer. The bus-powered interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and Windows 7.

    Features:

  • USB audio interface with up to 24-bit recording resolution
  • Four XLR/TS combo jacks with phantom power and gain control
  • Four nickel-plated 1/4" TRS outputs for two separate monitoring systems
  • Four nickel-plated 1/4" TRS inserts for external processing
  • Two classic, high-quality VU level meters with switchable sources
  • Functions as a USB hub with 3 additional USB ports for connecting other devices through to a computer
  • MIDI Interface
  • Headphone output with switchable source and direct monitoring dial
  • USB bus powered
  • Table-top, solid construction with a great-looking, classic design

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    Akai EIE PRO

    Features:

  • USB audio interface with up to 24-bit recording resolution supporting all standard sample rates (44.1kHz/48kHz/88.2kHz/96kHz)
  • Four XLR-1/4" combo jacks with phantom power and gain control
  • Four nickel-plated 1/4" outputs
  • Two classic, high-quality VU level meters with switchable sources and RED peak LEDS
  • Three additional USB ports for connecting other devices through to a computer
  • 5 Pin DIN MIDI Interface
  • Headphone output with switchable source and direct monitoring dial
  • Table-top, solid construction with a great-looking, classic design

    Includes:

  • EIE Pro
  • Power adaptor
  • USB Cable Quick start guide

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    Akai RPM3

    RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.

    Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media.

    The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo ¼" jack, a pair of balanced ¼" TRS inputs and stereo RCA inputs. Volume control, power-switch and ¼" headphone jack are also located on the front panel for quick access and easy adjustment.

    If you need quality monitors and audio recording that won't dominate your desktop, grab a pair of RPM3 monitors and start recording.

    Features:

  • USB monitors and audio interface
  • 2x2 USB audio interface allows simultaneous recording and monitoring of computer audio
  • Magnetically shielded to prevent interference when placed close to computer monitors
  • Record and monitor audio using either 1/8", 1/4" TRS or RCA stereo inputs
  • Lightweight, portable size perfect for desks, project studios and mobile-recording rigs
  • Volume control, power-switch and 1/8" headphone jack located on front panel for quick access

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    Akai MPK49

    Akai MPK49 Description:

    PERFORMANCE CONTROLLER WITH 12 MPC DRUM PADS

    CAPTURE EVERY NUANCE OF YOUR PERFORMANCE.

    Maximize musical ideas on-stage or in the studio with the new Akai MPK49 performance controller.

    The Akai MPK49 ushers in a new era for USB/MIDI controllers by combining a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads.

    48 total pads are accessible via 4 pad banks. The pads feature the heart and soul of hip hop: the MPC Note Repeat function and Swing parameters.

    The Akai MPK49 Performance Controller also has its own arpeggiator, for creating quick, creative riffs in seconds.

    The Akai MPK49 features MPC 'Full Level' and '12 Levels' functions on its pads, and MPC Swing can be applied to both Note Repeat and Arpeggio functions.

    Tap Tempo and time-division buttons allow for real-time control of Note Repeat and Arpeggio clock speeds.

    The Akai MPK49 delivers an amazing 76 assignable controls, with assignable inputs that include an expression pedal, footswitch, pitch bend and modulation wheel.

    More than just a USB/MIDI controller, the MPK49 captures the soul of your performance.

    Akai MPK49 Features:

    Akai MPK49 Specifications:

    Get your Akai MPK49 today!

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    Akai Max49

    Specifications:

  • 49 semi-weighted keys with Aftertouch for complete musical expression
  • Built-in step sequencer for detailed track construction
  • Expanded arpeggiator with latch and time division controls
  • Included AkaiConnect software automatically maps to VST plug-ins
  • 12 backlit, real MPC pads with MPC Note Repeat and MPC swing
  • Eight backlit LED touch faders for gradual or instant parameter value changes
  • Four pad banks & four fader banks provide a total of 80 assignable pads & faders
  • CV & Gate outputs for use with vintage analog synths (1V/Oct)
  • Large, centrally-positioned transport controls & rubberized pitch and modulation wheels
  • Mackie Control & HUI modes provide instant compatibility with many DAWs

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    AKG IP2

    These high quality earphones provide a wide-range sound with sharply contoured bass reproduction as well as excellent isolation to suppress high ambient noise levels encountered, e.g., on a loud concert stage.

    An integrated sliding cable tie and the supplied soft-rubber earmolds in three different sizes enable the earphones to adapt to every shape of ear. The IP 2 earphones are included in the IVM 4 Sets and in the SPR 4 Sets. The IP 2 earphones connect to the SPR 4 bodypack receiver.

    Features:

  • High performance, full spectrum sound for professional in-ear-monitoring
  • Total ambient isolation to block out stage noise
  • Dark grey finish
  • Individual fit with three different sleeves (S, M, L)
  • Protective carrying case and bag included.

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    AKG SRA2B-W

  • For indoor or outdoor use, specifically, for setting up radio links for distances up to 300 m (1000 feet)
  • Integrated high-performance antenna booster for use with antenna cables up to 200 m (655 feet) long (RG 213, in conjunction with 2 x AB 4000)
  • Remote powering option
  • Water-resistant case, BNC output Status LED

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    AKG RA4000B/W

  • For indoor or outdoor use, specifically, for near- field antenna setups with no preferred direction
  • Integrated high-performance antenna booster for use with antenna cables
  • Remote powering option
  • Rugged, water-resistant case, BNC output
  • Status LED

    Get Your AKG RA4000B/W Today!

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    AKG D5WL/1

    The D5WL/1 is a supercardioid dynamic mic capsule for the HT4500 handheld transmitter, which is used in the AKG WMS4500 Series UHF Wireless Systems. This is the capsule itself - the HT4500 transmitter is not included.

    Specifications:

  • Polar pattern supercardioid
  • Frequency range 70 Hz to 20 kHz
  • Sensitivity 2.6 mV/Pa (-52 dBV)
  • Max. SPL 147/156 dB SPL (for 1% / 3% THD)
  • Equivalent noise level 18 dB-A
  • Impedance <= 600 ohms
  • Recommended load impedance >= 2000 ohms

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    AKG D7WL/1

    This D 7 microphone capsule is for use with the AKG WMS 4500 wireless system.

    AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators. This leads to a quantum leap in audio performance under each surrounding conditions and sound volume. D7 creates that subtle and opened sound in all frequency ranges condenser mics are famous for, but it also has the powerful resonance from a dynamic microphone.

    Specifications:

  • Polar Pattern: Supercardioid
  • Frequency Range: 70 to 20,000 Hz
  • Sensitivity: 2.6 mV/Pa (-52dBV)
  • Max. SPL: 147/156 dB SPL
  • Equivalent Noise Level: 18 dB-A (IEC 60268-4)
  • Signal/Noise Ratio (A-weighted): 76 dB
  • Impedance: <=600 ohms
  • Recommended Load Impedance: >=2000 ohms
  • High Pass Filter: 80 Hz, always active

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    AKG C5WL/1

    This professional condenser vocal microphone will make your voice cut through the loudest mix - on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems.

    The gold plated transducer case does not only give the microphone a sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity. The result is superior audio performance.

    Features:

  • Condenser vocal capsule for onstage use
  • 24-carat gold plated transducer case for optimum conductivity and resistance to corrosion and humidity
  • Spring steel wire-mesh grill for extreme ruggedness incl. reliable control of pops and wind noise

    Specifications:

  • Polar Pattern: Cardioid
  • Frequency Range: 65 Hz to 20 kHz
  • Sensitivity: 4 mV/Pa (-48dBV)
  • Max. SPL: 140/145 dB SPL (for 1%/3% THD)
  • Equivalent Noise Level: 25 dB-A
  • Signal/Noise Ratio (A-weighted): 69 dB
  • Impedance: <=200 ohms
  • Recommended Load Impedance: >=2,000 ohms
  • Current Consumption: typ. 4.3 mA
  • Power Requirement: 9 to 52 V phantom power to DIN 45596

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    AKG PS4000-W

    One or several PS 4000 W multi-couplers can be used to set up complex systems with long antenna cables, distributed antenna networks for room sharing applications, or to feed the signal from a single antenna pair to several receivers. The combination of dedicated optional AKG antennas and the high quality amplification and distribution circuitry of the PS 4000 W ensure maximum reliability of reception. Highly visible channel LEDs provide a clear status indication even from a distance. A gain selector switch allows you to compensate for cable attenuation to ensure optimum signal quality.

    The PS 4000 W also powers active antennas through the antenna cables, eliminating the need for separate antenna power cables. Carrier frequency range: 500 to 865 MHz Attenuation: 0, 2, 4, 6, 8, 10, 12, 14 dB, selectable RF inputs: 2 BNC sockets, 50 ohms RF outputs: 10 BNC sockets, 50 ohms Operating voltage: 12 VDC Dimensions: 200 x 190 x 44 mm (7.8 x 7.5 x 1.7 in.) Weight: 970 g (2.2 lbs.)

    Features:

  • Multi-coupler splitter with all-metal case for SR 4000 or SR 450 receivers
  • 365 MHz bandwidth for use with all WMS 4000 or WMS 450 channels
  • Adjustable cable attenuation compensation
  • 2 BNC antenna inputs, 4 diversity output pairs on 8 BNC sockets
  • Expansion outputs for daisy-chaining antenna splitters for more than 50 receivers

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    AKG H40/1

    Tie clip for use with all Lavalier microphones, holds 1 or 2 Lavalier microphones.

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    AKG H41

    Tie pin for use with all Lavalier microphones, holds 1 or 2 Lavalier microphones.

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    AKG H300

    Stereo Microphone Clip for ms and XY Applications.

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    AKG H440

    Inconspicuous bracket for mounting the D 440 on a drum shell.

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    AKG MF-DA

    Mounting Flange for use with GN 15, GN 30 and GN 50 Goosenecks

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    AKG PS3F LOCK

    Classic lockable panel mount socket. The PS 3 F-Lock requires a 17 mm (0.7 in.) mounting hole.

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    AKG B18 Battery Power Unit

    The AKG B18E is a portable, single-channel 18 Volt phantom power supply operates off of two 9 Volt batteries for approximately 100 hours for most, though not exclusive to, AKG microphones.

    Features:

  • Lightweight, portable with 100 hr. battery life
  • Standard XLR connectors

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    AKG B 29 L Battery Power Supply

    Battery operated phantom power supply and mixer for one or two microphones The B 29 L powers one or two C 4.. L version MicroMic III Series microphones (except for the D 409 L which requires no phantom power). The B 29 L features an on/off switch and status LED as well as a mic/line selector for matching the output level to the input of the connected mixer or recorder, etc. The B 29 L operates on one standard 9-V battery. Average battery life is 50 hours. Two volume controls allow you to balance the levels of the two microphones. A supplied clip makes it easy to attach the B 29 L to a belt or guitar strap.

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    AKG CS5 BU 19COL Base Unit

    The CS 5 BU ensures easy, user-friendly control of everything from a small discussion setup to a large conference system. The Base Unit provides all the inputs and outputs needed to manage a complex audio system. It controls 64 audio channels that can be individually programmed and assigned to interpretation channels or NOM limitation.

    To ensure maximum reliability, all microphone stations and interpreter stations are „daisy-chained“ together and connected back to the Base Unit, forming a closedcircuit digital audio bus. Thus, the entire system will continue operating perfectly, with no interruption, even if one of the bus cables breaks.

    To power the system, a CS 5 PS 12 power supply is connected to every twelfth microphone station, ensuring consistent signal levels. Unlike competitive techniques, AKG’s approach to keeping consistent signal levels throughout the system is uncommonly cost efficient. Every CS 5 Conference System comes complete with a FREE basic control software package so the entire system can be controlled from a computer from day one.

    Features:

  • Digital controller for any size systems
  • Ease of use
  • Complete with all inputs and outputs needed for complex systems
  • Integrated infrared signal output
  • Free basic control software included

    Get Your AKG CS5 BU 19COL Base Unit Today!

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    AKG IVM 4

    AKG IVM 4 Description:

    The first all-in-one solution for professional in-ear monitoring, the IVM 4 includes an integrated dbx compressor, an equalizer offering a large number of EQ presets and in-ear-optimized binaural room simulations that provides musicians, vocalists and presenters with outstanding high-performance signal processing flexibility for a natural listening experience with more life-like imaging.

    The IVM 4 is the first system ever to combine all the features required for professional in-ear monitoring in a single, compact device. The IVM 4 allows the input signal to be processed individually to meet the requirements of both the artist and the sound system environment.

    Unique integrated signal processing for a natural listening experience and a complete set of inputs and outputs make the IVM 4 an ideal tool for professional applications.

    Wireless in-ear monitor system with unique signal processing capabilities for live applications and professional installations

    1 SST 4 stereo transmitter:

    The SST 4 is the first stereo transmitter ever to combine all the features required for professional in-ear monitoring in a single, compact device. The SST 4 allows the input signal to be processed individually to meet the requirements of both the artist and the sound system environment. An integrated dbx compressor, many EQ settings, and optimized binaural room simulation algorithms provide outstanding high performance signal processing flexibility.

    Preprogrammed frequency preset banks ensure an easy and reliable startup. Up to 14 intermodulation-free channels* can be used within a 30 MHz wide UHF band. In addition, up to 1200 frequencies can be selected manually. These features allow the IVM 4 to be used together with any AKG WMS 400 or WMS 4000 wireless microphone system. The SST 4 lets you adjust the RF output within the approved range, which is particularly important when the in-ear monitor system is used together with a complex wireless microphone system. This allows optimum system matching for improved reliability.

    A complete line of accessories is available for multichannel applications.

    A large, backlit display gives a clear picture of all important settings and levels. When used in dark environments, the brightness of the display can be reduced.

    The input signal level is digitally adjustable within a range of ±20 dB. A pair of Loop Out jacks carries the unprocessed input signal for daisy-chaining several SST 4s.

    1 SST 4 stereo transmitter Features:

    1 SPR 4 bodypack stereo receiver:

    The SPR 4 bodypack receiver features a rugged die-cast magnesium case. Auto Setup and Environment Scan functions for finding clean frequencies make setting up extremely easy. The 30 MHz bandwidth allows manual selection of 1200 frequencies or the system chooses from preprogrammed frequency preset banks.The SPR 4 provides a backlit display and jog control for ease of use. The display indicates the received signal strength and battery status along with other parameters. Integrated charging contacts allow the optional BP 4000 battery pack to remain inside the receiver whilst being charged on the CU 4000 charger (optional). The BP 4000 will be charged to capacity in only one hour, and can power the SPR 4 for about seven hours.

    The only control the artist needs to operate is an ergonomically shaped volume control with integrated on/off switch. Placed in the center of the SPR 4 top panel, the volume control with its clearly discernible detents can be operated intuitively even if it is positioned outside the user's field of vision.

    An Individual mix function allows a personalized monitor mix to be set up even where only a small sound system with no separate monitor mixer is available.

    To accommodate the individual preferences of users, the SPR 4 has been designed to drive a large number of different types of earphones.

    1 SPR 4 bodypack stereo receiver Features:

    1 pair IP 2 earphones:

    The IP 2 earphones are included in the IVM 4 Sets and in the SPR 4 Sets. The IP 2 earphones connect to the SPR 4 bodypack receiver. These high quality earphones provide a wide-range sound with sharply contoured bass reproduction as well as excellent isolation to suppress high ambient noise levels encountered, e.g., on a loud concert stage.

    An integrated sliding cable tie and the supplied soft-rubber earmolds in three different sizes enable the earphones to adapt to every shape of ear and head.

    The IP 2 earphones are included in the IVM 4 Sets and in the SPR 4 Sets.

    1 pair IP 2 earphones Features:

    1 rod antenna

    1 rack mounting kit

    2 AA size batteries

    12-pc. color code set

    1 AC adapter

    AKG IVM 4 Specifications:

    Professional Wireless In-Ear Monitoring System

    SST 4 - Stationary Stereo Transmitter

    SPR 4 - Stereo Pocket Receiver

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    AKG SST 4

    AKG SST 4 stereo transmitter Description:

    The SST 4 is the first stereo transmitter ever to combine all the features required for professional in-ear monitoring in a single, compact device. The SST 4 allows the input signal to be processed individually to meet the requirements of both the artist and the sound system environment. An integrated dbx compressor, many EQ settings, and optimized binaural room simulation algorithms provide outstanding high performance signal processing flexibility.

    Preprogrammed frequency preset banks ensure an easy and reliable startup. Up to 14 intermodulation-free channels* can be used within a 30 MHz wide UHF band. In addition, up to 1200 frequencies can be selected manually. These features allow the IVM 4 to be used together with any AKG WMS 400 or WMS 4000 wireless microphone system. The SST 4 lets you adjust the RF output within the approved range, which is particularly important when the in-ear monitor system is used together with a complex wireless microphone system. This allows optimum system matching for improved reliability.

    A complete line of accessories is available for multichannel applications.

    A large, backlit display gives a clear picture of all important settings and levels. When used in dark environments, the brightness of the display can be reduced.

    The input signal level is digitally adjustable within a range of ±20 dB. A pair of Loop Out jacks carries the unprocessed input signal for daisy-chaining several SST 4s.

    AKG SST 4 stereo transmitter Features:

    AKG SST 4 - Stationary Stereo Transmitter Specifications:

    Get your AKG SST 4 today!

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    AKG SPC 4

    4-to-1 wide-band antenna combiner designed for the IVM 4 allows 4 transmitters to be hooked to one antenna.

    Features:

  • Combines antenna signals of up to four SST 4 stereo transmitters
  • Powers transmitters via antenna lines
  • Daisy-chaining capability for setting up multichannel systems

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    AKG SRA 2W

    Passive wideband directional antenna for IVM 4 system.

    Features:

  • For indoor and outdoor use, preferred-direction coverage
  • Water-resistant, rugged case with BNC input

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    AKG RA 4000W

    Passive wideband omnidirectional antenna for IVM 4 system.

    Features:

  • For indoor and outdoor use, coverage with no preferred direction
  • Water-resistant, rugged case with BNC input

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    AKG CS5 VU Chairman And Delegate Unit

    The CS 5 VU provides two operating modes, reducing the number of different components needed for a conference system. In a small discussion system with CS 5 DU microphone stations, the chairperson would typically use a CS 5 VU. In President mode, it provides a priority function and allows the user to start votes or polls. The display will then indicate the time left for voting and the results.

    In a larger conference system, the CS 5 VU can be used both by delegates and by the president. In delegate mode, it provides all voting and language selection functions independently for two delegates. A bank of dip switches allows the CS 5 VU to be set to President mode with priority and 1, 3, or 5-way voting/polling functions. In computer-controlled conference systems, chip-card identification is available as an option.

    Gooseneck, capsule and connecting cable are not included.

    Features:

  • Choice of microphones for every kind of system and room acoustics.
  • Display and multifunction soft keys for ease of use.
  • Up to 63 language channels independently selectable for two users.
  • 1, 3, 5-way voting/polling function.
  • Dip-switch selectable president and delegate operating modes.

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    AKG CS5 Du Delegate Unit Simple

    The CS 5 DU is the basic microphone station for use in discussion systems. Like all other CS 5 microphone stations, the CS 5 DU provides maximum acoustic flexibility. Choose from two goosenecks of different lengths and five microphones with different polar patterns to meet every requirement of any type of conference system.

    In addition to the usual PTT key, this microphone station offers two advanced features previously found on more expensive conferencing equipment only: A bank of dip switches allows each headphone output to be assigned independently to either the floor channel or one of three interpreted language channels. The PTT key also provides a simple yes/no voting function. Gooseneck, capsule and connecting cable are not included.

    Features:

  • Choice of microphones for every kind of system and room acoustics.
  • Ease of use.
  • 3+1 languages selectable for two users.
  • Yes-No-Voting function.

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    AKG CS5 MK1.25 System Cable

    Connecting cable for connecting the individual CS 5 microphone stations, 1.25 m (4 ft.) to 20 m (66 ft.) long.

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    AKG WMS450 D5 Vocal Set

    The AKG WMS 450 VOCAL SET D5 Wireless Microphone System, includes WMS450 SET HT450 X 1 with D5 Microphone Element, SR450 X 1. The perfect WMS 450 Set for all types of live vocal performance, broadcast and presentation applications.

    The AKG WMS 450 VOCAL SET D5 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS 450 provides cost-efficient, high-performance solutions for situations where several radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-channel systems has its limitations and may simply be too much for the available radio band. The WMS 450 VOCAL SET D5 includes the HT 450 handheld transmitter with D 5 microphone element and the SR 450 receiver. The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode. Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child’s play. A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter’s user-friendliness. The HT 450 handheld transmitter, in this version, is loaded with the AKG dynamic microphone element D 5. The D 5 dynamic vocal microphone element for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix. The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission. Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 450 enables you to expand and set up highly complex wireless systems.

    Features:

  • The perfect WMS 450 Set for all types of live vocal performance, broadcast and presentation applications System includes: 1 HT 450/D handheld transmitter with D 5 microphone element, 1 SR 450 receiver, 1 SA 64 stand adapter, 1 AA size battery, 2 antennas, 1 rack mounting kit, power supply
  • The D 5 dynamic vocal microphone element for lead and backing vocals delivers a powerful sound even on the noisiest stage, its supercardioid polar pattern ensures maximum gain before feedback, 70 Hz to 20 kHz frequency range
  • Infrared data download link for quick setup
  • Transmitter battery status display on the receiver
  • Integrated frequency scanner with frequency management database
  • Up to 12 channels can be used simultaneously between 835 - 862 MHz
  • Rehearsal function for finding dead spots
  • SR 450 features detachable antennae, XLR and 1/4 inch jack audio outputs
  • Programmable warning functions using two-colour display backlighting
  • Up to 6 hours battery life from one 1.5 V AA alkaline battery

    HT 450 Specifications:

  • Carrier frequency range: 835 to 862 MHz, Band 6
  • Modulation: FM
  • Audio bandwidth: 35 to 20,000 Hz
  • THD: <0.7% typical at rated deviation/1 kHz
  • S/N ratio (A-weighted) 120 dB(A) typical
  • RF output: 50 mW max. (ERP)
  • Battery life: 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Size: 229 x 52.5 mm max. dia. (9 x 2 in.)
  • Net weight: 220 g (7.8 oz.)

    SR 450 Specifications:

  • RF carrier frequency range: 835 to 862 MHz, Band 6
  • Modulation: FM
  • Audio bandwidth: 35 to 20,000 Hz
  • THD at 1 kHz: <0.3%
  • Signal-to-noise: 120 dB(A)
  • Audio outputs: balanced XLR and unbalanced TS 1/4 inch jack, balanced level switchable to -30 or 0 dBm
  • Dimensions: 200 x 44 x 190 mm (7.8 x 1.7 x 7.4 in.)
  • Weight: 972 g (2.2 lbs.)

    Get Your AKG WMS450 D5 Vocal Set Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGWMS450D5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20D5%20Vocal%20Set.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20D5%20Vocal%20Set.jpg AKGWMS450D5 399.00 AKG AKG Base Unit Options AKG WMS450 C5 Vocal Set

    AKG WMS450 C5 Vocal Set

    The AKG WMS 450 VOCAL SET C5 Wireless Microphone System, includes WMS450 SET HT450 X 1 with C5 Microphone Element, SR450 X 1. The perfect WMS 450 Set for all types of premium live vocal performance applications.

    The AKG WMS 450 VOCAL SET C5 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS 450 provides cost-efficient, high-performance solutions for situations where several radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-channel systems has its limitations and may simply be too much for the available radio band. The WMS 450 VOCAL SET C5 includes the HT 450 handheld transmitter with C 5 microphone element and the SR 450 receiver. The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode. Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child’s play. A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter’s user-friendliness. The HT 450 handheld transmitter, in this version, is loaded with the AKG condenser microphone element C 5. The C 5 professional condenser vocal microphone element will make your voice cut through the loudest mix - on any stage. Its cardioid polar pattern ensures maximum gain before feedback. The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission. Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 450 enables you to expand and set up highly complex wireless systems.

    Features:

  • The perfect WMS 450 Set for all types of premium live vocal performance applications
  • System includes: 1 HT 450/C handheld transmitter with C 5 microphone element, 1 SR 450 receiver, 1 SA stand adapter, 1 AA size battery, 2 antennas, 1 rack mounting kit, power supply
  • The C 5 professional condenser vocal microphone element will make your voice cut through the loudest mix - on any stage, its cardioid polar pattern ensures maximum gain before feedback, 65 Hz to 20 kHz frequency range
  • Infrared data download link for quick setup
  • Transmitter battery status display on the receiver
  • Integrated frequency scanner with frequency management database
  • Up to 12 channels can be used simultaneously between 835 - 862 MHz
  • Rehearsal function for finding dead spots
  • SR 450 features detachable antennae, XLR and 1/4 inch jack audio outputs
  • Programmable warning functions using two-colour display backlighting
  • Up to 6 hours battery life from one 1.5 V AA alkaline battery

    HT 450 Specifications:

  • Carrier frequency range: 835 to 862 MHz, Band 6
  • Modulation: FM
  • Audio bandwidth: 35 to 20,000 Hz
  • THD: <0.7% typical at rated deviation/1 kHz
  • S/N ratio (A-weighted) 120 dB(A) typical
  • RF output: 50 mW max. (ERP)
  • Battery life: 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Size: 229 x 52.5 mm max. dia. (9 x 2 in.)
  • Net weight: 220 g (7.8 oz.)

    SR 450 Specifications:

  • RF carrier frequency range: 835 to 862 MHz, Band 6
  • Modulation: FM
  • Audio bandwidth: 35 to 20,000 Hz
  • THD at 1 kHz: <0.3%
  • Signal-to-noise: 120 dB(A)
  • Audio outputs: balanced XLR and unbalanced TS 1/4 inch jack, balanced level switchable to -30 or 0 dBm
  • Dimensions: 200 x 44 x 190 mm (7.8 x 1.7 x 7.4 in.)
  • Weight: 972 g (2.2 lbs.)

    Get Your AKG WMS450 C5 Vocal Set Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGWMS450C5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20C5%20Vocal%20Set.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20C5%20Vocal%20Set.jpg AKGWMS450C5 449.00 AKG AKG Base Unit Options AKG WMS450 Headset

    AKG WMS450 Headset

    AKG WMS 450 Headworn Set for any handsfree application, like presentations or onstage performances.

    The AKG WMS 450 Headworn Set is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS 450 System provides cost-efficient, high-performance solutions for situations where several radio mics can be used simultaneously, including gigs at small clubs, small stages, or regional events.

    Features:

  • PT 450 bodypack transmitter
  • SR 450 receiver
  • C 555 L headworn microphone
  • 1 belt clip
  • 1 AA size battery
  • 2 antennas
  • 1 rack mounting kit
  • power supply

    Get Your AKG WMS450 Headset Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGWMS450 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20Headset.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/WMS450%20Headset.jpg AKGWMS450 449.00 AKG AKG Cable Options AKG K171-MKII

    AKG K171-MKII

    The newly designed K 171 MK II combines the benefits of a closed-back design with the lightweight and comfort of supra-aural headphones.

    The K 171 MK II is an excellent choice for DJ and broadcast applications where no sound can bleed from the headphones into live microphones.

    The closed-back, loud and rugged design gives the K 171 MK II a different low-frequency character and maintains its comfort and flexibility.

    Features:

  • Professional hi-fi stereo studio headphones
  • Self-adjusting headband for optimum fit
  • Patented Varimotion speakers
  • High ambient noise attenuation
  • For broadcast and DJ use
  • Rugged construction for tough handling
  • Leatherette ear pads and additional velvet ear pads
  • Single-sided, detachable 3 m cable and additional 5 m coiled cable

    Specifications:

  • Type: Closed-back, dynamic headphones
  • Sensitivity: 94 dB/wM, 107 dB/V
  • Frequency Range: 18 to 26,000 Hz
  • Rated Impedance: 55 ohms
  • Max. Input Power: 200 mW
  • Earpads: Leatherette and velvet
  • Cable: 3m single-sided and 5m coiled cable (99.9% oxygen-free); plug-in cable on headphones (mini-XLR connector)
  • Connector: Gold plated stereo mini jack
  • Adapter: Gold plated 1/8" to 1/4" screw-on adapter
  • Net Weight (without cable): 7.1 oz
  • Shipping Weight: 17.6 oz

    Get Your AKG K171-MKII Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK171MKII http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/K171%20MKII.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/K171%20MKII.jpg AKGK171MKII 149.00 AKG AKG Cable Options AKG K77

    AKG K77

    The newly designed K 77 are cost-efficient headphones for various applications.

    These closed-back headphones are an all-round performer with solid bass and clean highs at a valuable price.

    A self-adjusting headband, leatherette earpads, and gimbal suspension ensure excellent comfort.

    Features:

  • Closed-back circumaural headphones
  • Excellent comfort

    Get Your AKG K77 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK77 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AKGK77.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AKGK77.jpg AKGK77 49.00 AKG AKG Cable Options AKG K702

    AKG K702

    The K 702 are the new reference for open-back dynamic AKG headphones. They combine an extremely accurate response with yet unseen agility and spaciousness. This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion two-layer diaphragm. A totally open design and a high performance cable complete these reference headphones. Their comfortable, specially shaped "3D-form" ear pads and a padded genuine-leather headband ensure a perfect fit. They are individually tested and numbered.

    Features:

  • Flat wire voice coil
  • Patented Varimotion two-layer diaphragm
  • "3D Form" ear pads for perfect fit
  • Individually tested and numbered

    Specifications:

  • Type: Open-back, dynamic headphones
  • Sensitivity: 105 dB/V
  • Frequency Range: 10 to 39,800 Hz
  • Rated Impedance: 62 ohms
  • Max. Input Power: 200 mW
  • Cable: 3m single-sided (99.9% oxygen-free)
  • Connector: Gold plated stereo jack plug 1/4"
  • Adapter: Gold plated convertible jack plug 1/4" to 1/8"
  • Net Weight (without cable): 8.3 oz

    Get Your AKG K702 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK702 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/K702.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/K702.jpg AKGK702 349.00 AKG AKG Cable Options AKG K271-MKII

    AKG K271-MKII

    The newly designed AKG legend, K 271 MK II combines the benefits of AKG's circumaural design for extreme comfort and a closed-back design for maximum isolation from ambient noise. Thanks to its XXL transducers, the K 271 MK II sounds clean, smooth and very rich.

    The K 271 MK II is the perfect choice for any application where sonic bleed could cause problems such as broadcast work. Another important feature of the K 271 MK II is the addition of a switch in the headband that mutes the audio just as soon as the headphones are taken off.

    Features:

  • Professional circumaural hi-fi stereo studio headphones
  • Self-adjusting headband for optimum fit
  • Patented Varimotion speakers
  • High noise attenuation
  • For onstage and studio use
  • Automute feature mutes headphones when they are taken off
  • Leatherette and additional velvet ear pads
  • Single-sided, detachable 3 m cable and additional 5 m coiled cable

    Specifications

  • Type: Closed-back, dynamic headphones
  • Sensitivity: 91 dB/wM, 104 dB/V
  • Frequency Range: 16 to 28,000 Hz
  • Rated Impedance: 55 ohms
  • Max. Input Power: 200 mW
  • Earpads: Leatherette and velvet
  • Cable: 3m single-sided and 5m coiled cable (99.9% oxygen-free); plug-in cable on headphones (mini-XLR connector)
  • Connector: Gold plated stereo mini jack
  • Adapter: Gold plated 1/8" to 1/4" screw-on adapter
  • Net Weight (without cable): 8.5 oz
  • Shipping Weight: 19.4 oz

    Get Your AKG K271-MKII Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK271MKII http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/K271%20MKII.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/K271%20MKII.jpg AKGK271MKII 249.00 AKG AKG Cable Options AKG K141-MKII

    AKG K141-MKII

    The K 141 MK II is a newly updated version of the AKG legend with XXL transducers with Varimotion technology to deliver higher sensitivity, wide dynamic range and higher SPL, plus its lower impedance also allows it to be used with computers and other devices with low-power output.

    The gimbal-suspended earcups and self-adjusting headband makes these comfortable to wear. The detachable OFC cables have gold-plated plugs for easy transportation and years of loss-free signal transfer.

    Features:

  • Professional hi-fi stereo studio headphones
  • Semi-open supra-aural earphones
  • Self-adjusting headband for optimum fit
  • Patented Varimotion speakers
  • Undistorted sound even at high volume levels
  • Leather ear pads and velvet ear pads
  • Single-sided, detachable 3m cable and additional 5m coiled cable

    Specifications:

  • Type: Semi-open, dynamic headphones
  • Sensitivity: 101 dB/wM, 114 dB/V
  • Frequency Range: 18 to 24,000 Hz
  • Rated Impedance: 55 ohms
  • Max. Input Power: 200 mW
  • Earpads: Leather and velvet
  • Cable: 3m single-sided and 5m coiled cable (99.9% oxygen-free); plug-in cable on headphones (mini-XLR connector)
  • Connector: Gold plated stereo mini jack
  • Adapter: Gold plated 1/8" to 1/4" screw-on adapter
  • Net Weight (without cable): 7.9 oz
  • Shipping Weight: 19.4 oz

    Get Your AKG K141-MKII Today!

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    AKG K99

    The newly designed K99 are semi-open stereo headphones which combine excellent sound and optimum price/performance. Self-adjusting headband, soft leatherette circumaural earpads, and low weight ensure pleasant fit. Large, high-performance 1.6" (40mm) speakers provide a natural, uncolored sound.

    Features:

  • Semi-open, circumaural hi-fi stereo headphones
  • Low weight for excellent comfort
  • Skin compatible leatherette ear pads
  • Excellent price/performance

    Specifications:

  • Type: Semi-open, dynamic headphones
  • Sensitivity: 112 dB/V
  • Frequency Range: 18 to 22,000 Hz
  • Rated Impedance: 32 ohms
  • Max. Input Power: 200 mW
  • Cable: 3m single-sided (99.9% oxygen-free)
  • Connector: Stereo mini plug
  • Adapter: Convertible jack plug (1/8" to 1/4")
  • Net Weight (without cable): 7.4 oz
  • Shipping Weight: 14.1 oz

    Get Your AKG K99 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK99 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/K99.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/K99.jpg AKGK99 79.00 AKG AKG Cable Options AKG K 240 Studio Headphone

    AKG K 240 Studio Headphone

    Features:

  • 55 Ohms Impedance, plug-in cable
  • Self-adjusting headband for optimum fit
  • Single cable for ease of use
  • Semi-Open, Circumaural design

    Specifications:

  • Type: Semi-Open, Dynamic Headphones, Circumaural
  • Sensitivity: 91 dB/mW, 104 dB/V
  • Frequency Range: 15 to 25,000 Hz
  • Rated Impedance: 55 Ohms
  • THD: <0,3 %
  • Max. input power: 200 mW
  • Connector: gold plated Stereo mini Jack
  • Adapter: Stereo gold plated mini to 1/4" screw-on adapter Jack
  • Net weight (without cable): 240 g (8.5 oz)
  • Special features: plug-in cable
  • Patent(s): Varimotion - multiple-thickness Diaphragm for Dynamic Transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637 (DE, DK, FI, FR, GB, IT, NL), JP 3.927.651); Acoustics slot Resistor for Dynamic Transducer (Patent no. AT 408.706, US 6,639,991, ZL 01116806)

    Get Your AKG K 240 Studio Headphone Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK240STUDIO http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/K%20240%20STUDio.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/K%20240%20STUDio.jpg AKGK240STUDIO 99.00 AKG AKG Gooseneck Module Options AKG DMM 4/2/2

    AKG DMM 4/2/2

    Features:

  • 4 Microphone and 2 Stereo AUX inputs
  • 1 recording output and 1 Master output
  • Digital Signal Processing including dbx® Compressor/Limiter
  • Intelligent mixing algorithm with Noise sensitive threshold
  • 19" all-metal case with integrated power supply

    Get Your AKG DMM 4/2/2 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGDMM422 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/DMM%204%202%202.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/DMM%204%202%202.jpg AKGDMM422 999.00 AKG AKG Gooseneck Module Options AKG DMM 4 2 4

    AKG DMM 4 2 4

    Features:

  • 4 Microphone and 2 Stereo AUX inputs
  • 1 Stereo recording output and 1 Stereo Master output
  • Digital Signal Processing including dbx® Compressor/Limiter
  • Intelligent mixing algorithm with Noise sensitive threshold
  • 19" all-metal case with integrated power supply

    Get Your AKG DMM 4 2 4 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGDMM424 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/DMM%204%202%204.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/DMM%204%202%204.jpg AKGDMM424 1699.00 AKG AKG Gooseneck Module Options AKG GN30CS

    AKG GN30CS

    12 in. gooseneck for use with chairman and delegate stations, without mic capsule.

    This 12" gooseneck is specifically designed for use with AKG's Conference Systems capsules.

    The gooseneck fits into the chairman's station and provides quiet flexible microphone positioning.

    Get Your AKG GN30CS Today!

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    AKG GN50CS

    AKG GN50CS Description:

    20 in. gooseneck for use with chairman and delegate stations, without mic capsule.

    This 20" gooseneck is specifically designed for use with AKG's Conference Systems capsules.

    The gooseneck fits into the chairman's station and provides quiet flexible microphone positioning.

    Get your AKG GN50CS today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN50CS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn50cs.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn50cs.jpg AKGGN50CS 229.00 AKG AKG Install and Contracting Microphones AKG WMS450 Choir

    AKG WMS450 Choir

    Features:

  • All metal case with rugged finish
  • Easy set up of up to 12 channels per frequency band
  • Programmable Status Display with Two-Color Backlight
  • Integrated frequency scanner with country specific frequency managementdatabase
  • Infrared data transmission link
  • Rehearsal function for finding dead spots

    Specifications:

  • Carrier Frequency Range: 500-530, 570-600, or 650-680MHz
  • Modulation: FM
  • Audio Bandwidth: 35 to 20,000 Hz
  • THD: <0.3% (at 1kHz)
  • Signal/Noise Ratio: 120 dB(A)
  • Audio Outputs: balanced XLR and unbalanced TS 1/4" jack, balanced levelswitchable to -30 or 0 dBm
  • Dimensions: 7.8" x 1.7" x 7.4"
  • Net Weight: 2.2 lbs

    Get Your AKG WMS450 Choir Today!

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    AKG CK 99 L

    Low-profile, cost efficient clip-on microphone for applications including houses of worship, lecturers, etc. Connects to AKG bodypack transmitters. The CK 99 L provides a natural sound, with a slight rise above 10 kHz for added clarity. Its cardioid polar pattern and bass rolloff combine to suppress unwanted ambient noise.

    Features:

  • Inconspicuous clip-on microphone
  • Natural, airy sound
  • High ambient noise rejection

    Get Your AKG CK 99 L Today!

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    AKG MK/GL

    Instrument cable for use with AKG pocket transmitters.

    Guitar cable for PT40 PRO, PT400 and PT4000.

    Get Your AKG MK/GL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGMKGL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmkgl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmkgl.jpg AKGMKGL 34.99 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG CU400

    AKG CU400

    Charging station for HT400,PT400, HT40PRO and PT40 PRO, FLEXX and DUAL.

    Any wireless microphone system depends on sufficiently charged batteries in all the transmitters. There is nothing more embarrassing than a transmitter running out of juice in the middle of the show, or a voice fading as the transmitter battery dies.

    The CU 400 charging unit puts an end to this kind of hassle. It can charge two batteries simultaneously to full capacity within one hour, and there is no risk of overcharging the batteries.

    And what's best, you can leave the batteries inside the transmitters. The transmitters and charger use integrated charging contacts so all you have to do is plug the transmitters into the CU 400 charging unit and remove them after charging.

    Features:

  • Plug-in charging
  • Two charging slots
  • Gentle quick-charge mode
  • Status display

    • Specifications:

  • The handheld transmitter shall be housed in a miniature body and provide 1200 carrier frequencies that can be programmed via infrared within a 30 MHz wide subband.
  • An LC display shall indicate the transmitter battery capacity in hours; as well as the frequency, frequency group, and preset name.
  • An outside infrared sensor shall allow the frequency and input gain setting to be programmed, and a silent mode shall permit the transmitter to be used legally in R&TTE countries.
  • The transmitter shall transmit low battery capacity and muting information to the receiver and use an integrated dipole transmitting antenna. The transmitter shall be available with an RF output of 10 mW, 20 mW, or 50 mW (ERP).
  • The transmitter shall provide a central on/mute/off switch with IR programming and silent mode functions. Charging contacts on the bottom panel shall allow the easy charging of a rechargeable battery inside the transmitter.
  • The audio bandwidth of the transmitter shall be 35 Hz to 20 kHz; S/N 120 dB(A); THD at 1 kHz <0.3%.
  • The transmitter shall operate off one AA size dry battery for >6 hours, up to 8 hours off one AA size NiMH rechargeable battery.
  • A means of color coding the handheld transmitter shall be included. The handheld transmitter shall measure 229 mm long x 52.5 mm max. dia. and weigh 220 g.
  • An SA 63 stand adapter shall be included as a standard accessory. The handheld transmitter shall be the AKG HT 400.

    • Get Your AKG CU400 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCU400 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcu400.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcu400.jpg AKGCU400 279.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG WMS450 Presenter

    AKG WMS450 Presenter

    The perfect WMS 450 Set for professional presentations and all types of broadcast and theatrical applications.

    Frequency-agile UHF wireless system with AKG C417L omni lavalier microphone. Includes PT450 transmitter, SR450 receiver, C407L mic, rack mount hardware, antennas, battery and power supply in carrying case.

    1 belt clip, 1 AA size battery, 1 MKG L cable, 2 antennas, 1 rack mounting kit, power supply

    Features:

  • Best Sound in class!
  • Extremely compact bodypack transmitter with new rugged finish
  • Easy configuration through Infrared data download from receiver
  • Lowest operating costs: Up to 8 hours with ONE AA Battery
  • Unique Battery Status Display
  • Professional mini XLR audio input - with a wide range Input Level Control
  • Connector for external MUTE switch
  • Integrated Charging Contacts

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35 to 20,000 Hz
  • Selectable channels 1200
  • Max. channels for multichannel operation > 24 with presets
  • THD <0.7% typical at rated deviation/1 kHz
  • Signal/noise ratio 120 dB(A) typical
  • RF output 50 mW max. (ERP)
  • Battery life 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Dimensions approx. 60 x 73,5 x 30 mm (2.4 x 2.9 x 1.2 in.)
  • Net weight 90 g (3.2 oz.)
  • Patent(s) Remaining battery life (Patent no. AT 408.280, GB 2.349.230, US 6,344,730)

    • Features:

  • Best sound in class!
  • All metal case with rugged finish
  • Easy set up of up to 12 channels per frequency band
  • Programmable Status Display with Two-Color Backlight
  • Integrated frequency scanner with country specific frequency management database
  • Infrared data transmission link
  • Rehearsal function for finding dead spots

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35 to 20,000 Hz
  • THD <0.3% (at 1 kHz)
  • Signal/noise ratio 120 dB(A)
  • Audio outputs balanced XLR and unbalanced TS 1/4" jack, balanced level switchable to -30 or 0 dBm
  • Dimensions approx. 200 x 44 x 190 mm (7.8 x 1.7 x 7.4 in.)
  • Net weight 972 g (2.2 lbs.)
  • Patent(s) Remaining playing time (Patent no. AT 408.280, GB 2.349.230, US 6.344.730)

    • Get Your AKG WMS450 Presenter Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGWMS450P http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgwms450p.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgwms450p.jpg AKGWMS450P 449.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG HT450/D5

    AKG HT450/D5

    Frequency-agile UHF handheld transmitter with AKG D5 dynamic microphone capsule.

    Uses infrared data link for programming.

    The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness.

    An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.

    Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play.

    The HT 450 handheld transmitter is available with the dynamic microphone element D 5 or the condenser microphone element C 5.

    A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter's user-friendliness.

    Features:

  • Available as D 5 or C 5 version with the outstanding AKG sound
  • Maximized rejection against feedback
  • Improved handling noise sensibility
  • Spring Steel elastic wire mesh cap for safe protection of the capsule element
  • New rugged finish for professional applications
  • Easy configuration through optimized Infrared data download from receiver
  • Lowest operating costs: Up to 8 hours with ONE Battery (AA)
  • Unique Battery Status Display
  • Integrated Charging Contacts
  • Ergonomically Designed Shape

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35-20,000 Hz
  • Selectable channels 1200
  • Max. channels for multichannel operation > 24 with presets
  • THD <0.7% typical at rated deviation/1 kHz
  • Signal/noise ratio 120 dB(A)
  • RF output 50 mW max. (ERP)
  • Battery life 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Dimensions 236.9 x 51.1 mm max. dia. (9.3 x 2 in.)
  • Net weight 240 g (8.5 oz.)
  • Patent(s) Remaining battery life (Patent no. AT 408.280, GB 2.349.230, US 6,344,730)
  • The handheld transmitter shall be housed in a miniature body and provide 1200 carrier frequencies that can be programmed via infrared within a 30 MHz wide subband.
  • An LC display shall indicate the transmitter battery capacity in hours; as well as the frequency, frequency group, and preset name.
  • An outside infrared sensor shall allow the frequency and input gain setting to be programmed, and a silent mode shall permit the transmitter to be used legally in R&TTE countries.
  • The transmitter shall transmit low battery capacity and muting information to the receiver and use an integrated dipole transmitting antenna.
  • The transmitter shall be available with an RF output of 10 mW, 20 mW, or 50 mW (ERP).
  • The transmitter shall provide a central on/mute/off switch with IR programming and silent mode functions.
  • Charging contacts on the bottom panel shall allow the easy charging of a rechargeable battery inside the transmitter.
  • The audio bandwidth of the transmitter shall be 35 Hz to 20 kHz; S/N 120 dB(A); THD at 1 kHz <0.3%.
  • The transmitter shall operate off one AA size dry battery for >6 hours, up to 8 hours off one AA size NiMH rechargeable battery.
  • A means of color coding the handheld transmitter shall be included.
  • The handheld transmitter shall measure 236.9 mm long x 51.1 mm max. dia. and weigh 240 g.
  • An SA 63 stand adapter shall be included as a standard accessory.
  • The handheld transmitter shall be the AKG HT 450.

    • Get Your AKG HT450/D5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGHT450D5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akght450d5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akght450d5.jpg AKGHT450D5 229.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG HT450/C5

    AKG HT450/C5

    Frequency-agile UHF handheld transmitter with AKG C5 condenser microphone capsule.

    Uses infrared data link for programming.

    The HT 450 is a high-performance, rugged handheld transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness.

    An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.

    Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play.

    The HT 450 handheld transmitter is available with the dynamic microphone element D 5 or the condenser microphone element C 5.

    A noiseless ON-MUTE/PRG-OFF switch and status LED add to the transmitter's user-friendliness.

    Features:

  • Available as D 5 or C 5 version with the outstanding AKG sound
  • Maximized rejection against feedback
  • Improved handling noise sensibility
  • Spring Steel elastic wire mesh cap for safe protection of the capsule element
  • New rugged finish for professional applications
  • Easy configuration through optimized Infrared data download from receiver
  • Lowest operating costs: Up to 8 hours with ONE Battery (AA)
  • Unique Battery Status Display
  • Integrated Charging Contacts
  • Ergonomically Designed Shape

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35-20,000 Hz
  • Selectable channels 1200
  • Max. channels for multichannel operation > 24 with presets
  • THD <0.7% typical at rated deviation/1 kHz
  • Signal/noise ratio 120 dB(A)
  • RF output 50 mW max. (ERP)
  • Battery life 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Dimensions 236.9 x 51.1 mm max. dia. (9.3 x 2 in.)
  • Net weight 240 g (8.5 oz.)
  • Patent(s) Remaining battery life (Patent no. AT 408.280, GB 2.349.230, US 6,344,730)
  • The handheld transmitter shall be housed in a miniature body and provide 1200 carrier frequencies that can be programmed via infrared within a 30 MHz wide subband.
  • An LC display shall indicate the transmitter battery capacity in hours; as well as the frequency, frequency group, and preset name.
  • An outside infrared sensor shall allow the frequency and input gain setting to be programmed, and a silent mode shall permit the transmitter to be used legally in R&TTE countries.
  • The transmitter shall transmit low battery capacity and muting information to the receiver and use an integrated dipole transmitting antenna.
  • The transmitter shall be available with an RF output of 10 mW, 20 mW, or 50 mW (ERP).
  • The transmitter shall provide a central on/mute/off switch with IR programming and silent mode functions.
  • Charging contacts on the bottom panel shall allow the easy charging of a rechargeable battery inside the transmitter.
  • The audio bandwidth of the transmitter shall be 35 Hz to 20 kHz; S/N 120 dB(A); THD at 1 kHz <0.3%.
  • The transmitter shall operate off one AA size dry battery for >6 hours, up to 8 hours off one AA size NiMH rechargeable battery.
  • A means of color coding the handheld transmitter shall be included.
  • The handheld transmitter shall measure 236.9 mm long x 51.1 mm max. dia. and weigh 240 g.
  • An SA 63 stand adapter shall be included as a standard accessory.
  • The handheld transmitter shall be the AKG HT 450.

    • Get Your AKG HT450/C5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGHT450C5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akght450c5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akght450c5.jpg AKGHT450C5 329.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG PT450

    AKG PT450

    The PT 450 is a high-performance, compact bodypack transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness.

    An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode.

    Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child's play.

    The PT 450 uses a rugged case, and the mini XLR input allows you to connect a wide selection of microphones and instruments. A special jack lets you connect an optional external mute switch enabling the user to mute the audio signal even if the transmitter is hidden in the clothes.

    Features:

  • Best Sound in class!
  • Extremely compact bodypack transmitter with new rugged finish
  • Easy configuration through Infrared data download from receiver
  • Lowest operating costs: Up to 8 hours with ONE AA Battery
  • Unique Battery Status Display
  • Professional mini XLR audio input - with a wide range Input Level Control
  • Connector for external MUTE switch
  • Integrated Charging Contacts

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35 to 20,000 Hz
  • Selectable channels 1200
  • Max. channels for multichannel operation > 24 with presets
  • THD <0.7% typical at rated deviation/1 kHz
  • Signal/noise ratio 120 dB(A) typical
  • RF output 50 mW max. (ERP)
  • Battery life 1.5 V AA size dry battery: 6 hours; 1.2 V NiMH, 2100 mAh AA size rechargeable battery: 8 hrs.
  • Dimensions approx. 60 x 73,5 x 30 mm (2.4 x 2.9 x 1.2 in.)
  • Net weight 90 g (3.2 oz.)
  • Patent(s) Remaining battery life (Patent no. AT 408.280, GB 2.349.230, US 6,344,730)
  • The bodypack transmitter shall be housed in a miniature body and provide 1200 carrier frequencies that can be programmed via infrared within a 30 MHz wide subband.
  • An LC display shall indicate the transmitter battery capacity in hours; as well as the frequency, frequency group, and preset name.
  • An outside infrared sensor shall allow the frequency and input gain setting to be programmed, and a silent mode shall permit the transmitter to be used legally in R&TTE countries.
  • The transmitter shall transmit low battery capacity and muting information to the receiver and use an integrated dipole transmitting antenna.
  • The transmitter shall be available with an RF output of 10 mW, 20 mW, or 50 mW (ERP).
  • The transmitter shall provide a lockable on/mute/off switch with IR programming and silent mode functions.
  • Charging contacts on the bottom panel shall allow the easy charging of a rechargeable battery inside the transmitter and a 2.5 mm jack shall allow an external mute switch to be connected.
  • The audio bandwidth of the transmitter shall be 35 Hz to 20 kHz; S/N 120 dB(A); THD at 1 kHz <0.3%.
  • The input gain shall be adjustable by means of a special tool integrated in the battery compartment cover.
  • The transmitter shall operate off one AA size dry battery for >6 hours, up to 8 hours off one AA size NiMH rechargeable battery.
  • A means of color coding the bodypack transmitter shall be included.
  • The bodypack transmitter shall measure 60 x 73.5 x 30 mm and weigh 90 g.
  • The bodypack transmitter shall be the AKG PT 450.

    • Get Your AKG PT450 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGPT450 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpt450.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpt450.jpg AKGPT450 229.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG SR450

    AKG SR450

    The SR 450 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels* can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission.

    Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 450 enables you to set up highly complex wireless systems.

    In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel, and transmit the related frequency data to the assigned transmitter via infrared.

    This technique significantly reduces the time it takes to set up a multichannel system.

    A Rehearsal function identifying dead spots, a programmable display clearly indicating all important system parameters, twocolor display backlighting warning the user of critical conditions from a distance, and a transmitter battery status display on the receiver enhance reliability and add to ease of use.

    Features:

  • Best sound in class!
  • All metal case with rugged finish
  • Easy set up of up to 12 channels per frequency band
  • Programmable Status Display with Two-Color Backlight
  • Integrated frequency scanner with country specific frequency management database
  • Infrared data transmission link
  • Rehearsal function for finding dead spots

    • Specifications:

  • Carrier frequency range 650 to 680, 680 to 710, 720 to 750, 760 to 790, 790 to 820, 835 to 863 MHz
  • Modulation FM
  • Audio bandwidth 35 to 20,000 Hz
  • THD <0.3% (at 1 kHz)
  • Signal/noise ratio 120 dB(A)
  • Audio outputs balanced XLR and unbalanced TS 1/4" jack, balanced level switchable to -30 or 0 dBm
  • Dimensions approx. 200 x 44 x 190 mm (7.8 x 1.7 x 7.4 in.)
  • Net weight 972 g (2.2 lbs.)
  • Patent(s) Remaining playing time (Patent no. AT 408.280, GB 2.349.230, US 6.344.730)
  • The receiver shall be a stationary diversity design with 1200 carrier frequencies that can be programmed within a 30 MHz wide subband and a rugged half-rack case with backlit liquid crystal color display.
  • The receiver shall provide indicators for audio and RF levels; diversity mode (A/B); transmitter battery status; name, frequency, frequency group, and preset (country) name.
  • The color of the backlighting shall change between green and red to indicate normal operation or display user-selectable warning messages (low battery capacity, audio level, RF level, etc.).
  • The receiver shall select intermodulation-free frequencies automatically from an integrated frequency database arranged by local frequency allocations and provide an automatic function for finding dead spots.
  • An infrared radiator shall transmit setup parameter data to the transmitter. Rear panel BNC sockets shall allow either the supplied antennas or a complex antenna network to be connected to the receiver.
  • The squelch threshold shall be adjustable between -70 and -100 dBm. The receiver's audio bandwidth shall be 35 Hz to 20 kHz; S/N 120 dB(A); THD <0.3% at 1 kHz.
  • Audio outputs shall comprise a balanced 3-pin XLR output switchable to -30 dB or 0 dB and an unbalanced 1/4" TS jack.
  • The receiver shall provide a lockable DC input for the supplied 12 V DC power supply.
  • The receiver shall measure 200 x 44 x 190 mm (W x D x H) and weigh 972 g. The receiver shall be the AKG SR 450.

    • Get Your AKG SR450 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGSR450 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgsr450.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgsr450.jpg AKGSR450 319.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG PSU4000

    AKG PSU4000

    Central power supply for powering up to 12 SR 4000 or SR 450 receivers plus antennas via three PS 4000 antenna splitters, or three CU 4000 chargers.

    Also powers the HPA 4000 headphone amplifier and HUB 4000 network concentrator.

    Specifications:

  • PSU 4000 Central Power Supply
  • The power supply shall be a central power supply with a half-rack metal case, complete with a rack mounting kit, for use with the WMS 4000 wireless microphone system.
  • The central power supply shall provide an on/off switch, status LEDs, three separate, locking DC output jacks for powering up to three PS 4000 antenna splitters, 12 SR 4000 or SR 450 receivers, and an antenna system.
  • Each DC output shall also be capable of powering a CU 4000 charger, HPA 4000 headphone amplifier, or HUB 4000 Ethernet hub.
  • The central power supply shall operate off 90 VAC to 264 VAC, 47 Hz to 63 Hz, and provide the following outputs: DC OUT 1: 12 V/2.5 A, DC OUT 2-3: 12 V/2 A.
  • The size of the central power supply shall be 200 x 190 x 44 mm, its weight 1.3 kilograms, and it shall be fitted with a 2 A slow-blow fuse.
  • The central power supply shall be the PSU 4000 from AKG.

    • Get Your AKG PSU4000 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGPSU4000 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpsu4000.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpsu4000.jpg AKGPSU4000 479.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG PSU01/4000

    AKG PSU01/4000

    Power supply for powering one PS4000.

    Power supply for powering 4 individual SR4000 receivers or one PS4000.

    Get Your AKG PSU01/4000 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGPSU0140 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpsu0140.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgpsu0140.jpg AKGPSU0140 129.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG RMS4/SPORT

    AKG RMS4/SPORT

    Remote mute switch for PT400 and PT4000 systems.

    This AKG manufactured Remote Mute Switch is designed to provide remote muting for PT400 and PT4000 bodypack transmitters. The remote switch is a useful device in competitive or debate style speaking scenarios.

    Get Your AKG RMS4/SPORT Today!

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    AKG MK PS

    Cables for connecting receivers to PS4000 multi-couplers.

    The MK PS is a low-loss antenna cable designed for hooking up AKG UHF wireless receivers to multi-couplers in racks.

    Get Your AKG MK PS Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGMKPS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmkps.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmkps.jpg AKGMKPS 14.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG MK A 5

    AKG MK A 5

    5 meter (16.4 ft.)cable for connecting external passive antennas to PS4000 (2 req.)

    Get Your AKG MK A 5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGMKA5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmka5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmka5.jpg AKGMKA5 19.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG MK A 20

    AKG MK A 20

    20 meter (65.6 ft.) cable for connecting ext. active antennas to PS4000 (2 req.)

    Get Your AKG MK A 20 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGMKA20 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmka20.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmka20.jpg AKGMKA20 49.00 AKG AKG Install and Contracting Microphones Live Sound Live Sound Wireless Microphones AKG AB4000

    AKG AB4000

    High-performance antenna booster for inserting into long antenna cables.

    One AB 4000 can compensate for approx. 17 dB of cable attenuation, allowing RG 213 cable runs to be extended by approx. 60 m (200 feet). Up to three AB 4000 boosters can be used in series for extremely long cable runs.

    In-line antenna signal amplifier for WMS 4000 or WMS 400 system.

    Features:

  • BNC or N input and output
  • Status LED
  • Water-resistant case

    • Specifications:

  • Carrier frequency range: 650 to 870 MHz
  • Gain: 3.5 to 17.5 dB in 2 dB steps, selectable
  • RF input: 1 BNC or N socket, 50 ohms
  • RF output: 1 BNC or N socket, 50 ohms
  • Operating voltage: 8 VDC from PS 4000 or ASU 4000 via antenna cable
  • Dimensions: 78 x 50 x 50 mm (3.1 x 2 in.)
  • Weight: 150 g (5.3 oz.)
  • AB 4000 Booster (with BNC Connectors)
  • AB 4000 Booster (with N Connectors)
  • The booster shall be an ultra-linear in-line design with a maximum gain of 17 dB and a water resistant case.
  • A bank of 3 DIP switches shall allow for optimum matching to connected antenna cable lengths of up to 35 m (RG 58) or 75 m (RG 213).
  • To handle even longer cable runs up to 105 m (RG 58) or 225 m (RG 213), it shall be possible to connect two boosters in series with no signal degradation.
  • The booster shall be remotely powered from a PS 4000 antenna splitter or an external power supply and feature an LED indicating the presence of a supply voltage.
  • The booster shall be available either with 50-ohm BNC or N connectors and operate in the 650 MHz to 870 MHz carrier frequency range.
  • The booster gain shall be adjustable from 3.5 to 17.5 dB in 2 dB steps.
  • The booster shall operate off a supply voltage of 8 V, measure 78 x 50 x 50 mm, and weigh 150 grams.
  • The booster shall be the AB 4000 from AKG.

    • Get Your AKG AB4000 Today!

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    AKG ASU4000

    Remote power supply for complex antenna networks.

    Antenna power supply for remote powering of active antennas, without ac adaptor.

    Features:

  • BNC or N input and output
  • Locking DC input
  • Status LED
  • Water-resistant case

    • Specifications:

  • Carrier frequency range: 650 to 870 MHz
  • RF input: 1 BNC or N socket, 50 ohms
  • RF output: 1 BNC or N socket, 50 ohms
  • Operating voltage: 12 VDC
  • Dimensions: 78 x 50 x 50 mm (3.1 x 2.0 x 2.0 in.)
  • Weight: 150 g (5.3 oz.)
  • ASU 4000 Remote Power Adapter (with BNC Connectors)
  • ASU 4000 Remote Power Adapter (with N Connectors)
  • The remote power adapter shall be an in-line design with a water resistant case for feeding a 12 V supply voltage to all AKG antenna system components.
  • The remote power adapter shall provide an on/off status LED, a DC input for an external power supply, 50-ohm BNC or N connectors, and operate in the 650 MHz to 870 MHz carrier frequency range.
  • The remote power adapter shall operate off a supply voltage of 12 V, measure 78 x 50 x 50 mm, and weigh 150 grams.
  • The remote power adapter shall be the ASU 4000 from AKG.

    • Get Your AKG ASU4000 Today!

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    AKG UAM1/4000

    Front-mount antenna kit for 1-SR4000 or SR 400 receiver

    AKG Front Mount Antenna Rackmount Kit for Single SR4000 Receiver

    AKG antenna rack mount kit for front mounting antennas on the SR4000 wireless microphone receiver.

    Get Your AKG UAM1/4000 Today!

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    AKG ZAPD21/BNC

    Power/RF splitter 1 to 2 or 2 to 1 with BNC connectors.

    Antenna combiner for indoor and outdoor use, specifically, for near-field antenna setups with no preferred direction.

    Specification:

  • Linear DC coupled power splitter in an aluminium alloy case, 2 inputs, 1 output.
  • Reverse operation possible with 1 input and 2 outputs. BNC connectors.
  • Holes in the aluminium for ease of mounting, e.g. behind a rack cover.
  • Frequency range 500-2000 MHz.
  • Typical insertion loss 3,25 dB.
  • Internal load dissipation 0,125W.
  • Matched power rating: 10W.
  • dimensions: 50,8 x 50,8 x 19,05mm. weight: 140g.

    • Get Your AKG ZAPD21/BNC Today!

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    AKG HUB4000Q

    The HUB 4000 Q enables you to connect up to eight AKG devices to the HiQnet™ system developed by Harman Professional. Being a true plug and play device, all you need to do to install the HUB 4000 Q is to connect it to your computer via a commercial CAT-5 network cable.

    For large wireless systems, you can of course add several HUB 4000 Qs using standard Ethernet switches (or routers, wireless hubs, etc.), allowing you to configure and monitor the entire setup from a single computer.

    The System Architect™ control software, once installed on the computer, will automatically identify all HUB 4000 Qs connected to the computer.

    The AKG designed, channel-oriented user interface in System Architect™ provides intuitive control and makes setting up the system child's play using Environment Scan, Auto Setup Wizard, and many other functions.

    The HUB 4000 Q quickly and easily integrates the WMS 4000 wireless system into any complex HiQnet™ environment.

    Features:

  • Ethernet interface for connecting up to eight AKG devices to a HiQnet™ network
  • Full HiQnet™ protocol compatibility
  • True plug & play device
  • All-metal case

    • Specifications:

  • The HiQnet™ network interface shall allow up to eight AKG devices to be connected to a single computer.
  • The network interface shall provide eight RJ11 connectors for connecting the AKG network devices and one RJ45 connector for connection to a HiQnet™ network via a standard CAT-5 Ethernet cable.
  • For use in larger wireless systems, the network interface shall be capable of being daisy-chained using a standard Ethernet switch (or router, wireless hub, etc.).
  • The devices connected to the network interface shall be controlled from a computer using System Architect™ software developed by Harman Pro.
  • The network interface shall be fitted with ten LEDs for monitoring data transfer from the computer to the receivers and vice versa. The monitoring LEDs shall be capable of being disabled through the control software.
  • The network interface shall operate on 12 ±2 VDC, draw a maximum current of 200 mA, and measure 200 x 190 x 44 mm (7.8 x 7.5 x 1.7 in.). Its weight shall be approx. 970 g (2.2 lbs.).
  • The network interface shall be the HUB 4000 Q made by AKG.

    • Get Your AKG HUB4000Q Today!

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    AKG CU4000

    The CU 4000 revolutionizes battery management for wireless systems.

    The heart of the supply system is the BP 4000 rechargeable battery pack with built-in active monitoring circuitry.

    An integrated microprocessor continuously monitors battery status and accurately calculates the remaining battery life.

    This puts an end to the nightmare of batteries failing in the middle of a performance.

    A processor controlled pulse charging system charges the battery pack quickly yet gently, and the integrated "Charge Balance Management" feature makes sure that only as much energy is fed to the battery pack as had previously been drawn from it.

    In addition, several monitoring circuits and a temperature sensor prevent the battery pack from being overcharged.

    A self-discharge counter does not only measure battery discharge during operation but also determines the charge level after prolonged storage periods. As charging begins, the BP 4000 circuitry sends all relevant data to the CU 4000 charger to "tailor" the charging process exactly to the needs of the battery pack.

    To eliminate memory effect, the CU 4000 automatically checks whether the battery pack needs a recovery cycle and automatically starts the cycle after the user has con- firmed the start command.

    The charger provides two dedicated compartments for charging two HT 4000 or PT 4000 transmitters or two battery packs at the same time. The BP 4000 plus CU 4000 system is an investment that will quickly help reduce battery cost and reduce environmental hazards from used batteries.

    Charging current: 1.5 A Operating voltage: 12 VDC, 1.3 A Charging time: 1 hour typical Recovery cycle: approx. 8 hours Dimensions: 92 x 173 x 85 mm (3.6 x 6.8 x 3.3 in.) Weight: approx. 580 g (1.2 lbs.)

    Features:

  • Intelligent battery supply system comprising CU 4000 charging unit and BP 4000 battery pack
  • Microprocessor controlled charge/discharge monitoring function
  • One-hour quick charging and Battery Recovery Management
  • Charging compartment allows battery pack to be charged inside the transmitter

    • Specifications:

  • The intelligent charging system shall comprise a charger and two dedicated battery packs.
  • The charger shall feature a rugged plastic case with two multifunctional charging receptacles for charging the WMS 4000 transmitters or the dedicated battery pack.
  • Each charging receptacle shall accept either a handheld transmitter, a bodypack transmitter, or the dedicated battery pack and it shall be possible to charge any combination of these devices (e.g., an HT 4000 and a battery pack). The battery pack may remain inside the transmitter during charging.
  • The charger shall use high-tech, microprocessor-controlled charging circuitry with trickle charging, automatic shutoff at the turning point, and 2-stage overcharging protection. The charger shall automatically check whether the transmitter is on, switch the transmitter off, and charge the battery pack.
  • A bicolor LED shall indicate the charging status at any time, and the typical charging time shall be one hour.
  • The dedicated battery pack shall use an internal RAM to communicate with the charger and control the exact amount of charging depending on the ambient temperature and evaluated data received from the integrated self-discharge counter.
  • The charger shall automatically detect the need for a recovery cycle to minimize the memory effect of the battery pack. The charger shall provide a warning LED to indicate this situation and a key for manually starting the recovery cycle.
  • The typical duration of a recovery cycle shall be 14 hours, the useful life of the battery pack approx. 1200 charging cycles, and the typical battery life per charging cycle 12 hours. The charging current shall be 1.2 A and the operating voltage and current 12 VDC, 1.3 A.
  • The size of the charger shall be 92 x 173 x 85 mm, its weight 580 grams.The size of the battery pack shall be 30.2 x 57.5 x 18 mm, its weight 70 grams. The charging system shall comprise a charger and two dedicated battery packs. The charger shall be the AKG CU 4000, the battery pack the AKG BP 4000.

    • Get Your AKG CU4000 Today!

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    AKG HPA4000

    Headphone amplifier with eight inputs for SR 4000 or SR 450 receivers and one headphone output

    Headphone monitoring amplifier-8 receiver inputs, without power supply (Use PSU4000 or PSU01/4000)

    Specifications:

  • The headphone amplifier shall provide inputs for up to eight SR 4000 or SR 450 receivers.
  • It shall have an on/off switch, combined push/jog control, a 1/4" TRS jack for connecting a pair of headphones, and eight 1/4" jacks on the rear panel for connecting SR 4000 or SR 450 receivers using the supplied audio cables.
  • An eight-LED bar shall indicate which channel is currently being monitored. A short push on the push/jog control shall select the input channel to be monitored and turning the control shall set the desired monitoring level.
  • A long push shall mute the headphone output. The headphone amplifier shall include a rack mounting kit, operate on 12 VDC, measure 200 x 190 x 44 mm (WxHxD), and weigh approx. 800 g.

    • Get Your AKG HPA4000 Today!

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    AKG CGN99 C/S

    The cardioid polar pattern is the most popular because its uses are almost limitless. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone. The choice of two different lengths and the flexible joint ensure optimum alignment of the gooseneck to any talker position. Numerous options for installation are available, such as mounting on a stand or tabletop, while optional accessories include a lockable mounting fixture.

    Easy setup: anything goes:

    The wide range of accessories ensures optimum installation or placing of the 99er Series goosenecks, regardless of architectural requirements. Tabletop installation with a high level of structureborne noise? Don’t worry; the optional installation modules feature a shock mount made of a special rubber mix to reduce structure-borne noise to a minimum. Optional theft-proof installation modules are also available. Fixing permanently on a thick marble slab that must not be pierced? No problem: just three shallow holes will do to fasten the mount, and the gooseneck microphone won’t budge. Permanent installation impossible? No big deal, heavy base plate will keep the gooseneck securely in place. And what about uneven surfaces? Easy. Use the tripod table stand.

    Features:

  • Cardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 125° pickup angle
  • Especially suited for inexperienced talkers
  • Connects easily via XLR connector

    Get Your AKG CGN99 C/S Today!

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    AKG CGN99 C/L

    The cardioid polar pattern is the most popular because its uses are almost limitless. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone. The choice of two different lengths and the flexible joint ensure optimum alignment of the gooseneck to any talker position. Numerous options for installation are available, such as mounting on a stand or tabletop, while optional accessories include a lockable mounting fixture.

    Easy setup: anything goes:

    The wide range of accessories ensures optimum installation or placing of the 99er Series goosenecks, regardless of architectural requirements. Tabletop installation with a high level of structureborne noise? Don’t worry; the optional installation modules feature a shock mount made of a special rubber mix to reduce structure-borne noise to a minimum. Optional theft-proof installation modules are also available. Fixing permanently on a thick marble slab that must not be pierced? No problem: just three shallow holes will do to fasten the mount, and the gooseneck microphone won’t budge. Permanent installation impossible? No big deal, heavy base plate will keep the gooseneck securely in place. And what about uneven surfaces? Easy. Use the tripod table stand.

    Features:

  • Cardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 125° pickup angle
  • Especially suited for inexperienced talkers
  • Connects easily via XLR connector

    Get Your AKG CGN99 C/L Today!

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    AKG CGN99 H/S

    The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.

    Choosing polar patterns:

    Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.

    Features:

  • Hypercardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 95° pickup angle
  • For acoustically difficult environments
  • Connects easily via XLR connector

    Get Your AKG CGN99 H/S Today!

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    AKG CGN99 H/L

    The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.

    Choosing polar patterns:

    Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.

    Features:

  • Hypercardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 95° pickup angle
  • For acoustically difficult environments
  • Connects easily via XLR connector

    Get Your AKG CGN99 H/L Today!

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    AKG CHM 99 White

    The new CHM 99 Condenser Hanging Microphone provides both ease of use and a high level of functionality. There is hardly any more affordable and simpler solution for recording choirs at worship centers. Suspended from the ceiling or a beam, the hanging microphone is aligned and then fixed in the correct position. Now use the spring steel clamp to adjust the correct angle, and off you go! The CHM 99 is available in white or black.

    XY stereo recording:

    Using two CHM 99 hanging microphones in an XY configuration (coincident pair) is a good way to make stereo recordings, particularly of choirs. However, sound source locations are defined only by intensity differences. Adjusting the angle between the microphones determines the width and depth of the stereo image.

    ORTF stereo recording:

    Developed by the French Broadcasting Authority, this technique differs from the XY technique by recording not only intensity differences, but also delay differences. The capsules are aligned at an angle of precisely 110° and 170 mm / 6.7 in. apart.

    Features:

  • Cardioid polar pattern
  • 10 m (33 ft.) cable
  • 125° pickup angle
  • Especially suited for choir recordings
  • Integrated spring steel clamp for optimum alignment

    Get Your AKG CHM 99 White Today!

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    AKG CBL99

    The CBL 99 is a high-quality boundary microphone designed to deliver superior results for a multitude of recording applications. The boundary layer technique is well-known for recording and offers non-directional pickup that is frequencyindependent.

    Succeeding the proven CBL 99, the CBL 99 is small, lightweight and easy to place . no stand is needed. Since the transducer sits in a metal plate only 5 mm (0.2 in) thick, the plate doesn’t interfere with or color the sound. Frequency response is very uniform within its hemisphere and it captures the “room sound’’ of an instrument very accurately.

    The CBL 99 can be permanently attached to the floor or wall of a studio using the screw holes in the plate or attached temporarily using the supplied adhesive compound. Its 3-pin output connector also has a switchable bass-cut filter to minimize surface-born noise. Easy to use and sonically versatile, the CBL 99 is a great addition to the “mic locker’’ of any studio.

    Features:

  • Extremely small and inconspicuous, lightweight yet rugged
  • Delivers superior sound combined with outstanding ease of use
  • High sensitivity and low self-noise ensures generous headroom

    Get Your AKG CBL99 Today!

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    AKG DGN99

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use. The DGN 99 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise. The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.

    The DGN 99 E features a built-in XLR connector for quick connection, while the DGN 99 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    Get Your AKG DGN99 Today!

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    AKG DGN99E

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use. The DGN 99 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise. The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.

    The DGN 99 E features a built-in XLR connector for quick connection, while the DGN 99 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    Get Your AKG DGN99E Today!

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    AKG DST 99 S

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use. The DST 99 S provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise. The all-metal body ensures a long useful life for the microphone even in tough day-to-day use. The DST 99 S is mounted on a table stand with an on/off switch and coiled cable with 3-pin XLR connector.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    Get Your AKG DST 99 S Today!

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    AKG C747 VII

    A History of Sound:

    The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone. Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didn’t face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.

    Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.

    What’s New in V11:

    As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues. The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.

    An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power. The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

    Features:

  • Immune to RF interference
  • Speech optimized frequency range
  • Enhanced hypercardioid polar pattern
  • High SPL capability
  • Premium microphone for ubiquitous application

    Get Your AKG C747 VII Today!

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    AKG GN15E/5

    6" gooseneck for Discreet capsules, 5-pin XLR for external control of light ring.

    Gooseneck with XLR Output for Discreet Acoustics Capsule Modules with 5-pin XLR Connector and Large LED Ring

    Designed for permanent installation, the AKG GN series goosenecks are designed in 3 fixed lengths.

    The GN15 measures approximately 6 inches in length, the GN30 is 12 inches and the GN50 is 20 inches.

    The goosenecks are completely compatible with AKG CK series microphone capsule modules.

    This model features a 5-pin XLR male output and large LED ring for enhanced visibility.

    The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply, e.g., a Logic out from the AS 16 x 12 automatic mixer.

    The goosenecks feature a bass roll-off switch and quiet gooseneck positioning.

    The bass roll-off filter eliminates low frequency noise caused by ambiance, ground and structure noise.

    Features:

  • 5-pin XLR and Large LED Ring
  • A 5-pin XLR male output and large LED ring are provided. The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 9" (235mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 5-pin male XLR extra pins carry power to LED ring from external power source
  • Cable Length 5ft (1.5m)
  • Weight 5.6 oz (160 g)

    • Get Your AKG GN15E/5 Today!

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    AKG CK31

    The cardioid is the most popular polar pattern since it can be used almost universally.

    The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone.

    The body is identical to that of the CK 32 and CK 33.

    Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.

    Features:

  • Cardioid polar pattern
  • 125° pickup angle
  • Screw-on Capsule Module
  • Highly efficient windscreen

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 50 to 20,000 Hz
  • Sensitivity 20 mV/Pa (-34 dBV) re 1 V/Pa
  • Max. SPL 125 dB (for 1 % THD)
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Current consumption <3 mA
  • Connector Discreet Acoustics Modular standard
  • Finish matte dark grey
  • Net weight 5 g (0.17 oz.)
  • Shipping weight 88 g (3.1 oz.)
  • The microphone shall be a screw-on cardioid capsule that mates with the AKG Discreet Acoustics Modular Series.
  • The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc.
  • The response shall be flat on-axis from 150 Hz to 6 kHz (±2 dB), with a low frequency rolloff below 150 Hz that reaches -10 dB at 50 Hz, and response at 20 kHz that is no more than -4 dB, relative to the midband response.
  • The microphone shall have a sensitivity no less than 20 mV/Pa (-34 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 125 dB shall be no greater than 1%.
  • The electrical impedance shall be no greater than 600 ohms. Electrical mating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods.
  • The microphone shall be the AKG CK 31. Net/shipping weight: 5/88 g (0.17/3.1 oz.).

    • Get Your AKG CK31 Today!

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    AKG HM1000

    Using microphones flown from the ceiling to record music or speech in places of worship, conference rooms, or on theater stages is becoming more and more popular.

    A 10-m (33-ft.) special cable that is treated specially to reduce twisting to a minimum even if the temperature varies and a spring steel hanging clamp for precise microphone alignment will keep the microphone securely in its position.

    A switchable LED ring helps the sound engineer to check system function during the soundcheck.

    Features:

  • Hanging module with rugged thread connection and self-cleaning, gold plated contacts
  • For use with five different Capsule Modules
  • Integrated switchable LED ring
  • Integrated bass rolloff filter
  • Rugged all-metal construction
  • Non-reflective anthracite finish

    • Specifications:

  • Bass filter 250 Hz, -10 dB at 50 Hz
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <2 mA
  • Connector 3-pin male XLR
  • Cable 10 m (33 ft.)
  • Finish matte dark grey
  • Net weight 400 g (14.1 oz.)
  • Shipping weight 600 g (1.3 lbs.)
  • The microphone hanging module shall have a cable no less than 33 ft. (10 meters) length and shall accommodate the family of miniature microphone capsules in the AKG Discreet Acoustic Modular series.
  • The cable length shall be 10 m (33 ft.). The power module shall operate on phantom powering from 9 to 52 volts dc. The power module shall have a jumper actuated low frequency rolloff.
  • The hanging cable shall be black, and the capsule assembly shall be grey.

    • Get Your AKG HM1000 Today!

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    AKG KM123/86

    AKG KM123/86 Description:

    Portable folding podium with height and angle-adjustable desktop surface.Aluminum finish.

    Manufactured by K&M, the AKG Ovation Pro is a stylish portable lectern designed to complement AKG gooseneck microphones and perform in any speech or public address application.

    The Ovation is crafted for effortless setup and breakdown without any tools, and features an angled reading table with enough level space for a glass of water.

    Folding raised tripod legs provide plenty of foot room and provide a sturdy base.

    In addition to its stylish look and portable features, the Ovation Pro also features two XLR inputs that accommodate AKG gooseneck microphones.

    The sleek, low-profile Ovation Pro is an ideal solution for speech and public address presentations in museums, convention centers, lecture halls or on-the-go style public speaking.

    AKG KM123/86 Features:

    AKG KM123/86 Specifications:

    Get your AKG KM123/86 today!

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    AKG DSR700

    Features:

  • Ultra-wide tuning range of 155 MHz
  • Signal Encryption for prevents unintended signal reception for sensitive applications
  • 2-channel receiver with 19" all-metal case
  • Digital true-diversity technology
  • Up to 100 channels can be operated simultaneously
  • Quick Setup mode, Spectrum Analyzer and Rehearsal functions for easy setup
  • Infrared link of all frequency and setup data to the transmitter
  • Transmitter batteries status monitoring
  • Low-cut filter, 3-band Equalizer, dBx® Compressor and dBx® Limiter included
  • Integration into a HiQnet® system with optional HUB 4000 Q

    Get Your AKG DSR700 Today!

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    AKG DHT700 C5

    DHT 700 is a professional handheld transmitter with a robust metal body. AKG's C 5 condenser microphone capsule for lead and backing vocals delivers a powerful sound even on the noisiest stage.

    The ultra-wide bandwidth of up to 155 MHz, up to 50mW output power and the built-in helical antenna provide the most flexible operation. An infrared data link sends all setup data to the assigned transmitter.

    The bright graphic display clearly shows channel, frequency, output power and battery status.

    Features:

  • Ultra-wide tuning range of 155 MHz
  • Signal Encryption prevents unintended signalreception for sensitive applications
  • Rugged all-metal construction
  • Up to 50mW software selectable RF-output power
  • C 5 Condenser microphone element
  • 8 hours battery life and 7-segment battery statusinformation
  • Infrared data link
  • Status data transmission to receiver
  • Integrated charging contacts for 2 hour quick-charging of rechargeablebatteries inside transmitter

    Specifications:

  • Carrier Frequency:
  • Band 1: 548.1 to 697.9 MHz
  • Band 2: 710.1 to 864.9 MHz
  • Switching Bandwidth: <=155 MHz (country-dependent)
  • Audio Bandwidth: 25 to 20,000 Hz (+/-3dB)
  • THD: <=0.05%
  • Signal/Noise Ratio:
  • Analog: XLR balanced typ. 115 dB(A)
  • Digital: AES3 typ. 120dB(A)
  • Audio Sampling: 24 bit/44.1kHz
  • Modulation Digital
  • Bandwidth: <200kHz
  • Compression: AKG Premium Audio Compression Technology
  • Latency: 4 ms
  • Encryption: yes
  • Temperature Range: 14 - 131°F
  • RF Output Power: 10, 20, 30, 50mW (ERP max)software-adjustable (country-dependent)
  • Spurious: <= -70dBc
  • Antenna: Built-in helical antenna
  • Microphone Element: DHT 700 C 5 - condensermicrophone (cardioid)
  • Max. SPL: <=140 dB/SPL
  • Battery Life:
  • >=8 hrs. with 2 x 1.5V LR6 AA batteries
  • >=8 hrs. with 2 x1.2V AA rechargeable batteries (NiMH, >2100 mAh)
  • Dimensions: 9.1" x 2"
  • Net Weight: 11.8 oz

    Get Your DHT700 C5 Today!

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    AKG DHT700 D5

    DHT 700 is a professional handheld transmitter with a robust metal body. AKG's D 5 dynamic microphone capsule for lead and backing vocals delivers a powerful sound even on the noisiest stage. The D 5's patented laminate Varimotion diaphragm and the supercardioid pickup pattern ensure maximum gain-before-feedback.

    The ultra-wide bandwidth of up to 155 MHz, up to 50mW output power and the built-in helical antenna provide the most flexible operation. An infrared data link sends all setup data to the assigned transmitter.

    The bright graphic display clearly shows channel, frequency, output power and battery status.

    Features:

  • Ultra-wide tuning range of 155 MHz
  • Signal Encryption prevents unintended signal reception for sensitive applications
  • Rugged all-metal construction
  • Up to 50mW software selectable RF-output power
  • D 5 Dynamic microphone element
  • 8 hours battery life and 7-segment battery status information
  • Infrared data link
  • Status data transmission to receiver
  • Integrated charging contacts for 2 hour quick-charging of rechargeable batteries inside transmitter

    Specifications:

  • Carrier Frequency:
  • Band 1: 548.1 to 697.9 MHz
  • Band 2: 710.1 to 864.9 MHz
  • Switching Bandwidth: <=155 MHz (country-dependent)
  • Audio Bandwidth: 25 to 20,000 Hz (+/-3dB)
  • THD: <=0.05%
  • Signal/Noise Ratio:
  • Analog: XLR balanced typ. 115 dB(A)
  • Digital: AES3 typ. 120 dB(A)
  • Audio Sampling: 24 bit/44.1kHz
  • Modulation Digital
  • Bandwidth: <200kHz
  • Compression: AKG Premium Audio Compression Technology
  • Latency: 4 ms
  • Encryption: yes
  • Temperature Range: 14 - 131°F
  • RF Output Power: 10, 20, 30, 50mW (ERP max) software-adjustable (country-dependent)
  • Spurious: <= -70dBc
  • Antenna: Built-in helical antenna
  • Microphone Element: DHT 700 C 5 - condenser microphone (cardioid)
  • Max. SPL: <=140 dB/SPL
  • Battery Life:
  • 8 hrs. with 2 x 1.5V LR6 AA batteries
  • 8 hrs. with 2 x 1.2V AA rechargeable batteries (NiMH, >2100 mAh)
  • Dimensions: 9.1" x 2"
  • Net Weight: 11.8 oz

    Get Your AKG DHT700 D5 Today!

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    AKG DPT700

    DPT 700 is a highly-professional bodypack transmitter with a rugged all-metal chassis. The ultra-wide bandwidth of up to 155 MHz and up to 50mW RF output power provides the most flexible operation. An infrared data link will send all setup data to the assigned transmitter. The bright graphic display shows channel, frequency, output power and battery status information.

    The DPT 700 has a jack for an optional external mute switch that mutes the audio signal even when the transmitter is not easy to reach. The 3-pin mini-XLR audio input is compatible with any lavalier or headworn microphone and provides a bias voltage of 5V (the connector has to be modified for non-AKG microphones). The number of channels that can be used simultaneously depends on local frequency plans.

    Features:

  • Ultra-wide tuning range of 155 MHz
  • Signal Encryption prevents unintended signal reception for sensitive applications
  • Rugged & compact with all-metal construction
  • Up to 50mW software selectable RF-output power
  • 8 hours battery life and 7-segment battery status display
  • Infrared data link
  • Status data transmission to receiver
  • Integrated charging contacts for 2 hour quick-charging of rechargeable batteries inside transmitter
  • Connector for external mute switch
  • Professional mini-XLR audio input

    Specifications:

  • Carrier Frequency Range:
  • Band 1: 548.1 to 697.9 MHz
  • Band 2: 710.1 to 864.9 MHz
  • Switching Bandwidth: <=155 MHz (country-dependent)
  • Audio Bandwidth: 25 to 20,000 Hz (+/-3dB)
  • THD: <=0.05%
  • Signal/Noise Ratio:
  • Analog: XLR balanced typ. 115 dB(A)
  • Digital: AES3 typ. 120 dB(A)
  • Audio Sampling 24 bit/44.1 kHz
  • Modulation: Digital
  • Bandwidth: <200kHz
  • Compression AKG Premium Audio Compression Technology
  • Latency: 4 ms
  • Encryption: yes
  • Temperature Range: 14 - 131°F
  • Audio Inputs: TB3M/3-pol. mini-XLR socket (max. 2.2 Vrms)
  • RF Output Power: 10, 20, 30, 50 mW (ERP max.) software adjustable (country-dependent)
  • Spurious: <= -70dBc
  • Antenna: 1/4-wave antenna
  • Battery
  • 8 hrs. with 2 x 1.5V LR6 AA batteries
  • 8 hrs. with 2 x 1.2V AA rechargeable batteries (NiMH, >2100 mAh)
  • Dimensions (3.3" x 2.5" x 0.86"
  • Net Weight: 2.9 oz without batteries

    Get Your AKG DPT700 Today!

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    AKG CU700

    AKG's CU 700 is a fast charger that rapidly charges the rechargeable batteries inside the transmitter without damaging the cells' elements. The CU 700 charger determines the optimum charge current and has a cooling fan to help keep the temperature of the cells under control. Charging is terminated when both batteries are fully charged. The CU 700 charger uses the pulse technology in which a pulse is fed to the battery. This DC pulse has a strictly controlled rise time, pulse width, pulse repetition rate (frequency) and amplitude. With pulse charging, high instantaneous voltages can be applied without overheating the battery.

    Features:

  • 2-hour quick charging
  • Two slots that fit both DHT 700 and DPT 700
  • LED status information
  • Optional 19" rack mount unit

    Get Your AKG CU700 Today!

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    AKG RMU700

    The AKG RMU700 is an optional 19" rack mount kit for mounting 2 x CU700 chargers in a 19" rack space.

    Get Your AKG RMU700 Today!

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    AKG CS2CUfix

    AKG CS2CUfix Description:

    Installed chairman mic station - requires cable, gooseneck and capsule

    The AKG CS2-CU Fix Chairman Station is a microphone station for use with the AKG Conference System.

    The CS2-CU establishes enhanced control over delegate microphone stations with priority control for moderating discussions, panels and conferences.

    NOM (Number of Open Microphone) dip switches set the limit of simultaneously open-microphones.

    The AKG Conference Systems are completely modular and a selection of optional gooseneck lengths and microphone capsules are available to suite specific needs (microphone capsules and goosenecks are sold separately).

    The CS2-CU features two built-in speakers and two headphone outputs for flexible monitoring. Additional features include voice activation (on/off) switch, voice activation threshold and hold time settings, speaker/headphone level and more.

    AKG CS2CUfix Features:

    AKG CS2CUfix Specifications:

    Get your AKG CS2CUfix today!

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    AKG CS2DUfix

    AKG CS2DUfix Description:

    Installed delegate mic station - requires cable, gooseneck and capsule

    The AKG CS2-DU Fix Delegate Station is a microphone station for use with the AKG Conference System.

    The CS2-DU provides conference delegates with a microphone station and monitoring of the entire discussion.

    NOM (Number of Open Microphone) dip switches set the limit of simultaneously open-microphones.

    The AKG Conference Systems are completely modular and a selection of optional gooseneck lengths and microphone capsules are available to suite specific needs (microphone capsules and goosenecks are sold separately).

    The CS2-DU Fix features two built-in speakers and two headphone outputs for flexible monitoring.

    Additional features include voice activation (on/off) switch, voice activation threshold and hold time settings, speaker/headphone level and more.

    AKG CS2DUfix Features:

    AKG CS2DUfix Specifications:

    Get your AKG CS2DUfix today!

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    AKG CS2CU

    AKG CS2CU Description:

    The AKG CS2-CU Chairman Station is a microphone station for use with the AKG Conference System.

    The CS2-CU establishes enhanced control over delegate microphone stations with priority control for moderating discussions, panels and conferences.

    NOM (Number of Open Microphone) dip switches set the limit of simultaneously open-microphones.

    The AKG Conference Systems are completely modular and a selection of optional gooseneck lengths and microphone capsules are available to suite specific needs (microphone capsules and goosenecks are sold separately).

    The CS2-CU features two built-in speakers and two headphone outputs for flexible monitoring. Additional features include voice activation (on/off) switch, voice activation threshold and hold time settings, speaker/headphone level and more.

    AKG CS2CU Features:

    AKG CS2CU Specifications:

    Get your AKG CS2CU today!

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    AKG CS2DU

    AKG CS2DU Description:

    The AKG CS2-DU Delegate Station is a microphone station for use with the AKG Conference System.

    The CS2-DU provides conference delegates with a microphone station and monitoring of the entire discussion.

    NOM (Number of Open Microphone) dip switches set the limit of simultaneously open-microphones.

    The AKG Conference Systems are completely modular and a selection of optional gooseneck lengths and microphone capsules are available to suite specific needs (microphone capsules and goosenecks are sold separately).

    The CS2-DU features two built-in speakers and two headphone outputs for flexible monitoring.

    Additional features include voice activation (on/off) switch, voice activation threshold and hold time settings, speaker/headphone level and more.

    AKG CS2DU Features:

    AKG CS2DU Specifications:

    Get your AKG CS2DU today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCS2DU http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcs2du.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcs2du.jpg AKGCS2DU 623.75 AKG AKG Live Performance Microphones Live Sound Live Sound Signal Processing AKG CSMK1.25fm

    AKG CK31

    AKG CK31 Description:

    Station connecting cable - 1.25 meters (4 ft.)

    Connecting cable for connecting the individual CS 2 microphone stations, 1.25 m (4 ft.) long.

    Get your AKG CK31 today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCSMK125 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk125.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk125.jpg AKGCSMK125 61.62 AKG AKG Live Performance Microphones Live Sound Live Sound Signal Processing AKG CSMK2.5fm

    AKG CSMK2.5fm

    AKG CSMK2.5fm Description:

    Station connecting cable - 2.5 meters (8 ft.)

    Connecting cable for connecting the individual CS 2 microphone stations, 2.5 m (8 ft. 3 in.) long.

    Get your AKG CSMK2.5fm today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCSMK25F http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk25f.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk25f.jpg AKGCSMK25F 71.00 AKG AKG Live Performance Microphones Live Sound Live Sound Signal Processing AKG CSMK5fm

    AKG CSMK5fm

    AKG CSMK5fm Description:

    Station connecting cable - 5 meters (16.5 ft)

    Connecting cable for connecting the individual CS 2 microphone stations, 5 m (16 ft. 5 in.) long.

    Get your AKG CSMK5fm today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCSMK5FM http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk5.jpg AKGCSMK5FM 94.50 AKG AKG Live Performance Microphones Live Sound Live Sound Signal Processing AKG CSMK10fm

    AKG CSMK10fm

    AKG CSMK10fm Description:

    Station connecting cable - 10 meters (33 ft.).

    Connecting cable for connecting the individual CS 2 microphone stations, 10 m (33 ft.) long.

    Get your AKG CSMK10fm today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCSMK10F http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk10f.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcsmk10f.jpg AKGCSMK10F 127.50 AKG AKG Live Performance Microphones Live Sound Live Sound Signal Processing AKG CMSK20fm

    AKG CMSK20fm

    AKG CMSK20fm Description:

    Station connecting cable - 20 meters (66 ft.)

    Connecting cable for connecting the individual CS 2 microphone stations, 20 m (66 ft.) long.

    Get your AKG CMSK20fm today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCMSK20F http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcmsk20f.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcmsk20f.jpg AKGCMSK20F 221.25 AKG AKG Live Performance Microphones AKG Drum Set II Big

    AKG Drum Set II Big

    The AKG Drum Set II Big is a complete microphone package for drum and percussion capturing. The package includes four AKG MicroMics with gooseneck mounts, D112 large diaphragm dynamic microphone with SA60 mount, two C1000 condenser microphones and metal case for storage and travel. The package is an ideal solution for capturing drums and percussion in live sound reinforcement or recording applications.

    Get Your AKG Drum Set II Big Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGDRSIIB http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/DRUMSET%20II%20BIG.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/DRUMSET%20II%20BIG.jpg AKGDRSIIB 1999.00 AKG AKG Live Performance Microphones AKG CK77WR-WL

    AKG CK77WR-WL

    Premium ultra-miniature dual-diaphragm omni lavalier microphone

    L-version of CK 77 WR (CK 77 WR L/P flesh tone).

    Extremely small omnidirectional lavalier microphone.

    The patented dual-diaphragm capsule has been designed specifically to protect the transducer from moisture and perspiration.

    The capsule uses two vertical diaphragms mounted back to back and connected out of phase to cancel out mechanical and cable noise, etc..

    Available versions:

    CK 77 WR L (3-pin mini XLR)

    CK 77 WR L/P (flesh tone)

    C 577 WR (black)

    Features:

  • Excellent tool for recording and broadcast applications
  • Resistant to moisture, perspiration, and salts
  • Dual-diaphragm transducer for suppression of cable noise
  • Superior sound, compatible to all popular wireless transmitters

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 8 mV/Pa (-42 dBV)
  • Max. SPL 133 dB (k=1%)
  • Equivalent noise level (CCIR 468-3) 37 dB
  • Signal/noise ratio (A-weighted) 68 dB
  • Impedance 3500 ohms
  • Recommended load impedance >10,000 ohms
  • Current consumption <0.6 mA
  • Cable 1.5 m (5 ft.)
  • Finish various matte colors
  • Net weight 0.4 g / 0.014 oz.
  • Shipping weight 85 g / 3 oz.
  • Patent(s) Pressure compensation cavity for condenser transducer (Patent no. AT 407.322, US 6.351.543)
  • CK 77 WR
  • The microphone shall be an extremely small condenser clip-on design with an omnidirectional polar pattern and dual-diaphragm transducer.
  • A special design and a moisture shield shall prevent water from penetrating into the capsule.
  • The microphone shall have a practically flat frequency response from 20 Hz to 20 kHz.
  • Sensitivity: 8 mV/Pa (-42 dBV); electrical impedance: =3500 (400) ohms; power requirement: 1.5 to 12 V DC; cable length: 1.5 m (5 ft.); net/shipping weight: 0.4/85 g / 0.014/3 oz (0.4/146 g / 0.014/5.2 oz.); size: 5.5 mm (0.2 in.) in dia., 14 mm (0.55 in.) long.
  • Standard accessories shall include a windscreen, moisture shield, and adhesive putty. The microphone shall be available in the following versions: CK 77 WR L with 3-pin mini XLR connector, black; CK 77 WR L/P with 3-pin mini XLR connector, flesh-tone.

    • Get Your AKG CK77WR-WL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK77WRWL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck77wrl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck77wrl.jpg AKGCK77WRWL 399.00 AKG AKG Live Performance Microphones AKG CK77WR-WL/P

    AKG CK77WR-WL/P

    Premium ultra-miniature dual-diaphragm omni lavalier microphone beige

    Premium ultra-miniature dual-diaphragm omni lavalier microphone

    L-version of CK 77 WR (CK 77 WR L/P flesh tone).

    Extremely small omnidirectional lavalier microphone.

    The patented dual-diaphragm capsule has been designed specifically to protect the transducer from moisture and perspiration.

    The capsule uses two vertical diaphragms mounted back to back and connected out of phase to cancel out mechanical and cable noise, etc..

    Available versions:

    CK 77 WR L (3-pin mini XLR)

    CK 77 WR L/P (flesh tone)

    C 577 WR (black)

    Features:

  • Excellent tool for recording and broadcast applications
  • Resistant to moisture, perspiration, and salts
  • Dual-diaphragm transducer for suppression of cable noise
  • Superior sound, compatible to all popular wireless transmitters

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 8 mV/Pa (-42 dBV)
  • Max. SPL 133 dB (k=1%)
  • Equivalent noise level (CCIR 468-3) 37 dB
  • Signal/noise ratio (A-weighted) 68 dB
  • Impedance 3500 ohms
  • Recommended load impedance >10,000 ohms
  • Current consumption <0.6 mA
  • Cable 1.5 m (5 ft.)
  • Finish various matte colors
  • Net weight 0.4 g / 0.014 oz.
  • Shipping weight 85 g / 3 oz.
  • Patent(s) Pressure compensation cavity for condenser transducer (Patent no. AT 407.322, US 6.351.543)
  • CK 77 WR
  • The microphone shall be an extremely small condenser clip-on design with an omnidirectional polar pattern and dual-diaphragm transducer.
  • A special design and a moisture shield shall prevent water from penetrating into the capsule.
  • The microphone shall have a practically flat frequency response from 20 Hz to 20 kHz.
  • Sensitivity: 8 mV/Pa (-42 dBV); electrical impedance: =3500 (400) ohms; power requirement: 1.5 to 12 V DC; cable length: 1.5 m (5 ft.); net/shipping weight: 0.4/85 g / 0.014/3 oz (0.4/146 g / 0.014/5.2 oz.); size: 5.5 mm (0.2 in.) in dia., 14 mm (0.55 in.) long.
  • Standard accessories shall include a windscreen, moisture shield, and adhesive putty. The microphone shall be available in the following versions: CK 77 WR L with 3-pin mini XLR connector, black; CK 77 WR L/P with 3-pin mini XLR connector, flesh-tone.

    • Get Your AKG CK77WR-WL/P Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK77WRWLP http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck77wrp.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck77wrp.jpg AKGCK77WRWLP 399.00 AKG AKG Mic Station Options AKG SR 4500

    AKG SR 4500

    The SR 4500 true diversity receiver provides maximum ease of use and the widest range of functions in its class. Its accurate battery life readout is a previously unavailable, invaluable advantage in live sound applications. A complete line of accessories makes the SR 4500 your first choice for every application. The transmitter uses a pilot tone to transmit battery status data to the receiver that displays the remaining battery capacity. The pilot tone decoder also allows the detection and display of other important information including the current position of the transmitter MUTE switch.

    Auto Setup and Environment Scan functions automatically analyze the local RF environment, find usable frequency groups, and set frequencies. The optional HUB 4000 Q integrates the SR 4500 into a HiQnet® system. With the PC control software System Architect™ setting up and monitoring highly complex systems is incredibly easy. A logic output allows remote control of external devices, e.g., an automatic microphone mixer.

    Naturally, the SR 4500 operates in an extremely wide UHF band (30 MHz) and each frequency preset provides up to 19 intermodulation-free channels*. The maximum number of selectable frequencies is 1200. Using several frequency bands allows you to operate as many as 70 channels simultaneously. A large, backlit color display and a jog wheel make the SR 4500 easy to use and a programmable LED ring indicates important system parameters at a glance.

    Housed in a half-rack, all-metal case, the SR 4500 is the most compact, reliable, and powerful UHF receiver in its price bracket. The SR 4500 is fully compatible to its predecessor SR 4000. It offers two additional frequency bands in the range of 500 to 530 and 570 to 600 MHz, which give you even more flexibility in multichannel applications.

    The SR 4500 can be integrated into a HiQnet® system with the optional HUB 4000 Q. With the PC control software System Architect™ the SR 4500 can be remote controlled and monitored from a PC. The setup and configuration of the frequency management is incredibly easy within System Architect™ with tools like 1 Click Setup, RF Monitor, Device Manager and Environment Scan.

    Features:

  • True diversity receiver with all-metal case
  • Available in eight UHF bands 30 MHz wide each, with up to 1,200 selectable frequencies
  • Using several frequency bands allows up to 70 channels to be operated simultaneously.
  • Transmitter battery status monitoring and tone code squelch
  • Auto Setup, Environment Scan, and Rehearsal functions for quick and easy setup
  • Backlit, programmable color display and jog wheel with selectable warning signal for ease of use
  • Output for controlling external devices
  • Integrated data interface for controlling and monitoring from a PC via System Architect

    Get Your AKG SR 4500 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGSR4500 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/SR%204500.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/SR%204500.jpg AKGSR4500 749.00 AKG AKG Mic Station Options Recording Equipment Recording Headphones AKG K181DJ

    AKG K181DJ

    Professional monitoring headphone for DJs with closed-back ear cups, sound selector and stereo/mono switches, 3D-Axis design and carrying bag.

    The K 181 DJ have been designed in cooperation with leading international DJs.

    The result: the ultimate tool for professional DJs - high performance closed-back headphones with the best possible sound, and maximum SPL that should be exceptionally rugged and easy to bend or fold into any listening position, and provide a switchable bass boost.

    Features:

  • The ultimate tool for professional DJs
  • 3D-Axis professional folding mechanism
  • Bass boost switch
  • Stereo/mono selector
  • High sound pressure level

    • Their distinguishing features include:

  • The 3D-Axis professional folding mechanism allows the DJ to change their monitoring position quickly at the club. High quality lightweight construction, extremely rugged. Headphones fold down into an extremely thin package for transportation
  • Bass boost switch: Appropriate sound for every venue. Switchable bass boost for gigs at large clubs
  • Plug-in cable: Single cable for ease of handling, with professional mini XLR connector
  • Stereo/mono selector for optimum single-ear monitoring
  • High sound pressure level: High SPL capability for any type of event in any environment. Legendary AKG sound quality
  • Closed-back earphones: Isolating ear cups attenuate ambient noise, keeping even quiet passages clearly audible
  • Rubberized finish ensures easy and safe handling at the club

    • Specifications:

  • Type closed-back, dynamic headphones, supraaural
  • Efficiency 120 dB/V
  • Frequency range 5 Hz to 30,000 kHz
  • Rated impedance 42 ohms
  • Max. input power 3,500 mW
  • Cable 99.99% oxygen-free cable, 1.8 m (5.9 ft.)
  • Net weight (without cable) 280 g (9.9 oz.)
  • Patent(s) 3D-Axis folding mechanism (Patent no. AT 414.198, JP 3.984.595, US 7,172,052, RU 2.282.954); 3D-Axis folding mechanism (Patent no. AT 413.923, RU 2.282.953, JP 3.984.594, US 7,072,483)

    • Get Your AKG K181DJ Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK181DJ http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgk181dj.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgk181dj.jpg AKGK181DJ 129.00 AKG AKG Mic Station Options Recording Equipment Recording Headphones AKG K81DJ

    AKG K81DJ

    Obviously, informal parties deserve the same kind of professional sound quality as large-scale events do.

    Semiprofessional DJs too need dependable equipment. The K 81 DJ fit the bill perfectly.

    Their closed-back earphones, for instance, provide optimum isolation from ambient noise.

    The K 81 DJ will take heavy usage easily, and their high SPL capability ensures excellent sound quality.

    Finally, their level of wearing comfort is as impressive as their powerful low end and accurate imaging.

    Their distinguishing features include:

  • 3D-Axis folding mechanism for ease of handling and good user comfort. Folded down into a thin package, the K 81 dj are ready for use anytime
  • High sound pressure level: High SPL capability for any type of event in any environment. Legendary AKG sound quality
  • Closed-back earphones: Isolating ear cups attenuate ambient noise, keeping even quiet passages clearly audible
  • Maximum ruggedness
  • Detented adjustable headband

    • Features:

  • Specifically designed for use at small clubs and parties
  • 3D-Axis folding mechanism
  • High sound pressure level
  • Closed-back earphones

    • Specifications:

  • Type closed-back, dynamic headphones, supraaural
  • Efficiency 115 dB/V
  • Frequency range 16 Hz to 24 kHz
  • Rated impedance 32 ohms
  • Cable 99.99% oxygen-free cable, 2.5 m (8.2 ft.)
  • Net weight (without cable) 150 g (5.3 oz.)
  • Special features 3D-Axis (folding mechanism)
  • Patent(s) 3D-Axis folding mechanism (Patent no. AT 414.198, JP 3.984.595, US 7,172,052, RU 2.282.954); 3D-Axis folding mechanism (Patent no. AT 413.923, RU 2.282.953, JP 3.984.594, US 7,072,483)

    • Get Your AKG K81DJ Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK81DJ http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgk81dj.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgk81dj.jpg AKGK81DJ 49.00 AKG AKG Mic Station Options Recording Equipment Recording Headphones AKG EK300

    AKG EK300

    3 M (10 ft) Plug-on cable for all AKG STUDIO headphones.

    Headphone cable (3 m/10 ft. long; mini jack plug; mini XLR plug for connection on headphones).

    Get Your AKG EK300 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGEK300 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgek300.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgek300.jpg AKGEK300 29.95 AKG AKG Mic Station Options Recording Equipment Recording Headphones AKG EK500S

    AKG EK500S

    AKG EK500S Description:

    5 M (16.5 ft) coiled plug-on cable for all AKG STUDIO headphones.

    Coiled headphone cable (5 m/16 ft. long; mini jack plug; mini XLR plug for connection on headphones).

    Get your AKG EK500S today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGEK500S http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgek500s.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgek500s.jpg AKGEK500S 29.95 AKG AKG Mic Station Options AKG K240 MKII

    AKG K240Studio

    Professional Varimotion XXL 55-ohm circum-aural headphones for studio.

    The Studio version of these classic hi-fi stereo headphones uses XXL speakers with Varimotion diaphragms for higher sensitivity, a wider dynamic range, and higher sound levels.

    Other features include semi-open earphones, a solid bass range, clear highs, and excellent comfort.

    Also connects to portable equipment (CD players, DAT recorders, notebook computers, etc.)

    AKG K240Studio Features:

  • 55 ohms impedance, plug-in cable
  • Self-adjusting headband for optimum fit
  • Single cable for ease of use
  • Semi-open, circumaural design

    • Specifications:

  • Type semi-open, dynamic headphones, circumaural
  • Sensitivity 91 dB/mW, 104 dB/V
  • Frequency range 15 to 25,000 Hz
  • Rated impedance 55 ohms
  • THD <0,3 %
  • Max. input power 200 mW
  • Connector gold plated stereo mini jack
  • Adapter stereo gold plated mini to 1/4" screw-on adapter jack
  • Net weight (without cable) 240 g (8.5 oz)
  • Special features plug-in cable
  • Patent(s) Varimotion - multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637 (DE, DK, FI, FR, GB, IT, NL), JP 3.927.651); Acoustics slot resistor for dynamic transducer (Patent no. AT 408.706, US 6,639,991, ZL 01116806)
  • Circumaural, semi-open headphones with self-adjusting headband;
  • Applications: Professional stereo-studio- headphones;
  • Frequency range: 15-25.000 Hz; Sensitivity: 91 dB at 1 mW / 104 dBV;
  • impedance: 55 ohms per channel;
  • power handling capability: 200 mW;
  • Cable: 3 m (OFC) single-sided, plug-in,
  • easily replaceable cable with mini-XLR connector and with hard-gold plated,
  • screwable 1/4" jack plug;
  • Net (headphones without cable)/shipping weight: 240/550 g (8.4/19.2 oz.).

    • Get Your AKG K240Studio Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGK240MKII http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/k240_mkII_474ec12e7ad37.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/k240_mkII_474ec12e7ad37.jpg AKGK240MKII 199.00 AKG AKG Mic Station Options AKG HT 4500

    AKG HT 4500

    The HT 4500 is a professional handheld transmitter with a rugged body and connects to a choice of six different microphone elements to cover a wide range of applications.

    Microphone elements include dynamic and condenser cardioid and hypercardioid models. The 30 MHz wide UHF band provides up to 1200* selectable frequencies, and several preset frequency banks for various countries help you set up a multichannel system very quickly. A backlit display makes it very easy to tune the HT 4500 to the same frequency as the SR 4500 receiver. A pilot tone system continuously sends transmitter status data including MUTE switch position and remaining battery life to the receiver.

    Integrated charging contacts let you charge the optional BP 4000 battery pack without having to remove it from the transmitter. After only one hour, the battery pack will be fully charged and you can use the transmitter for 12 hours continuously.

    The HT 4500 is fully compatible to its predecessor HT 4000. It offers two additional frequency bands in the range of 500 to 530 and 570 to 600 MHz, which give you even more flexibility in multichannel applications.

    Features:

  • Up to 50 mW RF output for maximum immunity to interference and dropouts
  • Operates for up to 15 hours on AA size dry batteries, 12 hours on optional BP 4000 battery pack with integrated Smart Battery Management System
  • 30 MHz wide UHF band, up to 1200 selectable frequencies
  • Choice of six interchangeable microphone elements
  • Backlit display and jog switch for ease of use
  • Charging contacts for easy battery charging on optional charger

    Get Your AKG HT 4500 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGHT4500 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/HT%204500.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/HT%204500.jpg AKGHT4500 599.00 AKG AKG Mic Station Options AKG PT 4500

    AKG PT 4500

    Bodypack transmitter with rugged rugged aluminium body. The 30 MHz wide UHF band provides up to 1200* selectable frequencies, and several preset frequency banks for various countries help you set up a multichannel system very quickly.

    A backlit display makes it very easy to tune the PT 4500 to the same frequency as the SR 4500 receiver. A pilot tone system continuously sends transmitter data including MUTE switch position and remaining battery life to the receiver. Integrated charging contacts let you charge the optional BP 4000 battery pack without having to remove it from the transmitter. After only one hour, the battery pack will be fully charged and you can use the transmitter for 12 hours continuously. The 3-pin mini XLR input with adjustable gain accommodates both portable instruments and a variety of AKG microphones for every application.

    An optional RMS 4000 remote mute switch allows the user to mute the transmitter without having to fumble for the on-board mute switch. The PT 4500 is fully compatible to its predecessor PT 4000. It offers two additional frequency bands in the range of 500 to 530 and 570 to 600 MHz, which give you even more flexibility in multichannel applications.

    Features:

  • Bodypack transmitter with rugged aluminium body
  • 30 MHz wide UHF band, up to 1200 selectable frequencies
  • Backlit display and jog switch for ease of use
  • Up to 50 mW RF output for maximum immunity to interference and dropouts
  • Optional remote mute switch
  • Operates for up to 15 hours on AA size dry batteries, 12 hours on optional BP 4000 battery pack with integrated Smart Battery Management System
  • Charging contacts for easy battery charging on optional charger

    Get Your AKG PT 4500 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGPT4500 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/PT%204500.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/PT%204500.jpg AKGPT4500 599.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C535EB

    AKG C535EB

    The C 535 EB has the clean, open characteristic of AKG's best studio condensers, enhanced by a 2dB rise between 7 and 12kHz to project vocals in front of the mix.

    An integral 4-position switch tailors output level and bass roll-off for a variety of uses. A sharp LF cut at the full output level reduces pops and handling noise in vocal applications, while a more gradual roll-off at the reduced output is ideal for most instrument applications. The C 535 EB requires 9-52 V phantom power.

    The C535EB features a switchable 14 dB pre-attenuation pad and 6 dB/octave bass roll-off at 500 Hz. The microphone comes with black finish.

    Features:

  • Classic vocal and instrument microphone
  • Rugged metal body
  • Switchable bass cut/rolloff filter

    • Specifications:

  • Polar Pattern: Cardioid
  • Application: Lectern, vocals
  • Frequency Range: 20 Hz to 22 kHz
  • Sensitivity: 7 mV/Pa (at 1 kHz)
  • Impedance: 200 ohms
  • Size: 46mm (1.8 in.) long; 46mm (1.8 in.) max. diameter
  • Weight: 245 g (8.7 oz.)

    • Get Your AKG C535EB Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC535EB http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc535eb.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc535eb.jpg AKGC535EB 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG ELLEC/S

    AKG ELLEC/S

    The AKG Elle C is a professional handheld condenser microphone designed specifically for capturing female vocals on stage.

    The female voice has a character unto itself and AKG has designed a capsule that reproduces the tonal and frequency characteristics of female vocals with richness and detail.

    In addition to the tailored sound, the Elle C also matches the highest aesthetic expectations of performing female vocalists.

    The Elle C features a slender design and elegant finish for an attractive look.

    Features:

  • Tailored for Female Vocals
  • AKG has designed a capsule that reproduces the tonal and frequency characteristics of female vocals with richness and detail.
  • Elegant Design
  • In addition to the tailored sound, the Elle C also matches the highest aesthetic expectations of performing female vocalists.
  • Shock-mounted Capsule
  • The capsule is internally shock-mounted for minimal noise while handling on stage.

    • Specifications:

  • Transducer Condenser
  • Polar Pattern Cardioid
  • Frequency Response 60Hz to 20kHz
  • Dynamic Range (Typical) Not Specified By Manufacturer
  • Signal-to-Noise Ratio 69 dB
  • Maximum Input Sound Level THD: 140/145 dB SPL for 1% / 3%
  • Power Requirements 9 to 52V phantom power to DIN 45596
  • Output Impedance > / = 2,000 ohms
  • Output Connectors 3-pin XLR
  • Pad No
  • Low Frequency Roll-Off No
  • Dimensions (LxDiameter) 7.3 x 1.3" (185 x 34mm)
  • Weight 260 g (9.2 oz.)

    • Get Your AKG ELLEC/S Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGELLECS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgellecs.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgellecs.jpg AKGELLECS 229.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG ELLEC/W

    AKG ELLEC/W

    The AKG Elle C is a professional handheld condenser microphone designed specifically for capturing female vocals on stage.

    The female voice has a character unto itself and AKG has designed a capsule that reproduces the tonal and frequency characteristics of female vocals with richness and detail.

    In addition to the tailored sound, the Elle C also matches the highest aesthetic expectations of performing female vocalists.

    The Elle C features a slender design and elegant finish for an attractive look.

    Features:

  • Tailored for Female Vocals
  • AKG has designed a capsule that reproduces the tonal and frequency characteristics of female vocals with richness and detail.
  • Elegant Design
  • In addition to the tailored sound, the Elle C also matches the highest aesthetic expectations of performing female vocalists.
  • Shock-mounted Capsule
  • The capsule is internally shock-mounted for minimal noise while handling on stage.

    • Specifications:

  • Transducer Condenser
  • Polar Pattern Cardioid
  • Frequency Response 60Hz to 20kHz
  • Dynamic Range (Typical) Not Specified By Manufacturer
  • Signal-to-Noise Ratio 69 dB
  • Maximum Input Sound Level THD: 140/145 dB SPL for 1% / 3%
  • Power Requirements 9 to 52V phantom power to DIN 45596
  • Output Impedance > / = 2,000 ohms
  • Output Connectors 3-pin XLR
  • Pad No
  • Low Frequency Roll-Off No
  • Dimensions (LxDiameter) 7.3 x 1.3" (185 x 34mm)
  • Weight 260 g (9.2 oz.)

    • Get Your AKG ELLEC/W Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGELLECW http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgellecw.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgellecw.jpg AKGELLECW 229.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C1000S

    AKG C1000S

    The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications.

    If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use.

    With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the the microphone switch lights up when the remaining battery life falls below 45 minutes.

    The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 Polar Pattern Converter provided to the microphone capsule.

    The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds.

    Features:

  • Battery status LED for reliable monitoring of remaining battery life
  • Can be powered by internal 9 V battery or by phantom power (9-52 V DC)
  • PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup pattern
  • Presence Boost Adapter PB 1000 is included for high-end enhancement
  • The microphone shall be a condenser pressure gradient microphone with a cardioid polar pattern.
  • An acoustic attachment for converting the polar pattern to hypercardioid and another attachment boosting the frequencies between 5 kHz and 9 kHz shall be included as standard accessories.
  • The maximum diameter of the microphone shall be 33.5 mm (1.4 in.), and the body shall be finished in matte silver enamel. The microphone shall provide a battery status LED.
  • The on-axis frequency response measured at 1 m (3 ft. 4 in.) may not deviate from flat by more than +4 dB between 200 Hz and 20 kHz and shall roll off below 200 Hz at a rate of 6 dB/octave.
  • The microphone's sensitivity at 1 kHz shall be 6 mV/Pa or higher, its A-weighted equivalent noise level no higher than 20 dB, and its THD may not exceed 1.0 % at a sound pressure level of 137 dB SPL.
  • The microphone shall offer 9-V battery and 9 to 52 V phantom powering options. The microphone's electrical impedance shall be 200 ohms, its net/shipping weight 320 grams/650 grams (11.3 oz./1.4 lbs.).

    • Specifications:

  • Polar pattern cardioid, or hypercardioid (with PPC 1000 attached)
  • Frequency range 50 to 20,000 Hz
  • Sensitivity 6 mV/Pa (-44 dBV)
  • Max. SPL 137 dB (k=1%)
  • Equivalent noise level (CCIR 468-3) 32 dB
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance 200 ohms
  • Recommended load impedance >=2.000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 or internal 9 V battery (6F 22)
  • Current consumption approx. 2 mA
  • Connector 3-pin XLR
  • Finish matte silver enamel
  • Net weight 320 g / 11.3 oz.
  • Shipping weight 650 g / 1.4 lbs.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG C1000S Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC1000S http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc1000s.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc1000s.jpg AKGC1000S 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C2000B

    AKG C2000B

    One of the basic rules of recording is that the quality of the recorded signal is determined by the weakest link in the signal chain.

    Today, any microphone needs to match the high quality of 24-bit recording media.Therefore, one of the most important requirements for the C 2000 B was high sensitivity.

    This allows you to lay clean, noise-free tracks with no risk of noise levels from many individual tracks combining in the mix.

    Its high SPL capability makes the C 2000 B a highly versatile microphone that can be used even for extremely loud instruments.

    The C 2000 B will give perfect results for demo recordings, in the rehearsal room, as well as in the best recording studios.

    Features:

  • Ideal multitrack recording "workhorse" thanks to very low self noise
  • Cardioid polar pattern for multiplicity of applications
  • Exceptionally smooth frequency response

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 30 to 20,000 Hz
  • Sensitivity 20 mV/Pa (-34 dBV)
  • Max. SPL 140/150 dB (k=0,5%)
  • Equivalent noise level (CCIR 468-3) 30 dB
  • Equivalent noise level 20 dB-A
  • Signal/noise ratio (A-weighted) 74 dB
  • Preattenuation pad 10 dB, switchable
  • Bass filter 6 dB/octave below 500 Hz
  • Impedance 200 ohms
  • Recommended load impedance >1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish silver gray
  • Net weight 325 g / 11.5 oz.
  • Shipping weight 950 g / 2 lbs.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661); Electrostatic transducer (Patent no. AT 411.513, US 6,510,231)

    • Get Your AKG C2000B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC2000B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc2000b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc2000b.jpg AKGC2000B 199.00 AKG AKG Studio and Broadcast Microphones AKG C3000

    AKG C3000

    The AKG C 3000 Large Diaphragm Cardioid Condenser Microphone - A standard for a wide range of both studio and onstage applications. The AKG C3000 features a cardioid pickup pattern, a 20Hz to 20kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10dB preattenuation pad increases the SPL capability by 10 dB and accommodates loud instruments like brass instruments or guitar amplifiers with ease. The switchable first-order 500Hz low frequency filter eliminates the proximity effect for close-miking. The standard accessories are a metal carrying case and a spider-type shock mount.

    The AKG C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG’s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have. Proven for more than 15 years and affordably priced, the C 3000 is an excellent choice for every high quality recording or demanding live sound application.

    Features:

  • Gold-sputtered one-inch large diaphragm with patented Edge-Terminated Back-Plate Technology
  • Proven performance for more than 15 years for both studio and stage
  • Internal windscreen protects from wind and breath generated "pops"
  • Well designed circuitry provides high SPL capability and low distortion
  • Switchable attenuation pad enables for high SPL up to 150 dB
  • Switchable low cut filter (500Hz, 6 dB/octave) eliminates proximity effect
  • Comes complete with H 85 spider-type shock mount and metal carrying case
  • Designed, engineered and built in Vienna, Austria

    Get Your AKG C3000 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC3000 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C3000.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C3000.jpg AKGC3000 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C451B

    AKG C451B

    Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications.

    Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise.

    Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions.

    The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking.

    Also available as a matched stereo pair C 451 B/ST with complete accessories in a carrying case (Soundtool case, middle size).

    Features:

  • Identical acoustics to legendary CK 1
  • Precise, nearly frequency independent cardioid
  • Extremely accurate signal transfer and ruler-flat on-axis frequency response
  • Also available as a matched stereo pair
  • Professional condenser microphone with gradient capsule.
  • Its application range shall include instrument miking and recording, live recording, live sound reinforcement, lecterns and places of worship.
  • Frequency range: 20-20,000 Hz; sensitivity 9 mV/PA at 1 kHz; electrical impedance: max. 200 ohms; maximum SPL: 155/145/135 dB SPL for 0.5%.; signal-to-noise ratio: 76 dB-A; switchable preattenuation pad: 0/-10/-20 dB; switchable Bass cut filter slope 12 dB/octave at 75 or 150 Hz;
  • The microphone shall be capable of operating on phantom power 9 to 52 V, drawing a current of max. 2 mA. The case shall be 19mm(0.75 in.) diameter and 160mm(6.3 in.) in length.
  • The surface shall be satin nickel plated and the maximum net weight of the microphone system shall be 125 g (4.4 oz.).

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 9 mV/Pa (-41 dBV)
  • Max. SPL 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3) 29 dB
  • Equivalent noise level 18 dB-A
  • Signal/noise ratio (A-weighted) 76 dB
  • Preattenuation pad 0 dB, 10 dB, 20 dB selectable
  • Bass filter flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance <200 ohms
  • Recommended load impedance >1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish satin nickel plated
  • Net weight 125 g / 4.4 oz.
  • Shipping weight 760 g / 1.7 lbs.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG C451B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC451B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc451b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc451b.jpg AKGC451B 579.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C451B/ST

    AKG C451B/ST

    Matched pair of C 451 B

    The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

    Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

    The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

    Features:

  • Identical acoustics to legendary CK 1
  • Precise, nearly frequency independent cardioid
  • Extremely accurate signal transfer and ruler-flat on-axis frequency response
  • Also available as a matched stereo pair
  • Professional condenser microphone with gradient capsule.
  • Its application range shall include instrument miking and recording, live recording, live sound reinforcement, lecterns and places of worship.
  • Frequency range: 20-20,000 Hz; sensitivity 9 mV/PA at 1 kHz; electrical impedance: max. 200 ohms; maximum SPL: 155/145/135 dB SPL for 0.5%.; signal-to-noise ratio: 76 dB-A; switchable preattenuation pad: 0/-10/-20 dB; switchable Bass cut filter slope 12 dB/octave at 75 or 150 Hz;
  • The microphone shall be capable of operating on phantom power 9 to 52 V, drawing a current of max. 2 mA. The case shall be 19mm(0.75 in.) diameter and 160mm(6.3 in.) in length.
  • The surface shall be satin nickel plated and the maximum net weight of the microphone system shall be 125 g (4.4 oz.).

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 9 mV/Pa (-41 dBV)
  • Max. SPL 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3) 29 dB
  • Equivalent noise level 18 dB-A
  • Signal/noise ratio (A-weighted) 76 dB
  • Preattenuation pad 0 dB, 10 dB, 20 dB selectable
  • Bass filter flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance <200 ohms
  • Recommended load impedance >1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish satin nickel plated
  • Net weight 125 g / 4.4 oz.
  • Shipping weight 760 g / 1.7 lbs.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG C451B/ST Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC451BST http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc451bst.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc451bst.jpg AKGC451BST 1299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C4000B

    AKG C4000B

    The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound.

    Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation.

    Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage.

    A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise.

    Features:

  • One of the most silent condenser microphones available today
  • Up front sound in the mix
  • Selectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation

    • Specifications:

  • Polar pattern cardioid, hypercardioid, omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 25 mV/Pa (-32 dBV)
  • Max. SPL 145/155 dB (THD=0.5%)
  • Equivalent noise level (CCIR 468-3) 19 dB
  • Equivalent noise level 8 dB-A
  • Signal/noise ratio (A-weighted) 86 dB
  • Preattenuation pad 10 dB, switchable
  • Bass filter 12 dB/octave at 100 Hz
  • Impedance 200 ohms
  • Recommended load impedance >1.000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish silver gray
  • Net weight 450 g / 1 lb.
  • Shipping weight 1 kg / 2.2 lbs.
  • Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

    • Get Your AKG C4000B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC4000B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc4000b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc4000b.jpg AKGC4000B 499.00 AKG AKG Studio and Broadcast Microphones AKG Perception 820 Tube

    AKG Perception 820 Tube

    The AKG Perception 820 Tube delivers real tube sound quality due to the dual one-inch large diaphragm capsule and the sophisticated ECC 83 dual-triode circuitry. The AKG Perception 820 Tube comes with the elegant remote control unit, which allows you to select 9 different pickup patterns and controls the switchable bass-cut filter and the attenuation pad. Also a ground lift switch prevents unwanted hum if necessary. The Perception 820 Tube comes complete with a spider-type shock mount and a metal carrying case.

    Features:

  • Two back-to-back one-inch large diaphragms featuring True Condenser Technology
  • An ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional sound
  • The elegant remote control unit allows selection of 9 different pickup patterns from omnidirectional to cardioid to figure 8
  • The switchable bass cut filter (80 Hz, 12 dB/oct) reduces unwanted rumble or footfall noise
  • A 20 dB allenuation pad enables for high SPL applications up to 155 dB
  • Brush-finished, anodized Aluminium front plate and all-metal housing for maximum shielding
  • A ground lift switch prevents unwanted hum if necessary
  • Designed and engineered in Vienna, Austria
  • Type: 1-inch dual-diaphragm, true condenser pressuregradient
  • Polar pattern: omnidirectional, cardioid, figure eight plus six intermediate patterns (selectable on Remote Control Unit)
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 20 mV/Pa (-34 dBV ±3 dB)
  • Max. SPL: 135/155 dB SPL (0/-20 dB) for 0.5% THD
  • Equivalent noise level: 16 dB-A (IEC 60268-4)
  • Preattenuation pad: -20 dB (switchable on Remote Control Unit)
  • Bass cut filter slope: 12 dB/Oktave, 80 Hz (switchable on Remote Control Unit)
  • Impedance: <=200 ohms
  • Recommended load impedance: >=1000 ohms
  • Powering: via Remote Control Unit
  • Connector: dedicated 7-pin male XLR
  • Dimensions: 53 dia. x 212 mm high (2 x 8.3 in.)
  • Net weight: 870 g / 1.9 lbs.

    Remote Control Unit:

  • Audio/control input: dedicated 7-pin female XLR connector
  • Audio output: standard 3-pin male XLR connector,balanced, pin 2 hot
  • Polar pattern selector: 9-position detented rotary switch
  • Bass cut filter switch: 2-position toggle switch
  • Preattenuation switch: 2-position toggle switch
  • Power voltage: 210-240 VAC or 110-120 VAC, selectable
  • Primary fuse: 125 mA / 250 V slow-blow

    Get Your AKG Perception 820 Tube Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKG3101H00100 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/Perception%20820%20Tube.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/Perception%20820%20Tube.jpg AKG3101H00100 699.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C4500B-BC

    AKG C4500B-BC

    The C 4500 B-BC meets the strictest requirements of digital audio with its ultra-low 8 dB-A self-noise and 145 / 165 dB maximum SPL capability.

    Its end-address format and its unique acoustical design allow the microphone to be used comfortably for on-air broadcast work and for easy positioning in front of instruments such as bass drum, upright bass, baritone saxophone, guitar amps and other high-output sources.

    Its patented internal 3-stage filter and very low up-close bass boost allow it to be positioned close to the source to accurately capture every nuance of the sound.

    With its superior audio performance, high SPL capability, low proximity effect and insensitivity to RF and electro-magnetic interference, the C4500 B-BC is the perfect tool for broadcast and recording studios.

    Excellent sound, useful standard accessories and outstanding price/performance makes this large-diaphragm microphone a necessity for every studio.

    Features:

  • Large-Diaphragm Low-Proximity Effect Studio Microphone
  • For live broadcasting and productions
  • Recording studio (instruments and vocals) and post production
  • Film sound
  • Dubbing

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 30 to 20,000 Hz
  • Sensitivity 20 mV/Pa (-34 dBV)
  • Max. SPL 145/155 dB (THD=0.5%)
  • Equivalent noise level (CCIR 468-3) 19 dB
  • Equivalent noise level 8 dB-A
  • Signal/noise ratio (A-weighted) 86 dB
  • Preattenuation pad 20 dB, switchable
  • Bass filter 6 dB/octave at 120 Hz
  • Impedance <=200 ohms
  • Recommended load impedance >=1.000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <=2 mA
  • Connector 3-pin XLR
  • Finish silver gray
  • Net weight 450 g / 1 lb.
  • Shipping weight 1 kg / 2.2 lbs.
  • Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
  • Pop filter (Patent no. US 6.622.820)

    • Get Your AKG C4500B-BC Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC4500BC http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc4500bc.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc4500bc.jpg AKGC4500BC 549.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C12VR

    AKG C12VR

    One of the most famous tube microphones in the history of recording was the legendary AKG C 12.

    In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive.

    Therefore, studio engineers vigorously demanded a rerun.The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube.

    The only difference is that its self noise and some components were optimized to meet the current state of the art.

    No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words.

    The C 12 VR comes complete with an aluminum carrying case, power supply, cable, windscreen, and spider type shock mount.

    Features:

  • Recreates the legendary C 12 tube microphone
  • Nine remotely selectable polar patterns from omnidirectional to figure-eight
  • Complete with many useful acces-sories and aluminum carrying case

    Specifications:

  • Polar pattern cardioid, omnidirectional, figure-eight, and 6 intermediate positions, remotely selectable
  • Frequency range 30 to 20,000 Hz
  • Max. SPL 128/138/148 db (k=3%)
  • Equivalent noise level (CCIR 468-3) 32 db
  • Equivalent noise level 22 dB-A
  • Signal/noise ratio (A-weighted) 72 dB
  • Preattenuation pad 10 dB, 20 dB, selectable
  • Bass filter 6 dB/octave at 100 Hz,
  • 12 dB/octave at 130 Hz
  • Impedance 200 Ohm
  • Recommended load impedance >1000 ohms
  • Connector 12-pin DIN
  • Cable 10 m (33 ft.)
  • Net weight 680 g / 24 oz.
  • Shipping weight 4.5 kg / 9.9 lbs.
  • Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

    Get Your AKG C12VR Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC12VR http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc12vr.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc12vr.jpg AKGC12VR 4999.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C12VR/SP

    AKG C12VR/SP

    Factory-matched stereo pair of C 12VRs

    One of the most famous tube microphones in the history of recording was the legendary AKG C 12.

    In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive.

    Therefore, studio engineers vigorously demanded a rerun.The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube.

    The only difference is that its self noise and some components were optimized to meet the current state of the art.

    No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words.

    The C 12 VR comes complete with an aluminum carrying case, power supply, cable, windscreen, and spider type shock mount.

    Features:

  • Recreates the legendary C 12 tube microphone
  • Nine remotely selectable polar patterns from omnidirectional to figure-eight
  • Complete with many useful acces-sories and aluminum carrying case

    Specifications:

  • Polar pattern cardioid, omnidirectional, figure-eight, and 6 intermediate positions, remotely selectable
  • Frequency range 30 to 20,000 Hz
  • Max. SPL 128/138/148 db (k=3%)
  • Equivalent noise level (CCIR 468-3) 32 db
  • Equivalent noise level 22 dB-A
  • Signal/noise ratio (A-weighted) 72 dB
  • Preattenuation pad 10 dB, 20 dB, selectable
  • Bass filter 6 dB/octave at 100 Hz,
  • 12 dB/octave at 130 Hz
  • Impedance 200 Ohm
  • Recommended load impedance >1000 ohms
  • Connector 12-pin DIN
  • Cable 10 m (33 ft.)
  • Net weight 680 g / 24 oz.
  • Shipping weight 4.5 kg / 9.9 lbs.
  • Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

    Get Your AKG C12VR/SP Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC12VRSP http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc12vrsp.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc12vrsp.jpg AKGC12VRSP 10999.00 AKG AKG Studio and Broadcast Microphones AKG C414 XLS

    AKG C414 XLS

    The AKG C 414 XLS condenser microphone offers 9 pickup patterns for you to choose the perfect setting for every application. For live-sound applications and permanent installations, all of the AKG C 414 mic's controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.

    It's predecessor, AKG's legendary C 414 needs no introduction—it is an audio tool found in most recording studios and has been used on thousands of hit records. It's been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over. The AKG C 414 XLS microphone has been created to be just as popular.

    The AKG C 414 XLS maintains the sonic character of the legendary AKG C 414 B-ULS, the longest-lived AKG C 414 model. Engineered for highest linearity and neutral sound, it has been one of the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new AKG C 414 XLS microphone combines proven reference quality, leading-edge technology, and state-of-the-art components.

    AKG delivers the C 414 XLS microphone complete with carrying case, pop filter, windscreen, and spider-type shock mount.

    For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.

    Features:

  • Nine selectable pickup patterns enable to choose the perfect setting for every application
  • Lock Mode: all controls can be disabled easily for trouble-free use
  • Peak Hold LED even detects shortest overload peaks
  • Incredible Dynamic Range of 152dB
  • Three switchable different bass cut filters and three pre-attenuation levels
  • Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture
  • Designed, engineered, and built in Vienna, Austria
  • Ideal for:
  • Professional studio recording
  • Professional stage miking
  • Lead vocals & lead instruments
  • Classical music recording
  • Drum overhead miking
  • Ensemble recording

    Get Your AKG C414 XLS Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC414XLS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414%20XLS.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414%20XLS.jpg AKGC414XLS 999.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C391B

    C391B

    Versatile cardioid condenser microphone comprising an SE 300 B powering/output module and CK 91 cardioid capsule, foam windscreen, and stand adapter.

    Features:

  • Switchable bass cut filter and 10-dB preattenuation pad
  • Insensitive to handling noise
  • High resistance to RF interference
  • Capsules mount directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 10 mV/Pa (-40 dBV)
  • Max. SPL 132/142 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 28 dB
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Preattenuation pad 10 dB, switchable
  • Bass filter 12 dB/octave at 75 Hz
  • Impedance 200 ohms
  • Recommended load impedance >1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish dark gray
  • Net weight 115 g / 4 oz.
  • Shipping weight 420 g / 14.8 oz.

    • Get Your AKG C391B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC391B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc391b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc391b.jpg AKGC391B 539.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG SE300B

    AKG SE300B

    The SE 300 B operates from any 9 to 52 V phantom power supply.

    It incorporates a switchable 12 dB/octave bass cut filter at 75 Hz to eliminate footfall noise and a switchable 10-dB preattenuation pad for high-SPL sound sources.

    A transformerless output stage ensures pristine full-range audio and prevents low-frequency distortion.

    Features:

  • Extremely compact, reliable circuitry
  • Switchable bass cut filter
  • Switchable 10-dB preattenuation pad
  • Unique bayonet mount for capsules
  • Universal phantom powering

    • Specifications:

  • Frequency range 20 to 20,000 Hz
  • Preattenuation pad 10 dB, switchable
  • Bass filter 12 dB/octave at 75 Hz
  • Impedance <200 ohms
  • Recommended load impedance >1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish dark gray
  • Net weight 80 g / 2.8 oz.
  • Shipping weight 375 g / 13.3 oz.

    • Get Your AKG SE300B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGSE300B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgse300b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgse300b.jpg AKGSE300B 289.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK91

    AKG CK91

    Flat frequency response and a consistent cardioid polar pattern make the CK 91 an ideal tool for applications where good off-axis rejection is required.

    Foam windscreen included.

    Features:

  • Consistent cardioid polar pattern and good, frequency independent off-axis rejection
  • Mounts directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable
  • Cardioid microphone capsule for the AKG BLUE LINE modular studio condenser microphone system.
  • When attached to the SE 300 B power supply module, the capsule shall perform to the following specifications:
  • Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 10 mV/Pa; maximum SPL: 132/142 dB SPL for 1 % T.H.D.; equivalent noise level: 17 dB-A.
  • The capsule shall be provided with an extremely rugged bayonet mount for attaching to the SE 300 B power supply module.
  • The case shall be no larger than 19 mm in diameter and 36 mm long. The maximum net weight of the capsule shall be 35 g (1.2. oz.).

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 10 mV/Pa (-40 dBV)
  • Max. SPL 132/142 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 28 dB
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Connector bayonet mount
  • Finish dark gray
  • Net weight 35 g / 1.2 oz.
  • Shipping weight 200 g / 7.1 oz.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG CK91 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK91 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck91.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck91.jpg AKGCK91 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK92

    AKG CK92

    The CK 92 offers exceptionally neutral presentation of a source in its ambient sound field, providing consistent results regardless of the distance between microphone and source.

    Includes foam windscreen.

    Features:

  • Omni capsule with very wellbalanced sound
  • Mounts directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable
  • Omnidirectional microphone capsule for the AKG BLUE LINE modular studio condenser microphone system.
  • When attached to the SE 300 B power supply module, the capsule shall perform to the following specifications:
  • Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 10 mV/Pa; maximum SPL: 132/142 dB SPL for 1 % T.H.D.; equivalent noise level: 17 dB-A.
  • The capsule shall be provided with an extremely rugged bayonet mount for attaching to the SE 300 B power supply module.
  • The case shall be no larger than 19 mm in diameter and 36 mm long.
  • The maximum net weight of the capsule shall be 35 g (1.2 oz.).

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 10 mV/Pa (-40 dBV)
  • Max. SPL 132/142 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 28 dB
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Connector bayonet mount
  • Finish dark gray
  • Net weight 35 g / 1.2 oz.
  • Shipping weight 200 g / 7.1 oz.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG CK92 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK92 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck92.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck92.jpg AKGCK92 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK93

    AKG CK93

    Similar to the CK 91, the CK 93 provides greater attenuation of 120° off-axis sounds. In addition to a higher ratio of direct to ambient sound, it also offers a virtually ruler-flat frequency response.

    Includes foam windscreen.

    Features:

  • Consistent hypercardioid polar pattern and good, frequency independent off-axis rejection
  • Mounts directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable
  • Hypercardioid microphone capsule for the AKG BLUE LINE modular studio condenser microphone system.
  • When attached to the SE 300 B power supply module, the capsule shall perform to the following specifications:
  • Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 10 mV/Pa; maximum SPL: 132/142 dB SPL for 1 % T.H.D.; equivalent noise level: 17 dB-A.
  • The capsule shall be provided with an extremely rugged bayonet mount for attaching to the SE 300 B power supply module.
  • The case shall be no larger than 19 mm in diameter and 36 mm long. The maximum net weight of the capsule shall be 35 g (1.2.oz.).

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 10 mV/Pa (-40 dBV)
  • Max. SPL 132/142 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 28 dB
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Connector bayonet mount
  • Finish dark gray
  • Net weight 35 g / 1.2 oz.
  • Shipping weight 200 g / 7.1 oz.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    • Get Your AKG CK93 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK93 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck93.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck93.jpg AKGCK93 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK94

    AKG CK94

    This figure-eight capsule prefers sound arriving from opposite directions and efficiently suppresses off-axis sounds. The CK 94 is a perfect tool for situations where sound sources face each other.

    Recommended applications include interviewing, choir miking, drum overheads as well as Blumlein and M/S stereo techniques in combination with a cardioid or hypercardioid microphone.

    Includes foam windscreen.

    Features:

  • Highly accurate figure-eight capsule for use in dialog situations or as an S-microphone in M/S stereo recording
  • Mounts directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable
  • Quick-lock bayonet mount for easy connection to powering unit

    Specifications:

  • Polar pattern figure-eight
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 10 mV/Pa (-40 dBV)
  • Max. SPL 132/142 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 33 dB
  • Equivalent noise level 22 dB-A
  • Signal/noise ratio (A-weighted) 72 dB
  • Connector bayonet mount
  • Finish dark gray
  • Net weight 45 g / 1.9 oz.
  • Shipping weight 200 g / 7.1 oz.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)

    Get Your AKG CK94 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK94 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck94.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck94.jpg AKGCK94 499.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG A91

    AKG A91

    ±90° swivel joint for insertion between the SE 300 B powering module and AKG Blue Line CK9. capsules.

    Get Your AKG A91 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGA91 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akga91.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akga91.jpg AKGA91 349.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C480B-CK61

    AKG C480B-CK61

    The C 480 B / CK 61 system is comprised of the C 480 B preamp/output module and the CK 61 ULS cardioid capsule packaged with a foam windscreen and stand adapter. This system does an excellent job of capturing the sound when rejection of sound from the sides and rear of the mic is desired.

    Cardioid microphone

    Modular microphone comprising a C 480 B preamplifier, CK 61-ULS cardioid capsule, foam windscreen, and stand adapter.

    CK 61-ULS cardioid capsule

    The broadband, ruler-flat frequency response and consistent polar pattern of the CK 61-ULS make it ideal for critical recording and live sound applications where consistent suppression of off-axis sound is an important requirement. Includes foam windscreen.

    Features:

  • Ultra low-noise C 480 B preamp
  • CK 61-ULS cardioid capsule
  • Extremely flat on-axis frequency response
  • High SPL capability

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 40/20/6,3 mV/Pa (-28/-34/-44 dBV)
  • Max. SPL 134/140/144 dB
  • Equivalent noise level (CCIR 468-3) 23/21/28 dB
  • Equivalent noise level 13/11/17 dB-A
  • Signal/noise ratio 81/83/77 dB
  • Preattenuation pad +6/0/-10 dB, selectable
  • Bass filter 12 dB/octave at 70 or 150 Hz
  • Impedance 150 ohms
  • Recommended load impedance >2000 ohms/1000 pF
  • Supply voltage 48 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish matte black
  • Net weight 140 g / 4.9 oz.
  • Shipping weight 500 g / 1.1 lbs.

    • AKG C480B-CK61

    C 480 B-ULS

    Microphone preamplifier for the ULS modular studio condenser microphone system from AKG. All electrical parameters of the preamplifier shall be maximally linear and its gain shall be switchable on the microphone to +6, 0, or -10 dB. Frequency range: 10-30,000 Hz; electrical impedance: <150 ohms.; switchable bass cut filter: 12 dB/octave at 70 or 150 Hz. The microphone shall be capable of operating on phantom power at 48 V to DIN 45596. The case shall be no larger than 21 mm (0.8 in.) in diameter and 150 mm (6 in.) long. The maximum net weight of the preamplifier shall be 115 g (4 oz.).

    CK 61-ULS

    Cardioid microphone capsule for the ULS modular studio condenser microphone system from AKG. All acoustical parameters shall be highly linear. The capsule shall provide an excellent front-to-back ratio throughout a wide frequency range. The capsule shall be temperature stable and highly reliable, with a gold plated contact-pin for connection to the C 480 B preamplifier. When attached to the C 480 B power supply module, the capsule shall perform to the following specifications: Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 40/20/6.3 mV/Pa selectable; maximum SPL: 134/140/144 dB SPL for 0.5 % T.H.D.; equivalent noise level: 13/11/17 dB-A. The case shall be no larger than 21 mm (0.8 in.) in diameter and 23 mm (0.9 in.) long inclusive of the contact pin. The maximum net weight of the capsule shall be 25 g (0.9 oz.).

    Get Your AKG C480B-CK61 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC480B61 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc480b61.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc480b61.jpg AKGC480B61 1099.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C480B

    AKG C480B

    The C 480 B is part of a system designed specifically for excellent audio quality and maximum flexibility.

    Its electronic circuitry coupled to a transformerless output stage assures completely linear transfer characteristics across the entire audio bandwidth, while achieving self-noise figures close to the theoretical minimum.

    This, in combination with a typical SPL handling capability of 140 dB broadband means a dynamic range exceeding 125 dB, making the system suitable for the most critical digital recording applications. Gold plated switch and connector contacts guarantee consistent performance.

    A specially designed output stage drives difficult loads (e.g. excessively long cables) with no signal degradation. Two sets of switches offer a two-step highpass filter, and two gain manipulation stages of either -10 dB or +6 dB.

    Choice of various capsules: CK 61-ULS, CK 62-ULS, CK 63-ULS, CK 69-ULS

    Features:

  • Ultra low-noise preamplifier
  • Three selectable gain settings: 0, +6, -10 dB
  • High headroom

    • Specifications:

  • Polar pattern 10 to 30,000 Hz
  • Preattenuation pad +6, 0, -10 dB, selectable
  • Bass filter 12 dB/octave at 70 or 150 Hz
  • Impedance <150 ohms
  • Recommended load impedance >2000 ohms/1000 pF
  • Supply voltage 48 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish matte black
  • Net weight 115 g / 4 oz.
  • Shipping weight 450 g / 1 lb.
  • Microphone preamplifier for the ULS modular studio condenser microphone system from AKG.
  • All electrical parameters of the preamplifier shall be maximally linear and its gain shall be switchable on the microphone to +6, 0, or -10 dB.
  • Frequency range: 10-30,000 Hz; electrical impedance: <150 ohms.; switchable bass cut filter: 12 dB/octave at 70 or 150 Hz. The microphone shall be capable of operating on phantom power at 48 V to DIN 45596.
  • The case shall be no larger than 21 mm (0.8 in.) in diameter and 150 mm (6 in.) long. The maximum net weight of the preamplifier shall be 115 g (4 oz.).

    • Get Your AKG C480B Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC480B http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc480b.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc480b.jpg AKGC480B 849.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK61

    AKG CK61

    The ruler-flat frequency response and consistent polar pattern of the CK 61-ULS make it ideal for critical recording and live sound applications where consistent suppression of off-axis sound is an important requirement.

    Includes foam windscreen.

    For use with the preamplifier C 480 B-ULS.

    Features:

  • High quality cardioid capsule with exceptionally flat on-axis frequency response
  • High temperature stability, reliable construction
  • Gold plated, self-cleaning connector pins for high resistance to humidity

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20.000 Hz
  • Sensitivity 40/20/6,3 mV/Pa (-28/-34/-44 dBV)
  • Max. SPL 134/140/144 dB (for 0,5% THD)
  • Equivalent noise level (CCIR 468-3) 23/21/28 dB
  • Equivalent noise level 13/11/17 dB-A
  • Signal/noise ratio (A-weighted) 81/83/77 dB
  • Preattenuation pad +6/0/-10 dB, selectable
  • Finish matte black
  • Net weight 25 g / 0.9 oz.
  • Shipping weight 150 g / 5.3 oz
  • Cardioid microphone capsule for the ULS modular studio condenser microphone system from AKG.
  • All acoustical parameters shall be highly linear.
  • The capsule shall provide an excellent front-to-back ratio throughout a wide frequency range.
  • The capsule shall be temperature stable and highly reliable, with a gold plated contact-pin for connection to the C 480 B preamplifier.
  • When attached to the C 480 B power supply module, the capsule shall perform to the following specifications: Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 40/20/6.3 mV/Pa selectable; maximum SPL: 134/140/144 dB SPL for 0.5 % T.H.D.; equivalent noise level: 13/11/17 dB-A.
  • The case shall be no larger than 21 mm (0.8 in.) in diameter and 23 mm (0.9 in.) long inclusive of the contact pin.
  • The maximum net weight of the capsule shall be 25 g (0.9 oz.).

    • Get Your AKG CK61 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK61 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck61.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck61.jpg AKGCK61 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK62

    AKG CK62

    Identical to CK 61-ULS, except for omnidirectional polar pattern. For more reverberant sounding recordings.

    Includes foam windscreen.

    For use with the preamplifier C 480 B-ULS.

    Features:

  • High quality omnidirectional capsule with exceptionally flat on-axis frequency response
  • High temperature stability, reliable construction
  • Gold plated, self-cleaning connector pins for high resistance to humidity

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20.000 Hz
  • Sensitivity 40/20/6.3 mV/Pa (-28/-34/-44 dBV)
  • Max. SPL 134/140/144 dB (for 0,5% THD)
  • Equivalent noise level (CCIR 468-3) 23/21/28 dB
  • Equivalent noise level 13/11/17 dB-A
  • Signal/noise ratio (A-weighted) 81/83/77 dB
  • Preattenuation pad +6/0/-10 dB, selectable
  • Finish matte black
  • Net weight 25 g / 0.9 oz.
  • Shipping weight 150 g / 5.3 oz.
  • Omnidirectional microphone capsule for the ULS modularstudio condenser microphone system from AKG.
  • All acoustical parameters shall be highly linear.
  • The capsule shall provide a consistent polar pattern throughout a wide frequency range.
  • The capsule shall be temperature stable and highly reliable, with a gold plated contact pin for connection to the C 480 B preamplifier.
  • When attached to the C 480 B power supply module, the capsule shall perform to the following specifications: Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 40/20/6.3 mV/Pa selectable; maximum SPL: 134/140/144 dB SPL for 0.5 % T.H.D.; equivalent noise level: 13/11/17 dB-A.
  • The case shall be no larger than 21 mm (0.8 in.) in diameter and 23 mm (0.9 in.) long inclusive of the contact pin. The maximum net weight of the capsule shall be 25 g (0.9 oz.).

    • Get Your AKG CK62 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK62 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck62.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck62.jpg AKGCK62 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK63

    AKG CK63

    Identical to CK 61-ULS, except for hypercardioid polar pattern.

    Better off-axis rejection provides better channel separation and higher gain-before-feedback.

    Includes foam windscreen.

    For use with the preamplifier C 480 B-ULS.

    Features:

  • High quality hypercardioid capsule with exceptionally flat on-axis frequency response
  • High temperature stability, reliable construction
  • Gold plated, self-cleaning connector pins for high resistance to humidity

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 40/20/6.3 mV/Pa (-28/-34/-44 dBV)
  • Max. SPL 134/140/144 dB (for 0,5% THD)
  • Equivalent noise level (CCIR 468-3) 13/11/17 dB-A
  • Equivalent noise level 13/11/17 dB-A
  • Signal/noise ratio (A-weighted) 81/83/77 dB
  • Preattenuation pad +6/0/-10 dB, selectable
  • Finish matte black
  • Net weight 25 g / 0.9 oz.
  • Shipping weight 150 g / 5.3 oz.
  • Hypercardioid microphone capsule for the ULS modular studio condenser microphone system from AKG.
  • All acoustical parameters shall be highly linear.
  • The capsule shall provide an excellent front-to-back ratio throughout a wide frequency range.
  • The capsule shall be temperature stable and highly reliable, with a gold plated contact pin for connection to the C 480 B preamplifier.
  • When attached to the C 480 B power supply module, the capsule shall perform to the following specifications:
  • Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 40/20/6.3 mV/Pa selectable; maximum SPL: 134/140/144 dB SPL for 0.5 % T.H.D.; equivalent noise level: 13/11/17 dB-A.
  • The case shall be no larger than 21 mm (0.8 in.) in diameter and 23 mm (0.9 in.) long inclusive of the contact pin. The maximum net weight of the capsule shall be 25 g (0.9 oz.).

    • Get Your AKG CK63 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK63 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck63.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck63.jpg AKGCK63 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG D 5

    AKG D 5

    The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback (for more details, visit www.feedbackisdead.com). The D 5 stands for a crisp sound that cuts through every mix.

    AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance.

    The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice!

    Available versions:

    D 5: for standard applications.

    D 5 S: with on/off switch.

    D 5 WL 1: D 5 microphone element with threaded connection for use with AKG wireless systems.

    Features:

  • Extremely rugged vocal/speech microphone
  • Available with or without on/off switch
  • Patented AKG Laminated Varimotion diaphragm
  • Spring steel wire-mesh grill

    • Specifications:

  • Polar pattern supercardioid
  • Frequency range 70 Hz to 20 kHz
  • Sensitivity 2.6 mV/Pa (-52 dBV)
  • Max. SPL 147/156 dB SPL (for 1% / 3% THD)
  • Equivalent noise level 18 dB-A
  • Impedance <= 600 ohms
  • Recommended load impedance >= 2000 ohms
  • Connector 3-pin XLR
  • Finish matte grayish blue
  • Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.)
  • Net weight 340 g (12 oz.)
  • Shipping weight 655 g (1.45 lbs.)
  • Patent(s) Varimotion - multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637 (DE, DK, FI, FR, GB, IT, NL), JP 3.927.651)

    • Get Your AKG D 5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd5.jpg AKGD5 99.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG D5S

    AKG D5S

    D 5 vocal microphone with silent on-off switch. Minimum purchase = 6 mics.

    The D5S dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback (for more details, visit www.feedbackisdead.com). The D 5 stands for a crisp sound that cuts through every mix.

    AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance.

    The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice!

    Available versions:

    D 5: for standard applications.

    D 5 : with on/off switch.

    D 5 WL 1: D 5 microphone element with threaded connection for use with AKG wireless systems.

    Features:

  • Extremely rugged vocal/speech microphone
  • Available with or without on/off switch
  • Patented AKG Laminated Varimotion diaphragm
  • Spring steel wire-mesh grill

    • Specifications:

  • Polar pattern supercardioid
  • Frequency range 70 Hz to 20 kHz
  • Sensitivity 2.6 mV/Pa (-52 dBV)
  • Max. SPL 147/156 dB SPL (for 1% / 3% THD)
  • Equivalent noise level 18 dB-A
  • Impedance <= 600 ohms
  • Recommended load impedance >= 2000 ohms
  • Connector 3-pin XLR
  • Finish matte grayish blue
  • Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.)
  • Net weight 340 g (12 oz.)
  • Shipping weight 655 g (1.45 lbs.)
  • Patent(s) Varimotion - multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637 (DE, DK, FI, FR, GB, IT, NL), JP 3.927.651)

    • Get Your AKG D5S Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD5S http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd5s.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd5s.jpg AKGD5S 129.00 AKG AKG Studio and Broadcast Microphones AKG D 7

    AKG D 7

    AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators. This leads to a quantum leap in audio performance under each surrounding conditions and sound volume. D 7 creates that subtle and opened sound in all frequency ranges condenser mics are famous for, but it also has the powerful resonance from a dynamic microphone.

    The integrated high-pass filter eliminates permanent all handling noises and the new acoustical designed inner windscreen makes you feel more secure in live use. The precision metal dust filter provides a consistent objection to the diaphragm.

    The original inner windscreen can be replaced with the extra windscreen supplied with the microphone, this offers a clear sound for a long time. New: D 7 LTD, a high glossy version of the D 7 with chrome plated finish!

    Available versions:

  • D 7: standard version

    Features:

  • Dynamic reference microphone
  • Hum compensation coil
  • Patented AKG Laminated-Varimotion diaphragm
  • New acoustical design of inner windscreen
  • Precision metal dust filter

    Get Your AKG D 7 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD7 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/D%207.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/D%207.jpg AKGD7 179.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG D112

    AKG D112

    Industry-standard cardioid large-diaphragm bass drum mic.

    The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made.

    Heavy-footed drummers won't faze it, because the D 112 handles up to 160 dB SPL with no audible distortion.

    A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ.

    The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc.

    Built in windscreen, SA 60 stand adapter included.

    Features:

  • Large-diaphragm dynamic microphone for bass instruments
  • Extremely high SPL capability
  • Classic microphone for stage and studio applications

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 17,000 Hz
  • Sensitivity 1,8 mV/Pa (-75 dBV)
  • Max. SPL outside measurement range
  • Equivalent noise level 73 dB -A
  • Impedance 210 ohms
  • Recommended load impedance >=600 ohms
  • Connector 3-pin XLR
  • Finish dark gray metallic enamel
  • Dimensions 150 x 70 x 115 mm / 5.9 x 2.8 x 4.5 in.
  • Net weight 380 g / 13.4 oz.
  • Shipping weight 990 g / 2.2 lbs.

    • Get Your AKG D112 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD112 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd112.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd112.jpg AKGD112 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C430

    AKG C430

    Small-diaphragm cardioid condenser microphone.

    Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound.

    With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality.

    The major benefits of the C 430 include:

    Easy to use with any mixer, with no need to use the EQ

    Trouble-free use on open-air stages

    Mounts securely on all commercial microphone stands.

    Features:

  • Frequency response tailored to cymbal and overhead miking
  • Extremely compact, professional quality overhead MicroMic
  • Phantom or battery powering options

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 7 mV/Pa (-43 dBV)
  • Max. SPL 126/130 dB (k=1 %/3 %)
  • Equivalent noise level (CCIR 468-3) 33 dB-A
  • Signal/noise ratio (A-weighted) 61 dB
  • Impedance 200 ohms
  • Recommended load impedance >2000 ohms
  • Supply voltage 9 to 52 V phantom power
  • Current consumption approx. 2 mA
  • Connector 3-pin XLR
  • Finish matte black
  • Net weight 23 g / 1.1 oz.
  • Shipping weight 192 g / 6.8 oz.

    • Get Your AKG C430 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC430 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc430.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc430.jpg AKGC430 229.00 AKG AKG Studio and Broadcast Microphones AKG D40

    AKG D40

    The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile".

    The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.

    The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.

    An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

    Features:

  • Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
  • Patented AKG Varimotion diaphragm
  • Custom built capsule mounting
  • Spring steel wire-mesh cap
  • Rugged all-metal body withstands typical tough handling on stage

    Get Your AKG D40 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD40 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/D40.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/D40.jpg AKGD40 99.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C411/L

    AKG C411/L

    C411 for use with PT40PRO, PT400 and PT4000 transmitters, MPAIIIL, B29L

    Ultra-light vibration pickup with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters.

    Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments.

    The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.

    C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.

    C 411 : With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.

    Features:

  • Ultra-light vibration pickup
  • Condenser transducer in sealed enclosure
  • Cable with lockable miniature XLR connector

    • Specifications:

  • Frequency range 10 to 18,000 Hz
  • Max. SPL 100 dB (for 1% THD)
  • Impedance 200 ohms unbalanced
  • Recommended load impedance >=1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
  • Current consumption approx. 2.2 mA
  • Connector C 411 PP: 3-pin XLR,
  • C 411 L: 3-pin mini XLR
  • Cable C 411 PP: 3 m (10 ft.),
  • C 411 L: 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions 27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
  • Net weight C 411 PP: 98 g (3.6 oz.),
  • C 411 L: 18 g / 0.7 oz.
  • Shipping weight C 411 PP: 225 g (7.9 oz.),
  • C 411 L: 150 g / 5.5 oz.
  • The microphone shall be an ultra-lightweight miniature condenser pickup (vibration pickup) for contact-miking the soundboard vibrations of an acoustic string instrument.
  • The pickup shall be attached by means of elastic adhesive rubber.
  • The microphone shall be designed for wireless use and hardwire use with external powering via an AKG B 29 L battery supply or AKG MPA III L phantom power adapter.
  • The frequency range of the microphone shall be 10 Hz to 18 kHz, its open-circuit sensitivity 1 mV/ms2, max. SPL 103 dB SPL (for 3% THD).
  • The microphone shall measure 27 x 14 x 9.5 mm, be finished in matte black, and weigh 18 g.
  • The microphone shall be the C 411 L made by AKG.

    • Get Your AKG C411/L Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC411L http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc411l.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc411l.jpg AKGC411L 139.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C518M

    AKG C518M

    Drum/percussion MicroMic with vise-type clamp.

    The ultimate miniature condenser microphone for drums and percussions.

    Its cardioid polar pattern rejects overspill from nearby instruments.

    A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection.

    A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound.

    The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters.

    Versions:

    C 518 M for external phantom powering

    C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Miniature cardioid condenser clamp-on microphone with shock mounted capsule
  • Ideal for miking drums and percussions
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Integrated gooseneck
  • Continuously adjustable vise type clamp

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (for 1%/3% THD)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.)
  • Net weight C 518 M: 220 g (7.8 oz.)
  • C 518 ML: 110 g (3.9 oz.)
  • (microphone and cable)
  • Shipping weight C 518 M: 450 g (15.9 oz.)
  • C 518 ML: 330 g (11.7 oz.)

    • Get Your AKG C518M Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC518M http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc518m.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc518m.jpg AKGC518M 249.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C518ML

    AKG C518ML

    Drum/percussion MicroMic with vise-type clamp and mini-XLR output.

    The ultimate miniature condenser microphone for drums and percussions.

    Its cardioid polar pattern rejects overspill from nearby instruments.

    A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection.

    A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound.

    The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters.

    Versions:

    C 518 M for external phantom powering

    C 518 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Miniature cardioid condenser clamp-on microphone with shock mounted capsule
  • Ideal for miking drums and percussions
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Integrated gooseneck
  • Continuously adjustable vise type clamp

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (for 1%/3% THD)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.)
  • Net weight C 518 M: 220 g (7.8 oz.)
  • C 518 ML: 110 g (3.9 oz.)
  • (microphone and cable)
  • Shipping weight C 518 M: 450 g (15.9 oz.)
  • C 518 ML: 330 g (11.7 oz.)

    • Get Your AKG C518ML Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC518ML http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc518ml.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc518ml.jpg AKGC518ML 189.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C519M

    AKG C519M

    Woodwind/brass condenser MicroMic.

    The C 519 clips onto the bell of a trumpet, saxophone, trombone, tuba, or any other wind instrument (e.g. didgeridoo). Room to move for the wind section at last!

    Its tight cardioid polar pattern makes the C 519 an ideal tool for use near monitor wedges, and its flat frequency response delivers a natural, powerful, and clear sound.

    The C 519 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound.

    The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters.

    Versions:

    C 519 M for external phantom powering

    C 519 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Miniature condenser clip-on microphone for wind instruments, drums, and percussions
  • Miniature gooseneck for accurate microphone alignment
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Transducer shock mount for high mechanical-noise rejection

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions Length: 213 mm (8.4 in.) (microphone only); max. width: 47 mm (1.9 in.)
  • Net weight C 519 M: 195 g (6.9 oz.)
  • C 519 ML: 85 g (3 oz.) (microphone and cable)
  • Shipping weight C 519 M: 430 g (15.2 oz.)
  • C 519 ML: 310 g (11 oz.)

    • Get Your AKG C519M Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC519M http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc519m.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc519m.jpg AKGC519M 249.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C519ML

    AKG C519ML

    Woodwind/brass condenser MicroMic with mini-XLR output for use with AKG wireless.

    The C 519 clips onto the bell of a trumpet, saxophone, trombone, tuba, or any other wind instrument (e.g. didgeridoo). Room to move for the wind section at last!

    Its tight cardioid polar pattern makes the C 519 an ideal tool for use near monitor wedges, and its flat frequency response delivers a natural, powerful, and clear sound.

    The C 519 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound.

    The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters.

    Versions:

    C 519 M for external phantom powering

    C 519 ML for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Miniature condenser clip-on microphone for wind instruments, drums, and percussions
  • Miniature gooseneck for accurate microphone alignment
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Transducer shock mount for high mechanical-noise rejection

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions Length: 213 mm (8.4 in.) (microphone only); max. width: 47 mm (1.9 in.)
  • Net weight C 519 M: 195 g (6.9 oz.)
  • C 519 ML: 85 g (3 oz.) (microphone and cable)
  • Shipping weight C 519 M: 430 g (15.2 oz.)
  • C 519 ML: 310 g (11 oz.)

    • Get Your AKG C519ML Today!

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    AKG MPAVL

    Mini-XLR phantom power adapter cable for use with "L" series mics.

    Phantom power adapter

    Phantom power adapter with XLR connector for L type MicroMic microphones with integrated bass roll-off switch.

    Get Your AKG MPAVL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGMPAVL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmpavl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgmpavl.jpg AKGMPAVL 69.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C417/L

    AKG C417L

    L-version of C 417 and C417 for use with MPAIIIL, B29L, PT 40PRO, PT400 and PT4000 transmitters

    Affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications.

    The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations.

    An attachment clip, tiepin, and windscreen are supplied with each C 417.

    C 417 PP:

    For hardwire applications, with standard XLR connector for phantom powering.

    Features:

  • Extremely light, inconspicuous lavalier microphone
  • Excellent audio quality across the full bandwith

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity PP: 12 mV/Pa (-38.4 dBV); L: 6 mV/Pa (-44.4 dBV)
  • Max. SPL 118/126 dB (for 1%/3% THD)
  • Equivalent noise level 34 dB-A
  • Signal/noise ratio (A-weighted) 60 dB
  • Impedance 200 ohms
  • Recommended load impedance 1000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters
  • Current consumption approx. 2.2 mA
  • Connector C 417 PP: 3-pin XLR, C 417 L: 3-pin mini XLR
  • Cable C 417 PP: 3 m (10 ft.), C 417 L: 1.5 m (5 ft.)
  • Finish matte black
  • Net weight C 417 PP: 68 g / 2.4 oz., C 417 L: 8 g / 0.3 oz.
  • Shipping weight C 417 PP: 220 g / 8.1 oz., C 417 L: 160 g / 5.9 oz.
  • Lavalier condenser microphone with omnidirectional polar pattern, applications:
  • clip-on microphone for lecturers ("handsfree"), theatre, stage miking.
  • Bandwidth 20-20,000 Hz, sensitivity at 1 kHz: 10 mV/Pa,
  • electrical impedance 200 ohms,
  • dimensions: 7.5 mm (0.3 in.),
  • length: 15 mm (0.6 in.), cable length: 3 m (10 ft.) (1,5 m (5 ft.)),
  • XLR plug with phantom powering adapter (3-pin mini XLR),
  • phantom powering: 9-52 V, supply current approx. 2 mA, matte black finish,
  • net (without cable)/shipping weight: 68/220g (2.5/8.1 oz.) (8/160 g (0.3/5.9 oz.)).
  • Including accessories: windscreen, fixing material.

    • Get Your AKG C417L Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC417L http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc417l.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc417l.jpg AKGC417L 99.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK55L

    AKG CK55L

    Low-profile cardioid condenser lavalier mic optimized for speech.

    Terminated in mini-XLR for wireless systems, or B29L & MPA III L phantom power adaptor/power supply.

    Includes tie clip and windsreen.

    Low-profile, cost efficient clip-on microphone for applications including houses of worship, lecturers, etc. Connects to AKG bodypack transmitters.

    The CK 55 L provides a natural sound, with a slight rise above 10 kHz for added clarity.

    Its cardioid polar pattern and bass rolloff combine to suppress unwanted ambient noise.

    Features:

  • Inconspicuous clip-on microphone
  • Natural, airy sound
  • High ambient noise rejection

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 15 to 18,000 Hz
  • Sensitivity 8.8 mV/Pa (-41 dBV)
  • Max. SPL 118 dB (k=1 %)
  • Equivalent noise level 34 dB-A
  • Signal/noise ratio (A-weighted) 60 dB
  • Impedance 200 ohms
  • Recommended load impedance >2000 ohms
  • Supply voltage 1.5 to 10 VDC or 9 to 52 V phantom power to DIN/IEC using MPA III L
  • Current consumption <2 mA
  • Connector 3-pin mini XLR
  • Cable 1.6 m (5 ft. 4 in.)
  • Finish matte black
  • Net weight 2.5 g (0.08 oz.)
  • Shipping weight 115 g (4 oz.)
  • The microphone shall be a cardioid condenser clipon microphone for handsfree use by lecturers, preachers, tour guides, video production personnel, etc.
  • The microphone shall perform to the following specifications: frequency range: 15 to 18,000 Hz; sensitivity at 1 kHz: 8.8 mV/Pa; electrical impedance: 200 ohms.
  • The microphone shall measure 8 mm (0.3 in.) in diameter and 23 mm (0.9 in.) in length, the microphone cable shall be 1.6 m (5 ft. 4 in.) long.
  • The microphone shall weigh 2.5 g (0.08 oz.) and be finished in matte black.

    • Get Your AKG CK55L Today!

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    AKG CK97-C/L

    The CK 97-C/L is perfectly suited for "invisible" miking. A consistent cardioid pattern ensures good separation, minimum ambience pickup, and high gain before feedback in live sound applications.

    With female 3-pin mini XLR connector for use with an AKG pocket transmitter.

    The CK 97-C comes complete with a windscreen, tie pin, hanger adapter, and lavalier clip.

    Miniature cardioid capsule for minimum ambience pickup.

    Get Your AKG CK97-C/L Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK97CL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/CK97CL.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/CK97CL.jpg AKGCK97CL 299.00 AKG AKG Studio and Broadcast Microphones AKG C 577 WR

    AKG C 577 WR

    Features:

  • Slim profile and finish for unobtrusive wearing
  • Extended low and high frequency response
  • Omnidirectional pattern for natural speech quality
  • Resistant to humidity, perspiration and salts
  • Dual diaphragm transducer for rejection of cable noise
  • Compatible with all popular wireless systems (CK 77)

    Specifications:

  • Transducer type: Pre-polarized condenser (electret)
  • Frequency response: 20 - 20 kHz
  • Polar pattern: Omnidirectional
  • Sensitivity at 1 kHz: 8 mV/Pa
  • Maximum SPL (1% THD):133 dB
  • Equivalent noise level: <26 dB-A
  • Signal-to-noise ratio (A-weighted): >68 dB
  • Electrical impedance: <400 ohms
  • Recommended load impedance: 2000 ohms
  • Supply voltage: C 577 WR: 9 - 52 Vdc, CK 77 WR L & P: 1.5 to 12 Vdc
  • Current consumption: <0.6 mA
  • Cable length: 10 feet (3 m)
  • Finish: Matte black
  • Connectors: C 577 WR: XLR-M, CK 77 WR L & P: 3-pin mini XLR
  • Size: diameter 0.2 in. (5.5 mm), length .625 in. (14 mm)
  • Net weight: 0.014 oz. (4 g)
  • Shipping weight: 4.76 oz. (135 g)
  • Standard accessories: W 77 windscreen, H 40/1 clamp, H 41 clamp, PB77 Adaptor
  • Optional accessories: B 18 E battery supply (C 577 WR) Available Versions: C 577 WR (black)
  • CK 77 WR L (3-pin mini XLR/black)
  • CK 77 WR L/P (3-pin mini XLR/flesh tone)

    Get Your AKG C 577 WR Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC577WR http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C577WR.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C577WR.jpg AKGC577WR 459.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C520

    AKG C520

    Head-worn condenser microphone with maximum dynamic range for perfect vocal sound.

    Its cardioid polar pattern effectively rejects unwanted ambient noise.

    An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers.

    The microphone arm mounts either on the left or right side of the headband as desired.

    The C 520 provides the perfect solution for any performer needing a handsfree microphone.

    A transducer shock mount reduces handling noise to a minimum.

    The moisture shield prevents perspiration from penetrating into the transducer element,ensuring a high degree of humidity protection for the microphone.

    Versions:

    C 520 for external phantom powering

    C 520 L for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Head-worn microphone with continuously adjustable behind-the-neck headband
  • External shock mount for high mechanical-noise rejection
  • Miniature gooseneck for precise positioning near the user's mouth
  • Microphone arm provides choice of left or right-hand use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130 dB/132 dB (for THD = 1 %/3 %)
  • Equivalent noise level 31 dB-A
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Power requirement 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L, or AKG bodypack transmitter
  • Connector C 520: 3-pin male XLR; C 520 L: 3-pin mini XLR
  • Cable C 520: 3 m (10 ft.); C 520 L: 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions length: 195 mm (7.7 in.) (microphone only); max. diameter: 134 mm (5.3 in.)
  • Net weight 26 g (0.9 oz.)
  • Shipping weight C 520: 380 g (13.4 oz.); C 520 L: 260 g (9.2 oz.)

    • Get Your AKG C520 Today!

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    AKG C520L

    C520 with mini-XLR output for use with AKG wireless transmitters, B29L and MPA VL.

    Head-worn condenser microphone with maximum dynamic range for perfect vocal sound.

    Its cardioid polar pattern effectively rejects unwanted ambient noise.

    An ideal choice for frontmen, singing keyboardists, drummers, guitarists, and dancers.

    The microphone arm mounts either on the left or right side of the headband as desired.

    The C 520 provides the perfect solution for any performer needing a handsfree microphone.

    A transducer shock mount reduces handling noise to a minimum.

    The moisture shield prevents perspiration from penetrating into the transducer element,ensuring a high degree of humidity protection for the microphone.

    Versions:

    C 520 for external phantom powering

    C 520 L for use with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Head-worn microphone with continuously adjustable behind-the-neck headband
  • External shock mount for high mechanical-noise rejection
  • Miniature gooseneck for precise positioning near the user's mouth
  • Microphone arm provides choice of left or right-hand use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130 dB/132 dB (for THD = 1 %/3 %)
  • Equivalent noise level 31 dB-A
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Power requirement 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L, or AKG bodypack transmitter
  • Connector C 520: 3-pin male XLR; C 520 L: 3-pin mini XLR
  • Cable C 520: 3 m (10 ft.); C 520 L: 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions length: 195 mm (7.7 in.) (microphone only); max. diameter: 134 mm (5.3 in.)
  • Net weight 26 g (0.9 oz.)
  • Shipping weight C 520: 380 g (13.4 oz.); C 520 L: 260 g (9.2 oz.)

    • Get Your AKG C520L Today!

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    AKG C555L

    The new C 555 L head-worn microphone from AKG is rugged, extremely easy to use, and offers outstanding price/performance.

    The C 555 L is the ideal microphone for any handsfree application including gymnastics instruction, presentations, or onstage performance.

    The C 555 L rests securely and comfortably on the head, and can be attached to the left or right side of the behind-the-neck headband as desired.

    A transducer shock mount reduces handling noise to a minimum. The moisture shield prevents perspiration from penetrating into the transducer element, ensuring a high degree of humidity protection for the microphone.

    The C 555 L is the only version available and can be used with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    Features:

  • Head-worn microphone with continuously adjustable behind-the-neck headband
  • Moisture shield
  • Optimum audio and intelligibility even at high ambient noise levels
  • Microphone arm provides choice of left or right-hand use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 80 Hz to 20 kHz
  • Sensitivity 35 mV/Pa (-29 dBV)
  • Max. SPL 126 dB/130 dB (for 1%/3% THD)
  • Equivalent noise level 22 dB-A
  • Signal/noise ratio (A-weighted) 72 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L, or AKG bodypack transmitter
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions length: 195 mm (7.7 in.) (microphone only); max. diameter: 134 mm (5.3 in.)
  • Net weight 26 g (0.9 oz.)
  • Shipping weight 260 g (9.2 oz.)

    • Get Your AKG C555L Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC555L http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc555l.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc555l.jpg AKGC555L 129.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG HC 577

    AKG HC577

    The new AKG HC 577 has been designed to be invisible in the limelight.

    It is so small it will virtually disappear on stage or on camera, while providing perfect mobility and pristine audio quality.

    A patented body design protects the microphone's dual-diaphragm transducer from moisture and perspiration. Mechanical noise, cable noise, etc. are reduced to a minimum.

    The microphone uses a CK 77 omnidirectional transducer that has been an industry standard for lavalier capsules for years and ensures superior audio performance.

    The HC 577 uses dual-ear temple pieces for extreme stability and optimum comfort.

    Features:

  • Excellent comfort
  • Insensitive to moisture, perspiration, and salts
  • Dual-diaphragm transducer for cable noise suppression
  • Compatible with all standard wireless systems

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 Hz to 20 kHz
  • Sensitivity 8 mV/Pa (-42 dBV)
  • Max. SPL 133 dB (for 1% THD)
  • Equivalent noise level 26 dB-A
  • Signal/noise ratio (A-weighted) 68 dB
  • Impedance <=3.5 kohms
  • Recommended load impedance >=10 kohms
  • Supply voltage 1.5 V to 12 V
  • Current consumption <=0.6 mA
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish flesh tone
  • Dimensions 205 mm (8.1 in.), max. diameter: 145 mm (5.7 in.)
  • Net weight 28 g (0.99 oz.)
  • Shipping weight 150 g (5.3 oz.)

    • Get Your AKG HC577 Today!

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    AKG CK69

    Two shotgun capsules in one, with quick and easy conversion from long to short shotgun applications, from hypercardioid to directional polar patterns.

    In its long shotgun configuration, the CK 69-ULS will deliver perfect results for film/TV outdoor applications or indoor front of stage recording from approximately 6 to 8 m (20 to 24 ft.).

    If you unscrew the front half of the interference tube, the same capsule becomes a short shotgun for use in TV, film and video close-up work. Additionally, the short shotgun mode is ideal for interviews in noisy environments.

    The CK 69-ULS operates flawlessly in high humidity environments and windscreens are provided for both long and short configurations.

    For use with the preamplifier C 480 B-ULS.

    Features:

  • Two shotgun capsules in one, using two-part interference tube
  • Ultra-low noise
  • Long shotgun for recording from medium distances
  • Short shotgun for video close-up recording

    • Specifications:

  • Polar pattern hypercardioid/directional
  • Frequency range 20 to 18,000 Hz
  • Sensitivity 54/27/8.5 mV/Pa (-25/-31/-41 dBV)
  • Max. SPL 134/140/142 dB (for 0,5% THD)
  • Equivalent noise level (CCIR 468-3) 21/20/26 dB
  • Equivalent noise level 11/9/15 dB-A
  • Signal/noise ratio (A-weighted) 83/85/79 dB
  • Preattenuation pad +6/0/-10 dB, selectable
  • Finish matte black
  • Net weight 70 g / 2.5 oz.
  • Shipping weight 500 g / 1.1 lbs
  • Shotgun microphone capsule for the ULS modular studio condenser microphone system from AKG.
  • The capsule shall comprise a two-part interference tube to provide a choice of two different shotgun capsules in one.
  • The capsule shall be temperature stable and highly reliable, with a gold plated contact pin for connection to the C 480 B preamplifier.
  • When attached to the C 480 B power supply module, the capsule shall perform to the following specifications: Frequency range: 20-18,000 Hz; sensitivity at 1 kHz: 54/27/8.5 mV/Pa selectable; maximum SPL: 134/140/142 dB SPL for 0.5 % T.H.D.; equivalent noise level: 11/9/15 dB-A.
  • The case shall be no larger than 21 mm (0.8 in.) in diameter and 176/317 mm (6.9/12.5 in.) long inclusive of the contact pin.
  • The maximum net weight of the microphone system shall be 70 g (2.5 oz.).

    • Get Your AKG CK69 Today!

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    AKG D58E BLACK

    A special, hypercardioid close-talking dynamic microphone for talkback use in professional studios.

    Small and lightweight, the D 58 E has an integral XLR connector for mounting on a gooseneck or mic cable.Finish is matte black.

    The D 58 E is small and inconspicuous, extremely rugged noise-canceling microphone.

    Features:

  • Hypercardioid microphone for use in noisy environments
  • Small and inconspicuous
  • Noise canceling close-talking microphone
  • Extremely rugged

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 70 to 10,000 Hz
  • Sensitivity 0,72 mV/Pa (-63 dBV)
  • Max. SPL 130 dB
  • Impedance 240 ohms
  • Recommended load impedance >500 ohms
  • Connector 3-pin XLR
  • Finish matte black
  • Net weight 40 g / 1.4 oz.
  • Shipping weight 150 g / 5.3 oz.
  • Hypercardioid dynamic close-talking microphone.
  • Applications: noisy environments, train, bus, taxi, ticket window, bank counter, reception desk, restaurant.
  • Frequency range: 70-10,000 Hz; sensitivity at 1 kHz: 0.72 mV/Pa; impedance: 240 ohms.
  • Dimensions: 20 mm (0.8 in.) dia., 42 mm (1.6 in.) long. Finish: D 58 E: matte black.
  • Net/shipping weight: 40/150 g (1.4/5.3 oz.).

    • Get Your AKG D58E BLACK Today!

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    AKG D542

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use.

    The D 542 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise.

    The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.

    The D 542 E features a built-in XLR connector for quick connection, while the D 542 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

    The D 542 ST-S is mounted on a table stand with an on/off switch and coiled cable with 3-pin XLR connector.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 150-15,000 Hz
  • Sensitivity 2.2 mV/Pa (-54 dBV)
  • Max. SPL 133 dB (1% THD)
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance 530 ohms
  • Recommended load impedance >2,000 ohms
  • Connector D 542: unterminated cable ends; D 542 E / D 542 ST-S: 3-pin male XLR
  • Cable D 542: approx. 50 to 100 cm (20 to 40 in.)
  • Finish matte gray/black
  • Net weight D 542: 275 g (9.6 oz.), D 542 E: 285 g (10.0 oz.), D 542 ST-S: 805 g (1.8 lbs.)
  • Shipping weight D 542: 422 g (14.8 oz.), D 542 E: 334 g (11.7 oz.), D 542 ST-S: 1,125 g (2.5 lbs.)
  • The microphone shall be a cardioid dynamic gooseneck microphone.
  • It shall be usable in places of worship, on lecterns, in trains, buses, taxis, and outdoors.
  • The microphone shall perform to the following specifications: frequency range: 150 to 15,000 Hz; sensitivity at 1 kHz: 2.2 mV; impedance: 530 ohms; length: 300 mm (11.8 in.); gooseneck diameter: 13 mm (0.51 in.); microphone capsule dimensions: length 345 mm (13.6 in.), diameter 34 mm (1.34 in.); finish: matte grey.
  • The D 542 shall be fitted with a 2 m (6 ft., 4 in.) unterminated cable, the D 542 E with a built-in 3-pin XLR connector.

    • Get Your AKG D542 Today!

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    AKG D542E

    Paging microphone with XLR connection at end of the gooseneck

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use.

    The D 542 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise.

    The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.

    The D 542 E features a built-in XLR connector for quick connection, while the D 542 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

    The D 542 ST-S is mounted on a table stand with an on/off switch and coiled cable with 3-pin XLR connector.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 150-15,000 Hz
  • Sensitivity 2.2 mV/Pa (-54 dBV)
  • Max. SPL 133 dB (1% THD)
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance 530 ohms
  • Recommended load impedance >2,000 ohms
  • Connector D 542: unterminated cable ends; D 542 E / D 542 ST-S: 3-pin male XLR
  • Cable D 542: approx. 50 to 100 cm (20 to 40 in.)
  • Finish matte gray/black
  • Net weight D 542: 275 g (9.6 oz.), D 542 E: 285 g (10.0 oz.), D 542 ST-S: 805 g (1.8 lbs.)
  • Shipping weight D 542: 422 g (14.8 oz.), D 542 E: 334 g (11.7 oz.), D 542 ST-S: 1,125 g (2.5 lbs.)
  • The microphone shall be a cardioid dynamic gooseneck microphone.
  • It shall be usable in places of worship, on lecterns, in trains, buses, taxis, and outdoors.
  • The microphone shall perform to the following specifications: frequency range: 150 to 15,000 Hz; sensitivity at 1 kHz: 2.2 mV; impedance: 530 ohms; length: 300 mm (11.8 in.); gooseneck diameter: 13 mm (0.51 in.); microphone capsule dimensions: length 345 mm (13.6 in.), diameter 34 mm (1.34 in.); finish: matte grey.
  • The D 542 shall be fitted with a 2 m (6 ft., 4 in.) unterminated cable, the D 542 E with a built-in 3-pin XLR connector.

    • Get Your AKG D542E Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD542E http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd542e.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd542e.jpg AKGD542E 169.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG D542ST/S

    AKG D542ST/S

    Dynamic gooseneck mic with base and PTT switch

    Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use.

    The D 542 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise.

    The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.

    The D 542 E features a built-in XLR connector for quick connection, while the D 542 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

    The D 542 ST-S is mounted on a table stand with an on/off switch and coiled cable with 3-pin XLR connector.

    Features:

  • PA microphone with rugged, all-metal body
  • Frequency response optimized for intelligibility
  • Long useful life even in tough day-to-day usage
  • Frequency response tailored to speech use

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 150-15,000 Hz
  • Sensitivity 2.2 mV/Pa (-54 dBV)
  • Max. SPL 133 dB (1% THD)
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance 530 ohms
  • Recommended load impedance >2,000 ohms
  • Connector D 542: unterminated cable ends; D 542 E / D 542 ST-S: 3-pin male XLR
  • Cable D 542: approx. 50 to 100 cm (20 to 40 in.)
  • Finish matte gray/black
  • Net weight D 542: 275 g (9.6 oz.), D 542 E: 285 g (10.0 oz.), D 542 ST-S: 805 g (1.8 lbs.)
  • Shipping weight D 542: 422 g (14.8 oz.), D 542 E: 334 g (11.7 oz.), D 542 ST-S: 1,125 g (2.5 lbs.)
  • The microphone shall be a cardioid dynamic gooseneck microphone.
  • It shall be mounted on a table stand containing an on/off switch.
  • The microphone shall perform to the following specifications: frequency range: 150 to 15,000 Hz; sensitivity at 1 kHz: 2.2 mV; impedance: 530 ohms.
  • The table stand shall measure 160 x 120 x 65 mm (6.3 x 4.7 x 2.5 in.) and the total weight of the microphone and stand shall be 805 g (1.8 lbs.).
  • The microphone shall be finished in matte gray and black.

    • Get Your AKG D542ST/S Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD542STS http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd542sts.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd542sts.jpg AKGD542STS 219.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN15HT

    AKG GN15HT

    The GN 15 HT lets you convert an HT 4000 handheld transmitter into a mobile gooseneck microphone.

    This setup provides easily accessible controls and easy battery replacement.

    Thanks to the sensitive condenser capsules, working distances can be much greater than with dynamic wireless microphones. The LED ring illuminates to indicate the transmitter is ON.

    The GN 15 HT can be combined with all Discreet Acoustics Capsule Modules.

    Battery life is 15% less than stated for the HT due to the current drain of the LED ring. The gooseneck is suited for any application where a sound system with wireless microphones need to be set up quickly, e.g., at press conferences, panel discussions, etc.

    Wireless application

    In combination with an HT 4000, the GN 15 HT makes setting up a wireless system for any type of use incredibly easy. The modular concept offers you a choice of five different capsules even for wireless systems.

    Features:

  • Gooseneck for wireless microphone applications in combination with the HT 4000
  • For use with five different capsule modules
  • Rugged all-metal construction
  • Compatible with WMS 450 and WMS 4000 receivers

    • Specifications:

  • Connector compatible to HT 4000
  • Finish matte dark grey
  • Net weight 143 g (5 oz.)
  • Shipping weight 345 g (12.2 oz.)
  • The installation module shall be a 190 mm long gooseneck module for attachment to a handheld wireless transmitter.
  • An LED ring shall indicate the operating status (on or off) of the transmitter.
  • The installation module shall be fitted with a screw thread for attaching various capsule modules and finished with several layers of matte black/matte grey enamel.
  • The net/shipping weight of the installation module shall be 143/345 g (5/12.2 oz.).

    • Get Your AKG GN15HT Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN15HT http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15ht.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15ht.jpg AKGGN15HT 201.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN15

    AKG GN15

    6-inch gooseneck for Discreet capsules, unterminated for fixed install.

    For permanent screw-on installation, AKG offers goosenecks in various lengths: GN 15: approx. 15 cm (6 in.); GN 30: approx. 30 cm (12 in.); GN 50: approx. 50 cm (20 in.).

    Except for the GN 30 OC with unterminated cable ends, all come with a DPA in-line XLR phantom power adapter with integrated 200 Hz bass rolloff and LED ON/OFF jumper.

    The DPA connects to any standard mixer input with 9 to 52 V power supply. The mini XLR connector will thread through any hole from 11 mm (0.44 in.) in diameter.

    This eliminates the need for large holes or awkward unsoldering and resoldering of the much larger phantom power adapter during installation.

    Standard accessory: Phantom power adapter

    The external phantom power adapter of the GN series makes setting up the goosenecks much easier, since a small hole will suffice for threading through a mini XLR connector.

    Having disconnected the cable, the integrated bass cut can be set quite easily inside the phantom power adapter.

    The phantom power adapter will operate off any available phantom power supply from 9 to 52 V, powering both the condenser capsule and the LED ring.

    Available versions:

    GN 15/GN 30/GN 50: with 3-pin male XLR connector

    GN 30 OC: with stripped and tinned leads

    Available capsule modules for GN 15/GN 30/GN 50:

    CK 31, CK 32, CK 33, CK 47, CK 80.

    Features:

  • Rugged construction
  • Highly reliable contacts for capsule modules
  • Integrated LED ring status indicator
  • Integrated switchable bass rolloff
  • Mini XLR connector or unterminated cable ends

    • Specifications:

  • Bass filter 250 Hz, -10 dB at 50 Hz
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <3 mA
  • Connector 3-pin male XLR; GN 30 oc: stripped and tinned leads
  • Cable 1.5 m (5 ft.)
  • Finish matte dark grey
  • Net weight GN 15: 72 g (2.5 oz.), GN 30: 110 g (3.9 oz.), GN 50: 120 g (4.2 oz.)
  • Shipping weight GN 15: 400 g (14.1 oz.), GN 30: 522 g (18.4 oz.), GN 50: 495 g (17.5 oz.)
  • The installation module shall be a 160/305/500 mm (6.3/12/20 in.) gooseneck with a rugged connecting thread and self-cleaning, large gold plated contacts for connection to all D.A.M. Capsule Modules. The installation module shall incorporate an LED ring that may be phantom powered or externally powered.
  • The installation module shall be finished with several layers of nonreflective, dark gray enamel.
  • The installation module shall be provided with a 3/8" internal thread for permanent installation.
  • The installation module shall be supplied with an in-line XLR phantom power adapter (DPA) with a 1.5 m cable terminated in a mini XLR connector.
  • The DPA shall incorporate a jumper selectable highpass filter and LED ring. Also supplied with the installation module shall be a set of installation screws.
  • The net/shipping weight of the installation module shall be: GN 15: 72/400 g (2.5/14.1 oz.); GN 30: 110/522 g (3.9/ 18.4 oz.); GN 50: 120/495 g (4.2/17.5 oz.).

    • Get Your AKG GN15 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN15 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15.jpg AKGGN15 219.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN15E

    AKG GN15E

    6-inch gooseneck for Discreet capsules, XLR output connector.

    For permanent screw-on installation, AKG offers goosenecks in various lengths: GN 15: approx. 15 cm (6 in.); GN 30: approx. 30 cm (12 in.); GN 50: approx. 50 cm (20 in.).

    Except for the GN 30 OC with unterminated cable ends, all come with a DPA in-line XLR phantom power adapter with integrated 200 Hz bass rolloff and LED ON/OFF jumper.

    The DPA connects to any standard mixer input with 9 to 52 V power supply. The mini XLR connector will thread through any hole from 11 mm (0.44 in.) in diameter.

    This eliminates the need for large holes or awkward unsoldering and resoldering of the much larger phantom power adapter during installation.

    Standard accessory: Phantom power adapter

    The external phantom power adapter of the GN series makes setting up the goosenecks much easier, since a small hole will suffice for threading through a mini XLR connector.

    Having disconnected the cable, the integrated bass cut can be set quite easily inside the phantom power adapter.

    The phantom power adapter will operate off any available phantom power supply from 9 to 52 V, powering both the condenser capsule and the LED ring.

    Available versions:

    GN 15/GN 30/GN 50: with 3-pin male XLR connector

    GN 30 OC: with stripped and tinned leads

    Available capsule modules for GN 15/GN 30/GN 50:

    CK 31, CK 32, CK 33, CK 47, CK 80.

    Features:

  • Rugged construction
  • Highly reliable contacts for capsule modules
  • Integrated LED ring status indicator
  • Integrated switchable bass rolloff
  • Mini XLR connector or unterminated cable ends

    • Specifications:

  • Bass filter 250 Hz, -10 dB at 50 Hz
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <3 mA
  • Connector 3-pin male XLR; GN 30 oc: stripped and tinned leads
  • Cable 1.5 m (5 ft.)
  • Finish matte dark grey
  • Net weight GN 15: 72 g (2.5 oz.), GN 30: 110 g (3.9 oz.), GN 50: 120 g (4.2 oz.)
  • Shipping weight GN 15: 400 g (14.1 oz.), GN 30: 522 g (18.4 oz.), GN 50: 495 g (17.5 oz.)
  • The installation module shall be a 160/305/500 mm (6.3/12/20 in.) gooseneck with a rugged connecting thread and self-cleaning, large gold plated contacts for connection to all D.A.M. Capsule Modules. The installation module shall incorporate an LED ring that may be phantom powered or externally powered.
  • The installation module shall be finished with several layers of nonreflective, dark gray enamel.
  • The installation module shall be provided with a 3/8" internal thread for permanent installation.
  • The installation module shall be supplied with an in-line XLR phantom power adapter (DPA) with a 1.5 m cable terminated in a mini XLR connector.
  • The DPA shall incorporate a jumper selectable highpass filter and LED ring. Also supplied with the installation module shall be a set of installation screws.
  • The net/shipping weight of the installation module shall be: GN 15: 72/400 g (2.5/14.1 oz.); GN 30: 110/522 g (3.9/ 18.4 oz.); GN 50: 120/495 g (4.2/17.5 oz.).

    • Get Your AKG GN15E Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN15E http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15e.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn15e.jpg AKGGN15E 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN15ESP

    AKG GN15ESP

    6-inch gooseneck with XLR output, programmable on-off-mute switch and high RF immunity.

    The AKG GN15ESP is a 9.2" (23.5cm) gooseneck with an XLR male terminated output connector.

    For permanent screw-on installation, AKG offers goosenecks in various lengths: GN 15: approx. 15 cm (6 in.); GN 30: approx. 30 cm (12 in.); GN 50: approx. 50 cm (20 in.).

    Except for the GN 30 OC with unterminated cable ends, all come with a DPA in-line XLR phantom power adapter with integrated 200 Hz bass rolloff and LED ON/OFF jumper.

    The DPA connects to any standard mixer input with 9 to 52 V power supply. The mini XLR connector will thread through any hole from 11 mm (0.44 in.) in diameter.

    This eliminates the need for large holes or awkward unsoldering and resoldering of the much larger phantom power adapter during installation.

    Standard accessory: Phantom power adapter

    The external phantom power adapter of the GN series makes setting up the goosenecks much easier, since a small hole will suffice for threading through a mini XLR connector.

    Having disconnected the cable, the integrated bass cut can be set quite easily inside the phantom power adapter.

    The phantom power adapter will operate off any available phantom power supply from 9 to 52 V, powering both the condenser capsule and the LED ring.

    Available versions:

    GN 15/GN 30/GN 50: with 3-pin male XLR connector

    GN 30 OC: with stripped and tinned leads

    Available capsule modules for GN 15/GN 30/GN 50:

    CK 31, CK 32, CK 33, CK 47, CK 80.

    Features:

  • Rugged construction
  • Highly reliable contacts for capsule modules
  • Integrated LED ring status indicator
  • Integrated switchable bass rolloff
  • Mini XLR connector or unterminated cable ends

    • Specifications:

  • Bass filter 250 Hz, -10 dB at 50 Hz
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <3 mA
  • Connector 3-pin male XLR; GN 30 oc: stripped and tinned leads
  • Cable 1.5 m (5 ft.)
  • Finish matte dark grey
  • Net weight GN 15: 72 g (2.5 oz.), GN 30: 110 g (3.9 oz.), GN 50: 120 g (4.2 oz.)
  • Shipping weight GN 15: 400 g (14.1 oz.), GN 30: 522 g (18.4 oz.), GN 50: 495 g (17.5 oz.)
  • The installation module shall be a 160/305/500 mm (6.3/12/20 in.) gooseneck with a rugged connecting thread and self-cleaning, large gold plated contacts for connection to all D.A.M. Capsule Modules. The installation module shall incorporate an LED ring that may be phantom powered or externally powered.
  • The installation module shall be finished with several layers of nonreflective, dark gray enamel.
  • The installation module shall be provided with a 3/8" internal thread for permanent installation.
  • The installation module shall be supplied with an in-line XLR phantom power adapter (DPA) with a 1.5 m cable terminated in a mini XLR connector.
  • The DPA shall incorporate a jumper selectable highpass filter and LED ring. Also supplied with the installation module shall be a set of installation screws.
  • The net/shipping weight of the installation module shall be: GN 15: 72/400 g (2.5/14.1 oz.); GN 30: 110/522 g (3.9/ 18.4 oz.); GN 50: 120/495 g (4.2/17.5 oz.).

    • Get Your AKG GN15ESP Today!

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    AKG GN30

    12-inch gooseneck for Discreet capsules, unterminated for fixed install.

    The AKG GN30 is a 12" (305mm) gooseneck with a mini XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and it's adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and On/Off switch with power indicator LED.

    Features:

  • 3-pin Mini XLR Connection
  • The mini 3-pin XLR connection provides a thinner profile and is much easier to install into smaller holes and fixtures.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 12" (305mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin mini male XLR
  • Cable Length 5' (1.5m)
  • Weight 3.9 oz (110 g)

    • Get Your AKG GN30 Today!

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    AKG GN30E

    12-inch gooseneck for Discreet capsules, XLR output connector.

    The AKG GN30E is a 10.2" (258mm) gooseneck with an XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and its adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and On/Off switch with power indicator LED.

    AKG GN30E

  • Silent On/Off Switch
  • The silent power switch eliminates the noise caused by surges when phantom power is interrupted.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • AKG GN30E

  • Length 10.2" (258mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin male XLR
  • Cable Length Not included
  • Weight 3.9 oz (110 g)

    • Get Your AKG GN30E Today!

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    AKG GN30ESP

    12-inch gooseneck with XLR output, programmable on-off-mute switch and high RF immunity.

    The AKG GN30ESP is a 14.96" (380mm) gooseneck with an XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and it's adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and a programmable On/Off, Push-to-Talk and Push-to-Mute switch with power indicator LED.

    Features:

  • XLR Output Connector
  • The XLR Male output is conveniently adapts to surface mounts with XLR female inputs and provides quick installation and removal.
  • Programmable Mute Switch
  • The GN ESP series feature a programmable mute switch for On/Off, Push-to-Talk and Push-to-Mute function.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 15.87" (403mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin male XLR
  • Weight 5.6 oz (160 g)

    • Get Your AKG GN30ESP Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN30ESP http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn30esp.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn30esp.jpg AKGGN30ESP 289.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN50

    AKG GN50

    Gooseneck, appox. 50 cm (20 in.) long.

    20-inch gooseneck for Discreet capsules, for fixed install

    The AKG GN50 is a 20" (50cm) gooseneck with a mini XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and it's adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and On/Off switch with power indicator LED.

    Features:

  • 3-pin Mini XLR Connection
  • The mini 3-pin XLR connection provides a thinner profile and is much easier to install into smaller holes and fixtures.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 20" (50cm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin mini male XLR
  • Cable Length 5 Foot (1.5m)
  • Weight 3.9 oz (110 g)

    • Get Your AKG GN50 Today!

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    AKG GN50E

    20-inch gooseneck for Discreet capsules, XLR connector.

    The AKG GN50E is a 22.4" (572mm) gooseneck with an XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and it's adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and On/Off switch with power indicator LED.

    Features:

  • XLR Output Connector
  • The XLR Male output is conveniently adapts to surface mounts with XLR female inputs and provides quick installation and removal.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 15.87" (403mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin male XLR
  • Cable Length not included
  • Weight 5.6 oz (160 g)

    • Get Your AKG GN50E Today!

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    AKG GN50ESP

    20-inch gooseneck with XLR output, programmable on-off-mute switch and high RF immunity.

    The AKG GN50ESP is a 22.4" (598mm) gooseneck with an XLR male terminated output connector.

    The gooseneck accommodates the AKG CK series microphone capsules and it's adjustable gooseneck is designed to provide noise-free operation.

    The gooseneck mount also features integrated bass roll-off filter switch and a programmable On/Off, Push-to-Talk and Push-to-Mute switch with power indicator LED.

    Features:

  • Silent On/Off Switch
  • The silent power switch eliminates the noise caused by surges when phantom power is interrupted.
  • Programmable Mute Switch
  • The GN ESP series feature a programmable mute switch for On/Off, Push-to-Talk and Push-to-Mute function.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications::

  • Length 22.4" (598mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 3-pin male XLR
  • Cable Length not included
  • Weight 3.9 oz (110 g)

    • Get Your AKG GN50ESP Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN50ESP http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn50esp.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn50esp.jpg AKGGN50ESP 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN155CHOIR

    AKG GN155CHOIR

    6' to 9' adjustable-height gooseneck mic module with shock-mounted base.

    Although installed hanging microphones are a desirable option for some installations, the GN 155 CHOIR offers a high-performance, flexible and elegant solution for precise temporary placement of a "choir" microphone for accurate pickup of ensembles or for theater use.

    The GN 155 CHOIR is comprised of a 62" gooseneck module mounted onto a shock-isolated, telescoping clutch stand with a 15 lb base that is height-adjustable from 6' to 9'. All five AKG Discreet Series mic capsules are compatible for use with the GN 155 CHOIR so its performance can be customized precisely for the application.

    At the capsule mounting point on the module is a status LED that illuminates when phantom power is applied to the microphone. The GN 155 CHOIR's 33 ft (10 m) cable terminates in a 3-pin XLR-type connector. Inside the XLR connector are two jumpers that may be removed to switch off the gooseneck's LED and/or engage a 6 dB/octave @ 200 Hz hi-pass filter. The finish is inconspicuous matte grey.

    Although there are applications that could dictate use of any of the Discreet Acoustics capsules, most applications of the GN 155 CHOIR utilize either the CK 47 or CK 80. Both of these capsules have hypercardioid pickup patterns, excellent rejection of off-axis sounds and are visually unobtrusive. The CK 47 offers wide-band, studio-quality response, while the CK 80 has speech-optimized response.

    The GN 155 CHOIR is also the world's first wireless choir microphone when specified as the WMS 400/155 CHOIR. Imagine being able to place the module and not having to worry about hooking up cables! This set includes the GN 155 CHOIR with a metal holder attached to the gooseneck module that holds the AKG PT 400 UHF bodypack transmitter.

    The system also includes the SR 400 receiver that delivers wide frequency response and dynamic range. The WMS 400 is compatible with WMS 4000 systems as well as its system expansion components for scalable multi-channel wireless system.

    Either wired or wireless, the AKG GN 155 CHOIR is a breakthrough in flexibility and performance for micing choirs or musical ensembles.

    Get Your AKG GN155CHOIR Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN155CH http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn155ch.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn155ch.jpg AKGGN155CH 549.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN155Set

    AKG GN155Set

    Elegant gooseneck module with heavy, shock mounted floor stand in matte gray finish for use with all Discreet Acoustics Capsule Modules. Integrated LED ring status indicator.

    Suited for stand-alone use on stage or in front of a lectern. Two integrated flexible gooseneck sections allow optimum alignment with talkers of different heights or positions.

    A supplied screw-on extension tube can be used to place the microphone higher for tall talkers.

    The supplied 10 m (33 ft.) cable with XLR phantom power adapter is long enough to reach the edge of most stages with no extension cable. For use as a lectern microphone in worship centers, halls etc.

    Available capsule modules for GN 155 Set: CK 31, CK 32, CK 33, CK 47, CK 80.

    Features:

  • Elegant floor stand
  • Integrated LED ring
  • For use with five different capsule modules
  • Rugged all-metal construction

    • Specifications:

  • Bass filter 250 Hz, -10 dB at 50 Hz
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <3 mA
  • Connector 3-pin male XLR
  • Cable 10 m (33 ft.)
  • Finish matte dark grey
  • Dimensions 180 x 1,490 mm (7.1 in. x 4 ft. 11 in.)
  • Net weight 3.6 kg (8 lbs.)
  • Shipping weight 4.8 kg (10.6 lbs.)
  • The installation module shall consist of a 1490 mm long gooseneck module and a heavy-duty stand with shock isolation pad for connection to various capsule modules.
  • Two integrated gooseneck sections shall provide for optimal microphone alignment with talkers of various heights or with specific sound source positions.
  • The installation module shall be finished in multilayer dark gray enamel. A screw-on extension stub shall be included with the installation module.
  • Net/shipping weight: 3.6/4.8 kg (8/10.6 lbs.).

    • Get Your AKG GN155Set Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN155SET http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn155set.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn155set.jpg AKGGN155SET 499.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN30E/5

    AKG GN30E/5

    12" gooseneck for Discreet capsules, 5-pin XLR for external control of light ring.

    This model features a 5-pin XLR male output and large LED ring for enhanced visibility.

    The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply, e.g., a Logic out from the AS 16 x 12 automatic mixer.

    The goosenecks feature a bass roll-off switch and quiet gooseneck positioning.

    The bass roll-off filter eliminates low frequency noise caused by ambiance, ground and structure noise.

    Features:

  • 5-pin XLR and Large LED Ring
  • A 5-pin XLR male output and large LED ring are provided. The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 12" (305mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 5-pin male XLR extra pins carry power to LED ring from external power source
  • Cable Length 5ft (1.5m)
  • Weight 5.6 oz (160 g)

    • Get Your AKG GN30E/5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN30E5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn30e5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akggn30e5.jpg AKGGN30E5 249.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG GN50E/5

    AKG GN50E/5

    20" gooseneck for Discreet capsules, 5-pin XLR for external control of light ring.

    This model features a 5-pin XLR male output and large LED ring for enhanced visibility.

    The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply, e.g., a Logic out from the AS 16 x 12 automatic mixer.

    The goosenecks feature a bass roll-off switch and quiet gooseneck positioning.

    The bass roll-off filter eliminates low frequency noise caused by ambiance, ground and structure noise.

    Features:

  • 5-pin XLR and Large LED Ring
  • A 5-pin XLR male output and large LED ring are provided. The LED ring indicates an active microphone and the 5-pin XLR connection will carry audio signal as well as power to the LED ring from a separate power supply.
  • Modular Design
  • The GN series goosenecks are completely compatible with the CK series modular microphone capsules.
  • Bass Roll-Off
  • Low frequency roll-off filter switch reduces low frequency noise caused by ambiance, structure noise, etc.
  • Quiet Positioning
  • The gooseneck provides silent microphone positioning.

    • Specifications:

  • Length 22.4" (572mm)
  • Low Frequency Roll-Off 250Hz, -10dB @ 50Hz
  • Impedance <= 600 ohms
  • Recommended Load: >= 2k ohms
  • Phantom Power 9 to 52V Phantom Power
  • Current Consumption <3 mA
  • Connector 5-pin male XLR extra pins carry power to LED ring from external power source
  • Cable Length 5ft (1.5m)
  • Weight 5.6 oz (160 g)

    • Get Your AKG GN50E/5 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGGN50E5 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/AKGGN50E5.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/AKGGN50E5.jpg AKGGN50E5 249.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK32

    AKG CK32

    Due to its high sensitivity in all directions, the CK 32 omnidirectional Capsule is an excellent choice especially for lavalier applications, but also for situations requiring ambience pickup.

    The body is identical to that of the CK 31 and CK 33.

    Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.

    Features:

  • Omnidirectional polar pattern
  • 360° pickup angle
  • Screw-on Capsule Module
  • Highly efficient windscreen

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 14 mV/Pa (-37 dBV) re 1 V/Pa
  • Max. SPL 125 dB (for 1 % THD)
  • Equivalent noise level 20 dB-A
  • Signal/noise ratio (A-weighted) 74 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Current consumption <3 mA
  • Connector Discreet Acoustics Modular standard
  • Finish matte dark grey
  • Net weight 5 g (0.17 oz.)
  • Shipping weight 88 g (3.1 oz.)
  • The microphone shall be a screw-on omnidirectional capsule that mates with the AKG Discreet Acoustics Modular Series.
  • The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc.
  • The response of the microphone shall be flat on-axis from 20 Hz to 8 kHz, with response at 20 kHz that is no more than -4 dB, relative to the midband response.
  • The microphone shall have a sensitivity no less than 14 mV/Pa (-34 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 125 dB shall be no greater than 1 %.
  • The electrical impedance of the microphone shall be no greater than 600 ohms.
  • Electricalmating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods.
  • The microphone shall be the AKG CK 32.

    • Get Your AKG CK32 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK32 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck32.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck32.jpg AKGCK32 103.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK33

    AKG CK33

    Due to the narrow 95° pickup angle, the hypercardioid polar pattern is a good choice for all situations when noise typically arrives from the sides (especially in places of worship), where people talk into the microphone from greater distances, or where several talkers are grouped side by side.

    The body is identical to that of the CK 31 and CK 32.

    Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.

    Features:

  • Hypercardioid polar pattern
  • 95° pickup angle
  • Screw-on Capsule Module
  • Highly efficient windscreen

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 50 to 20,000 Hz
  • Max. SPL 125 dB (for 1 % THD)
  • Equivalent noise level 21 dB-A
  • Signal/noise ratio (A-weighted) 73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Current consumption <3 mA
  • Connector Discreet Acoustics Modular standard
  • Finish matte dark grey
  • Net weight 5 g (0.17 oz.)
  • Shipping weight 88 g (3.1 oz.)
  • The microphone shall be a screw-on hypercardioid capsule that mates with the AKG Discreet Acoustics Modular Series.
  • The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc.
  • The response of the microphone shall be flat on-axis from 50 Hz to 20 kHz, with a 6 dB/octave rolloff below 200 Hz and response at 20 kHz that is no more than -6 dB, relative to the midband response.
  • The microphone shall have a sensitivity no less than 20 mV/Pa (-34 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 125 dB shall be no greater than 1 %.
  • The electrical impedance of the microphone shall be no greater than 600 ohms. Electrical mating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods.
  • Net/shipping weight: 5/88 g (0.17/3.1 oz.).

    • Get Your AKG CK33 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK33 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck33.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck33.jpg AKGCK33 199.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK47

    AKG CK47

    The CK 47 combines an 80° pickup angle, studio quality audio, and clean offaxis response.

    It is an ideal tool wherever studio-standard sound quality is required, or for inexperienced talkers.

    The CK 47 comes complete with a W 70 windscreen.

    Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.

    Features:

  • Hypercardioid polar pattern
  • 80° pickup angle
  • Screw-on Capsule Module
  • Studio quality shotgun capsule

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 16.5 mV/Pa (-36 dBV) re 1 V/Pa
  • Max. SPL 133 dB (for 1 % THD)
  • Equivalent noise level 20 dB-A
  • Signal/noise ratio (A-weighted) 74 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Current consumption <3 mA
  • Connector Discreet Acoustics Modular standard
  • Finish matte dark grey
  • Net weight 39 g (1.4 oz.)
  • Shipping weight 248 g (8.7 oz.)
  • The microphone shall be a screw-on hypercardioid capsule that mates with the AKG Discreet Acoustics Modular Series and shall have an interference tube section for enhanced directivity at high frequencies.
  • The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc.
  • The response of the microphone shall be flat on-axis from 20 Hz to 20 kHz (±3 dB).
  • The microphone shall have a sensitivity no less than 16.5 mV/Pa (-36 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 133 dB shall be no greater than 1 %.
  • The electrical impedance of the microphone shall be no greater than 600 ohms. Electrical mating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods.
  • Net/shipping weight: 39/248 g (1.4/8.7 oz.).

    • Get Your AKG CK47 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK47 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck47.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck47.jpg AKGCK47 459.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CK80

    AKG CK80

    An 80° pickup angle and speech optimized frequency response provide excellent intelligibility in acoustically critical environments.

    Its outstanding price/performance ratio is just as convincing as its sound and high gain before feedback. Complete with W 80 windscreen.

    Suitable Discreet Acoustics modules: all GN gooseneck modules, HM 1000 hanging module.

    Features:

  • Hypercardioid polar pattern
  • 80° pickup angle
  • Screw-on Capsule Module
  • Shotgun capsule
  • Speech optimized frequency response

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 60 to 15,000 Hz
  • Sensitivity 30 mV/Pa (-30 dBV) re 1 V/Pa
  • Max. SPL 125 dB (for 1 % THD)
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Current consumption <3 mA
  • Connector Discreet Acoustics Modular standard
  • Finish matte dark grey
  • Net weight 15 g (0.5 oz.)
  • Shipping weight 208 g (7.3 oz.)
  • The microphone shall be a screw-on hypercardioid capsule that mates with the AKG Discreet Acoustics Modular Series and shall have an interference tube section for enhanced directivity at high frequencies.
  • The microphone shall accept phantom powering over the universal range from 9 to 52 volts dc.
  • The response shall have a gentle rise from low to high frequencies such that the total frequency response from 60-15,000 Hz rises uniformly over an 18 dB range.
  • The microphone shall have a sensitivity no less than 30 mV/Pa (-30 dBV), and the total harmonic distortion (THD) at an operating acoustical level of 125 dB shall be no greater than 1 %.
  • The electrical impedance shall be no greater than 600 ohms. Electrical mating contacts for mounting the microphone shall be gold plated for positive, trouble free operation over long periods.
  • Net/shipping weight: 15/208 g (0.5/7.3 oz.).

    • Get Your AKG CK80 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCK80 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck80.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgck80.jpg AKGCK80 103.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CGN321E

    AKG CGN321E

    The cardioid polar pattern is the most popular because its uses are almost limitless. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone.

    The choice of two different lengths and the flexible joint ensure optimum alignment of the gooseneck to any talker position. Numerous options for installation are available, such as mounting on a stand or tabletop, while optional accessories include a lockable mounting fixture.

    Easy setup: anything goes

    The wide range of accessories ensures optimum installation or placing of the Discreet Acoustics Compact Series goosenecks, regardless of architectural requirements. Tabletop installation with a high level of structureborne noise? Don't worry; the installation modules feature a shock mount made of a special rubber mix to reduce structure-borne noise to a minimum. Optional theft-proof installation modules are also available.

    Fixing permanently on a thick marble slab that must not be pierced? No problem: just three shallow holes will do to fasten the mount, and the gooseneck microphone won't budge. Permanent installation impossible? No big deal, heavy base plate will keep the gooseneck securely in place. And what about uneven surfaces? Easy. Use the tripod table stand.

    Features:

  • Cardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 125° pickup angle
  • Especially suited for inexperienced talkers
  • Connects easily via XLR connector

    • Specifications:

  • Polar pattern Cardioid
  • Frequency range 70 to 18,000 Hz
  • Sensitivity 18 mV/PA = -35 dBV re 1 V/Pa
  • Max. SPL 125 dB (for 1% THD)
  • Equivalent noise level <21 dB-A
  • Signal/noise ratio (A-weighted) >73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
  • Current consumption <3 mA
  • Connector 3-pin male XLR
  • Finish matte dark grey
  • Net weight CGN 321: 160 g (5.7 oz.), CGN 521: 170 g (6 oz.)
  • Shipping weight CGN 321: 480 g (17 oz.), CGN 521: 500 g (17.7 oz.)
  • The microphone shall be a cardioid gooseneck microphone.
  • Its pickup angle shall be 125 degrees; frequency range 70 Hz to 18 kHz; sensitivity 18 mV/Pa; max. SPL 125 dB; electrical impedance <600 ohms for 9 to 52 V phantom power.
  • The microphone shall be finished in matte dark gray.
  • It shall measure approx. 13.5 x 380 (580) mm and its net weight shall be 160 (170) grams, its shipping weight 480 (500) grams.

    • Get Your AKG CGN321E Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCGN321E http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn321e.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn321e.jpg AKGCGN321E 239.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CGN521E

    AKG CGN521E

    20-inch (50 cm) single-flexpipe cardioid gooseneck microphone with mounting flange.

    The cardioid polar pattern is the most popular because its uses are almost limitless. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone.

    The choice of two different lengths and the flexible joint ensure optimum alignment of the gooseneck to any talker position. Numerous options for installation are available, such as mounting on a stand or tabletop, while optional accessories include a lockable mounting fixture.

    Easy setup: anything goes

    The wide range of accessories ensures optimum installation or placing of the Discreet Acoustics Compact Series goosenecks, regardless of architectural requirements. Tabletop installation with a high level of structureborne noise? Don't worry; the installation modules feature a shock mount made of a special rubber mix to reduce structure-borne noise to a minimum. Optional theft-proof installation modules are also available.

    Fixing permanently on a thick marble slab that must not be pierced? No problem: just three shallow holes will do to fasten the mount, and the gooseneck microphone won't budge. Permanent installation impossible? No big deal, heavy base plate will keep the gooseneck securely in place. And what about uneven surfaces? Easy. Use the tripod table stand.

    Features:

  • Cardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 125° pickup angle
  • Especially suited for inexperienced talkers
  • Connects easily via XLR connector

    • Specifications:

  • Polar pattern Cardioid
  • Frequency range 70 to 18,000 Hz
  • Sensitivity 18 mV/PA = -35 dBV re 1 V/Pa
  • Max. SPL 125 dB (for 1% THD)
  • Equivalent noise level <21 dB-A
  • Signal/noise ratio (A-weighted) >73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
  • Current consumption <3 mA
  • Connector 3-pin male XLR
  • Finish matte dark grey
  • Net weight CGN 321: 160 g (5.7 oz.), CGN 521: 170 g (6 oz.)
  • Shipping weight CGN 321: 480 g (17 oz.), CGN 521: 500 g (17.7 oz.)
  • The microphone shall be a cardioid gooseneck microphone.
  • Its pickup angle shall be 125 degrees; frequency range 70 Hz to 18 kHz; sensitivity 18 mV/Pa; max. SPL 125 dB; electrical impedance <600 ohms for 9 to 52 V phantom power.
  • The microphone shall be finished in matte dark gray.
  • It shall measure approx. 13.5 x 380 (580) mm and its net weight shall be 160 (170) grams, its shipping weight 480 (500) grams.

    • Get Your AKG CGN521E Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCGN521E http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn521e.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn521e.jpg AKGCGN521E 269.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CGN523E

    AKG CGN523E

    20-inch (50 cm) single-flexpipe hypercardioid gooseneck microphone with mounting flange

    The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side.

    Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.

    Choosing polar patterns

    Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave.

    For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.

    Features:

  • Hypercardioid polar pattern
  • 30 or 50 cm (12 or 20 in.) long
  • 95° pickup angle
  • For acoustically difficult environments
  • Connects easily via XLR connector

    • Specifications:

  • Polar pattern Hypercardioid
  • Frequency range 50 to 19,000 Hz
  • Sensitivity 12 mV/PA = -38 dBV re 1 V/Pa
  • Max. SPL 125 dB (for 1% THD)
  • Equivalent noise level <21 dB-A
  • Signal/noise ratio (A-weighted) >73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
  • Current consumption <3 mA
  • Connector 3-pin male XLR
  • Finish matte dark grey
  • Net weight CGN 323: 160 g (5.7 oz.), CGN 523: 170 g (6 oz.)
  • Shipping weight CGN 323: 480 g (17 oz.), CGN 523: 500 g (17.7 oz.)
  • The microphone shall be a hypercardioid gooseneck microphone.
  • Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance <600 ohms for 9 to 52 V phantom power.
  • The microphone shall be finished in matte dark gray. It shall measure approx. 13.5 x 380 (580) mm and its net weight shall be 160 (170) grams, its shipping weight 480 (500) grams.

    • Get Your AKG CGN523E Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCGN523E http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn523e.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgcgn523e.jpg AKGCGN523E 319.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG CHM21

    AKG CHM21

    The new Discreet Acoustics Compact Series Condenser Hanging Microphone provides both ease of use and a high level of functionality. There is hardly any more affordable and simpler solution for recording choirs at worship centers.

    Suspended from the ceiling or a beam, the hanging microphone is aligned and then fixed in the correct position. Now use the spring steel clamp to adjust the correct angle, and off you go!

    XY stereo recording

    Using two CHM 21 hanging microphones in an XY configuration (coincident pair) is a good way to make stereo recordings, particularly of choirs. However, sound source locations are defined only by intensity differences. Adjusting the angle between the microphones determines the width and depth of the stereo image.

    ORTF stereo recording

    Developed by the French Broadcasting Authority, this technique differs from the XY technique by recording not only intensity differences, but also delay differences. The capsules are aligned at an angle of precisely 110° and 170 mm / 6.7 in. apart.

    Features:

  • Cardioid polar pattern
  • 10 m (33 ft.) cable
  • 125° pickup angle
  • Especially suited for choir recordings
  • Integrated spring steel clamp for optimum alignment

    • Specifications:

  • Polar pattern Cardioid
  • Frequency range 70 to 18,000 Hz
  • Sensitivity 18 mV/PA = -35 dBV re 1 V/Pa
  • Max. SPL 125 dB (for 1% THD)
  • Equivalent noise level <21 dB-A
  • Signal/noise ratio (A-weighted) >73 dB
  • Impedance <=600 ohms
  • Recommended load impedance >=2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596 (DPA adapter integrated)
  • Current consumption <3 mA
  • Connector 3-pin male XLR
  • Finish matte dark grey
  • Net weight 20 g (0.7 in.)
  • Shipping weight 480 g (17 oz.)
  • The microphone shall be a cardioid microphone for flown use with a non-twisting cable.
  • Its pickup angle shall be 125 degrees; frequency range 70 Hz to 18 kHz; sensitivity 18 mV/Pa; max. SPL 125 dB; electrical impedance <600 ohms for 9 to 52 V phantom power.
  • The microphone shall be finished in matte dark gray and fitted with a 10 m cable.
  • It shall measure approx. 13.5 x 55 mm and its net weight shall be 20 grams, its shipping weight 480 grams.

    • Get Your AKG CHM21 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGCHM21 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgchm21.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgchm21.jpg AKGCHM21 249.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C400BL

    AKG C400BL

    The C 400 BL is the first choice for any application calling for a small, low-profile boundary layer microphone.

    Its uses range from conferencing and lectures to theaters, surveillance, paging, and many others. Its frequency response has been optimized for speech pickup.

    Its hypercardioid polar pattern, speech optimized frequency response, and extremely small dimensions have made the C 400 BL extremely popular.

    The design is inconspicuous and the housing can be painted easily in any color to make it almost invisible against its backing.

    Features:

  • Small and inconspicuous boundary layer microphone
  • Speech optimized frequency response
  • Hypercardioid polar pattern
  • Easy to repaint

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 150 to 15,000 Hz
  • Sensitivity 13.5 mV/Pa (-37 dBV)
  • Max. SPL 115 dB (k=1 %)
  • Equivalent noise level 32 dB-A
  • Signal/noise ratio (A-weighted) 62 dB
  • Impedance 200 ohms
  • Recommended load impedance >2,000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <3 mA
  • Connector 3 pol. XLR-Stecker
  • Cable 3 m (10 ft.)
  • Finish matte black
  • Dimensions 43 x 24 x 15 mm (1.7 x 0.9 x 0.6 in.)
  • Net weight 5.5 g (0.2 oz.)
  • Shipping weight 160 g (5.7 oz.)
  • Unidirectional boundary layer microphone with frequency response tailored to the speech range (low frequency roll off of 6 dB/octave below 300 Hz; high frequency roll off above 7 kHz of 12 dB/octave, with a rise of 4 dB in the 6 kHz range).
  • Microphone sensitivity shall be no less than 13.5 mV/Pa (-37 dBV), and the microphone's dynamic range shall be no less than 62 dB.
  • Total harmonic distortion (THD) shall be no greater than 1 % at an acoustical operating level of 115 dB. Size: 1.7 x 0.9 x 0.6 in. (43 x 24 x 15 mm), color: non-reflective black. Net/shipping weight: 5.5/160 g (0.2/5.7 oz.).

    • Get Your AKG C400BL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC400BL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc400bl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc400bl.jpg AKGC400BL 175.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C680BL

    AKG C680BL

    The C 680 BL is a cost-efficient tabletop microphone for inconspicuous installation.

    The transducer shock mount minimizes knocking noise pickup from the table.

    The supplied strip of special adhesive tape allows you to fix the microphone temporarily on a table without staining the table or leaving any residue after removal.

    Preferred uses include conferencing, lectern, or places of worship

    Features:

  • Small and inconspicuous boundary layer microphone
  • Shock mounted transducer
  • Cardioid polar pattern
  • Easy to repaint
  • Integrated phantom power adapter

    • Specifications:

  • Polar pattern cardioid
  • Frequency range 60 to 20,000 Hz
  • Sensitivity 30 mV/Pa (-30 dBV)
  • Max. SPL 115 dB (k=1 %)
  • Equivalent noise level 27 dB-A
  • Signal/noise ratio (A-weighted) 67 dB
  • Impedance 200 ohms
  • Recommended load impedance >2000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Cable 3 m (10 ft.)
  • Finish matte black
  • Dimensions 97 x 67 x 20 mm (3.9 x 2.6 x 0.8 in.)
  • Net weight 100 g (3.5 oz.)
  • Shipping weight 400 g (14 oz.)
  • The boundary layer microphone shall have a hypercardioid pattern and shall fit within a rectangular envelope given by: 97 x 67 x 20 mm (3.9 x 2.6 x 0.8 in.).
  • The sensitivity shall be no lower than 30 mV/Pa, and total harmonic distortion (THD) at an operating level of 115 dB shall be no greater than 1 %.
  • The equivalent noise level shall be no greater than 27 dB-A. The frequency response shall be flat from 60-20,000 Hz.
  • The microphone shall operate on phantom power over the range from 9 to 52 volts dc. Net/shipping weight: 100/400 g (3.5/14.1 oz.).

    • Get Your AKG C680BL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC680BL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc680bl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc680bl.jpg AKGC680BL 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C547BL

    AKG C547BL

    Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.

    Other benefits include optimum acoustic properties, high directivity, and neutral sound. Having the same frequency response, the C 547 BL can be combined with the CK 47 with excellent results.

    Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL is also a good choice for miking kick drums and other instruments.

    Features:

  • "Non-crush" case
  • Inconspicuous
  • Hypercardioid polar pattern
  • Easy to repaint

    • Specifications:

  • Polar pattern hypercardioid
  • Frequency range 30 to 18,000 Hz
  • Sensitivity 8.5 mV/Pa (-42 dBV)
  • Max. SPL 133 dB (for 1% THD)
  • Equivalent noise level 22 dB-A
  • Signal/noise ratio (A-weighted) 72 dB
  • Bass filter 12 dB/octave at 150 Hz
  • Impedance 400 ohms
  • Recommended load impedance >1000 ohms
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Cable 3 m (10 ft.)
  • Finish matte dark gray
  • Dimensions 185 x 120 x 19 mm / 7.3 x 4.7 x 0.8 in.
  • Net weight 160 g / 5.6 oz.
  • Shipping weight 420 g / 14.8 oz.
  • The microphone shall be a boundary layer condenser type with a hypercardioid pattern.
  • The size shall fall within the rectangular envelope given by: 185 x 120 x 19 mm (7.3 x 4.7 x 0.8 in.).
  • The microphone's sensitivity shall be no lower than 8.5 mV/Pa, and the microphone shall produce no more than 1 % total harmonic distortion (THD) at an acoustical operating level of 133 dB.
  • The equivalent noise floor shall be no greater than 22 dB-A. The microphone shall operate on phantom powering over the range from 9 to 52 volts dc.
  • The microphone shall be rugged enough to withstand the weight of a normal person who steps on it.
  • Net/shipping weight: 160/420 g (5.6/14.8 oz.)

    • Get Your AKG C547BL Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC547BL http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc547bl.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc547bl.jpg AKGC547BL 399.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG C562CM

    AKG C562CM

    The C 562 CM flush-mount boundary microphone uses the same transducer as the C 562 BL. The C 562 CM has been designed specifically for permanent, "invisible" mounting in ceilings, walls, tables, stage props, etc.

    Owing to its high sensitivity, the C 562 CM is a perfect tool for surveillance or live recording since a single microphone can cover an entire room.

    The supplied XLR phantom power adapter connects to the microphone cable through a miniature connector so installation holes can be smaller than the diameter of the phantom power adapter.

    Features:

  • Small, low-profile boundary layer microphone
  • Wide frequency range
  • High sensitivity
  • Ideal for inconspicuous installation in a room
  • Suited for surveillance or recording

    • Specifications:

  • Polar pattern omnidirectional (hemispherical)
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 25 mV/Pa (-32 dBV)
  • Max. SPL 130 dB (k=1 %)
  • Equivalent noise level 16 dB-A
  • Signal/noise ratio (A-weighted) 78 dB
  • Impedance 600 ohms
  • Recommended load impedance >2000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN/IEC
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Cable 0.5 m (20 in.)
  • Finish matte nickel plated
  • Net weight 30 g (1.1 oz.)
  • Shipping weight 195 g (76.9 oz.)
  • Omnidirectional boundary microphone. Applications: Live and studio recording, theater, stage miking, ticket window, bank counter, reception desk, restaurant, surveillance, conference.
  • Frequency range: 20 to 20,000 Hz; sensitivity at 1 kHz: 25 mV/Pa; impedance: 600 ohms. Dimensions: 28 mm (1.1 in.) head dia.; 20 mm (0.8 in.) long. Net/shipping weight: 30/195 g (1.1/76.9 oz.).

    • Get Your AKG C562CM Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC562CM http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc562cm.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgc562cm.jpg AKGC562CM 299.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG D230

    AKG D230

    This rugged dynamic ENG microphone delivers exceptional sensitivity and clarity in the demanding news gathering field.

    The extended shaft allows for easy placement of station flags without typical handling problems.

    The body is made of extremely rugged die cast metal with a non-reflective surface for low-profile on-camera operation.

    Stand adapter included.

    Features:

  • Omnidirectional reporter's microphone
  • Rugged all-metal body
  • Extended shaft for ease of handling
  • Integrated windscreen

    • Specifications:

  • Polar pattern omnidirectional
  • Frequency range 40 to 20,000 Hz
  • Sensitivity 2.5 mV/Pa (-52 dBV)
  • Impedance 320 ohms
  • Recommended load impedance >1000 ohms
  • Connector 3-pin XLR
  • Finish dark gray
  • Net weight 225 g / 7.9 oz.
  • Shipping weight 840 g / 1.9 lbs.
  • Patent(s) Varimotion - multiple-thickness diaphragm for dynamic transducer (Patent no. AT 403.751, US 6,185,809, EP 814.637 (DE, DK, FI, FR, GB, IT, NL), JP 3.927.651)

    • Get Your AKG D230 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGD230 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd230.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/akgd230.jpg AKGD230 219.00 AKG AKG Studio and Broadcast Microphones Live Sound Live Sound Microphones AKG HSC271

    AKG HSC271

    These professional headsets from AKG have been designed for broadcast and recording use.

    In addition to excellent comfort, optimum ambient-noise attenuation, and outstanding audio quality, the HSC Series professional headsets use the same proven detachable cable as the Studio Series headphones. So should a cable become defective under the enormous stress of day-to-day broadcast work, it can be replaced quickly and without any tools.

    The flexible microphone arm swivels through a 270-degree arc and mutes the microphone automatically as you move it up - no need to fumble for a mute button! Also, you can wear the microphone to the left or right of your mouth depending on your preferences or available space.

    Commentators, off-camera moderators, camera operators, or sound engineers - AKG professional headsets are always the perfect tools for any application in professional audio and satisfy every user's personal preferences.

    Features:

  • Professional headsets derived from K 171 and Studio headphones
  • Closed-back headphones for optimum ambient-noise attenuation
  • Condenser microphone
  • Flexible microphone arm with shock mounted transducer, swiveling through degrees for left or right-hand use
  • Noiseless microswitches for automatic microphone muting
  • Headphone auto-mute function
  • Detachable cable with mini XLR connector
  • Switchable bass cut filter

    • Specifications:

  • Microphone
  • Polar pattern Cardioid
  • Type prepolarized condenser microphone
  • Frequency range 20 Hz to 20 kHz
  • Sensitivity 25 mV/Pa
  • Max. SPL 126 dB (for 1% THD)
  • Equivalent noise level 22 dB(A)
  • Signal/noise ratio (A-weighted) 72 dB
  • Impedance <=200 ohms
  • Recommended load impedance >=2.000 ohms
  • Supply voltage 9 to 52 V phantom power
  • Current consumption <=2 mA
  • Headphones
  • Frequency range HSC 171: 18 Hz to 26 kHz
  • Sensitivity 94 dB SPL/mW
  • Rated impedance 55 ohms
  • THD HSC 271: <0.3 %
  • System
  • Connector 6-pin mini XLR connector
  • Finish matte black
  • Net weight HSC 271: 300 g (10.6 oz.)
  • Professional headset with cardioid, shock mounted, speech optimized condenser microphone.
  • Main application: Live-commentaries and broadcast.
  • The microphone's frequency range is 20-20,000 Hz with a sensitivity of 25 mV/Pa.
  • The required feeding voltage is 9 to 52 V phantom-power. Impedance is 200 ohms.
  • The headphone's impedance is 55 ohms with an audio bandwidth of 18-26,000 Hz.
  • Type: supra-aural, closed-back with self-adjusting headband.
  • Microphone arm is swivelling through 270 degrees for left or right-hand use with integrated mute switch.
  • 10 ft (3m) coiled cable, with 6-pin female mini XLR connector, 1/4" jack plug (headphones) and 3-pin XLR connector with integrated HSC-PA phantom power adapter (microphone).
  • Net/shipping weight: 250/720g (8.8/25.2 oz.)

    • Get Your AKG HSC271 Today!

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    AKG C414 XLS/ST

    Features:

  • Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
  • Lock Mode disables all controls easily for live and installation use
  • Incredible Dynamic Range of 152 dB
  • Three different bass cut filters and three pre-attenuation levels
  • Peak Hold LED even detects shortest overload peaks
  • Paired using AKG's sophisticated computer-aided matching method
  • Highest possible correlation over the whole frequency range and virtually identical sensitivity
  • Includes carrying case, two windscreens, a stereo bar, and two spider-type shock mounts
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB
  • Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
  • Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
  • Signal/noise ratio: 88 dB
  • Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
  • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: <=200 ohms
  • Recommended load impedance: >= 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Powering: approximately 4 mA
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight: 300g (10.6oz.)

    Get Your AKG C414 XLS/ST Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC414XLSST http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414XLS%20ST.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414XLS%20ST.jpg AKGC414XLSST 2199.00 AKG AKG Studio and Broadcast Microphones AKG C414 XL II/ST

    AKG C414 XL II/ST

    Features:

  • Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
  • Lock Mode disables all controls easily for live and installation use
  • Incredible Dynamic Range of 152 dB
  • Three different bass cut filters and three pre-attenuation levels
  • Peak Hold LED even detects shortest overload peaks
  • Paired using AKG's sophisticated computer-aided matching method
  • Highest possible correlation over the whole frequency range and virtually identical sensitivity
  • Includes carrying case, two windscreens, a stereo bar, and two spider-type shock mounts
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB
  • Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
  • Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
  • Signal/noise ratio: 88 dB
  • Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
  • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: <=200 ohms
  • Recommended load impedance: >= 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Powering: approximately 4 mA
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight: 300g (10.6oz.)

    Get Your AKG C414 XL II/ST Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC414XLIIST http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414%20XLII%20ST.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C414%20XLII%20ST.jpg AKGC414XLIIST 2199.00 AKG AKG Studio and Broadcast Microphones AKG C214

    AKG C214

    AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected workhorse for independent artists, broadcasting, and on-stage miking as well.

    The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG's patented Back-Plate Technology, which results in an outstanding performance very close to the famous C 414 B-XLS.

    Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch — all in an elegant but rugged package.

    Features:

  • AKG's Legendary 1" Edge-Terminated Large Diaphragm Sound
  • Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)
  • Roadworthy Design
  • Integrated Suspension to reduce mechanical Noise
  • Switchable 20 dB Attenuation Pad and Low Cut Switch
  • Rugged double mesh Grill for high RF immunity but unaffected Acoustics
  • All-metal Die-cast body with shock- and scratch-resistant Finish
  • Spider-type Shock Mount included
  • Metal Carrying Case included
  • Designed, Engineered and Build in Vienna, Austria

    Get Your AKG C214 Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC214 http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C214.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C214.jpg AKGC214 399.00 AKG AKG Studio and Broadcast Microphones AKG C214 Stereo Set

    AKG C214 Stereo Set

    The AKG C214 Stereo Set includes spider-type shock mounts, stand adapters, windscreens and a stereo pair certificate for authenticity. The AKG C214 is already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting and on-stage miking as well.

    The AKG C214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C 414 B-XLS.

    is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch—all in an elegant but rugged package. Besides, the C 214 will also work on low phantom power voltages from 12 up to 48 volts.

    Features:

  • AKG’s Legendary 1” Edge-Terminated Large Diaphragm Sound
  • Outstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)
  • Roadworthy Design
  • Integrated Suspension to reduce mechanical Noise
  • Switchable 20 dB Attenuation Pad and Low Cut Switch
  • Rugged double mesh Grill for high RF immunity but unaffected Acoustics
  • All-metal Die-cast body with shock- and scratch-resistant Finish
  • Spider-type Shock Mount included
  • Metal Carrying Case included
  • Designed, Engineered and Built in Vienna, Austria
  • Includes spider-type shock mounts, stand adapters, windscreens, and a stereo pair certificate for authenticity

    Get Your AKG C214 Stereo Set Today!

    http://www.tkqlhce.com/click-{PID}-10492295?url=http%3A%2F%2Fwww%2Einstrumentpro%2Ecom%2FP%2DAKGC214STR http://www.instrumentpro.com/fullsize/http://www.instrumentpro.com/Merchant2/graphics/00000001/C214%20Stereo%20Set.jpg http://www.instrumentpro.com/thumbnail/http://www.instrumentpro.com/Merchant2/graphics/00000001/C214%20Stereo%20Set.jpg AKGC214STR 899.00 AKG AKG Studio and Broadcast Microphones AKG Perception 420

    AKG Perception 420

    Perception420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. Offering high sensitivity and 155 dB maximum SPL, the Perception420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. In addition, three selectable polar patterns – cardioid, omnidirectional or figure-eight – allow a wide range of stereo miking techniques and ambient recording.

    A switchable bass cut filter and preattenuation pad enable the Perception420 to be used close to sound sources in sound fields as high as 155 dB. The microphone's chassis is made of precision-tooled zinc/aluminium alloy and boasts a dent resistant stainless-steel wire-mesh front grille. It comes complete with a spider-type shock mount in an aluminium carrying case.

    Features:

  • Back-to-back large-diaphragm multi-pattern transducer
  • True condenser technology
  • High sensitivity and 155 dB maximum SPL capability
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary, pristine AKG sound quality
  • Complete with spider-type shock mount and aluminium carrying case

    Get Your AKG Perception 420 Today!

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    AKG Perception 220

    The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG´s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

    Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.

    Features:

  • One-inch large-diaphragm, true condenser cardioid transducer
  • Rugged all-metal body
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria
  • Comes with spider-type shock mount and aluminium carrying case

    Get Your AKG Perception 220 Today!

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    AKG Perception 170

    The Perception ;170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. The lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for AKG recording products. The Perception ;170’s design is based on AKG´s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

    Its ½-inch small-diaphragm true condenser transducer brings AKG studio quality to the project studio and all other areas of recording. A switchable preattenuation pad enable the Perception ;170 to be used close to sound sources delivering up to 155 dB SPL. The heavy-duty, all-metal chassis and reliable gold-plated XLR-type output make the Perception ;170 an excellent choice for a variety of live sound applications, too.

    Features:

  • Professional small-diaphragm, true condenser cardioid microphone
  • Switchable 20 dB preattenuation pad
  • Heavy-duty, roadworthy, all-metal construction
  • AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria

    Get Your AKG Perception 170 Today!

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    AKG Perception 120

    The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.

    Backed by AKG's six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.

    Features:

  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria

    Get Your AKG Perception 120 Today!

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    AKG Perception 120 USB

    In 2005 AKG launched the very first Perception models – a completely new series of microphones showing legendary AKG sound and quality at an attractive price level. In 2008 the new Perception Series continued this success story with four new models. Since April 2009 the highly anticipated Perception 820 Tube microphone is not only the brand-new flagship model of the Perception Series but also raises the bar in its class of affordable tube microphones.

    The Perception 120 USB is the very first USB-equipped microphone from AKG, offering studio-quality sound performance without requiring any installation or drivers. With the widespread USB standard and its ease of use, this new model allows users without any recording experience to make professional-quality recordings from their home. It is a real plug-and-play device enabling customers to do podcasts, voiceovers and studio-quality rehearsal-recordings quickly and easily.

    The USB is a widely known interface for audio equipment like sound cards, active monitors and outboard equipment, which makes the Perception 120 USB one of the most versatile microphones available.

    In its class, the Perception 120 USB is the only USB microphone with an integrated analogue-to-digital converter with 24-bit and 128x oversampling. Instead of usual one-chip-solutions the high-quality analogue-to-digital converter provides convincing sound quality and low noise.

    The Perception 120 USB includes a two-third-inch condenser capsule with a low-mass diaphragm delivering accurate sonic details, an integrated pop filter that avoids plosives, a switchable bass cut filter and an attenuation switch. It supports Windows XP, Windows Vista and MAC OS X but also the new Windows 7. The Perception 120 USB comes complete with everything you need: a tripod table stand, a swivel mount, a quick start guide and an USB cable.

    Features:

  • Real Plug-and-Play (no installation, no drivers, no reboot required)
  • Supports Windows 7, Windows XP, Windows Vista and Mac OS
  • Integrated high-quality Analogue-to-Digital Converter (24-bit, 128x oversampling) for convincing sound quality and low noise
  • Two-third-inch condenser capsule with a low-mass diaphragm delivers sonic details
  • Switchable bass-cut filter reduces mechanical vibration and wind noise
  • Switchable attenuation pad for close-up miking and loud instruments
  • Blue LEDs indicate operation
  • Integrated pop filter avoids plosives effectively
  • Tripod table stand, swivel mount and USB cable included
  • Designed and engineered in Vienna, Austria

    Get Your AKG Perception 120 USB Today!

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    AKG C 5

    This professional condenser vocal microphone will make your voice cut through the loudest mix - on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. The gold plated transducer case does not only give the microphone a sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity. The result is superior audio performance.

    C 5 WL 1:

    C 5 microphone element with threaded connection for use with AKG wireless systems.

    Features:

  • Condenser vocal microphone for onstage use
  • XLR connector module with 24-carat gold plated pins
  • 24-carat gold plated transducer case for optimum conductivity and resistance to corrosion and humidity
  • Spring steel wire-mesh grill for extreme ruggedness incl. reliable control of pops and wind noise
  • Shock mount

    Get Your AKG C 5 Today!

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    AKG D 7 Limited

    AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators. This leads to a quantum leap in audio performance under each surrounding conditions and sound volume. D 7 creates that subtle and opened sound in all frequency ranges condenser mics are famous for, but it also has the powerful resonance from a dynamic microphone. The integrated high-pass filter eliminates permanent all handling noises and the new acoustical designed inner windscreen makes you feel more secure in live use. The precision metal dust filter provides a consistent objection to the diaphragm.

    The original inner windscreen can be replaced with the extra windscreen supplied with the microphone, this offers a clear sound for a long time. New: D 7 LTD, a high glossy version of the D 7 with chrome plated finish!

    Available versions:

  • D 7 LTD: limited edition with chrome finish

    Features:

  • Dynamic reference microphone
  • Hum compensation coil
  • Patented AKG Laminated-Varimotion diaphragm
  • New acoustical design of inner windscreen
  • Precision metal dust filter

    Get Your AKG D 7 Limited Today!

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    AKG P 3 S

    The P 3 S microphone is ideal for backing vocals, guitar, wind instruments and many other applications.

    Metal case and wire mesh grill ensure exceptional ruggedness.

    Features:

  • Rugged performance microphone designed for backing vocals and instruments
  • Rugged wire mesh cap with internal windscreen
  • Die-cast metal body
  • Complete with stand adapter and zip bag

    Get Your AKG P 3 S Today!

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    AKG P 5

    The  P 5 is a dynamic handheld microphone for lead vocals. The super cardioid polar pattern guarantees for utmost gain before feedback and makes the voice cut through the mix more easily.

    Its heavy duty metal body will take some tough handling. This microphone is available with or without on/off switch.

    Features:

  • Super cardioid polar pattern designed for lead vocals
  • Rugged wire mesh cap with internal protective wiremesh cap
  • Die-cast metal body
  • Complete with stand adapter and zip bag

    Get Your AKG P 5 Today!

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    AKG P 2

    Rugged all metal microphone for bass instruments such as bass drum, trombone or bass amplifier. It delivers powerful sound with a high energy low end.

    Features:

  • Dynamic microphone designed for low-pitched instruments
  • Powerful sound with great bass range
  • Handles highest sound pressure levels
  • Integrated stand adapter
  • Rugged all-metal body withstands typical tough stage use
  • Humbucking coil rejects EMC noises
  • Complete with carrying case

    Get Your AKG P 2 Today!

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    AKG P 4

    The P 4 microphone with its solid metal case will stand up to typical stage use. An integrated stand adapter and a mounting bracket for tom tom etc. make this microphone highly versatile for use on drums, percussions, wind instruments and guitar amps.

    Features:

  • Dynamic microphone designed for drums and percussions, wind instruments and guitar amps
  • Response tailored for neutral reproduction of instrument sounds
  • Integrated stand adapter and external bracket
  • Rugged all-metal body withstands typical tough stage use
  • Humbucking coil rejects EMC noises
  • Complete with carrying case

    Get Your AKG P 4 Today!

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    AKG HSD171

    AKG HSD171 Description:

    These professional headsets from AKG have been designed for broadcast and recording use.

    In addition to excellent comfort, optimum ambient-noise attenuation, and outstanding audio quality, the HSD Series professional headsets use the same proven detachable cable as the Studio Series headphones. So should a cable become defective under the enormous stress of day-to-day broadcast work, it can be replaced quickly and without any tools.

    The flexible microphone arm swivels through a -degree arc and mutes the microphone automatically as you move it up - no need to fumble for a mute button! Also, you can wear the microphone to the left or right of your mouth depending on your preferences or available space.

    Commentators, off-camera moderators, camera operators, or sound engineers - AKG professional headsets are always the perfect tools for any application in professional audio and satisfy every user's personal preferences.

    What professional users say:

    "We at ORF Austrian Radio and TV prefer products that have been designed to satisfy the needs of their users. In developing these new headsets, AKG actually thought of everything. Providing exceptional ease of handling, innovative features, and superior intelligibility, the professional headsets from AKG more than satisfy our requirements."

    Gerhard Csismazia, Sound Engineer, ORF

    AKG HSD171 Features:

    AKG HSD171 Specifications:

    Get Your AKG HSD171 Today!

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    AKG HSD271

    AKG HSD271 Description:

    These professional headsets from AKG have been designed for broadcast and recording use.

    In addition to excellent comfort, optimum ambient-noise attenuation, and outstanding audio quality, the HSD Series professional headsets use the same proven detachable cable as the Studio Series headphones. So should a cable become defective under the enormous stress of day-to-day broadcast work, it can be replaced quickly and without any tools.

    The flexible microphone arm swivels through a -degree arc and mutes the microphone automatically as you move it up - no need to fumble for a mute button! Also, you can wear the microphone to the left or right of your mouth depending on your preferences or available space.

    Commentators, off-camera moderators, camera operators, or sound engineers - AKG professional headsets are always the perfect tools for any application in professional audio and satisfy every user's personal preferences.

    What professional users say:

    "We at ORF Austrian Radio and TV prefer products that have been designed to satisfy the needs of their users. In developing these new headsets, AKG actually thought of everything. Providing exceptional ease of handling, innovative features, and superior intelligibility, the professional headsets from AKG more than satisfy our requirements."

    Gerhard Csismazia, Sound Engineer, ORF

    AKG HSD271 Features:

    AKG HSD271 Specifications:

    Get Your AKG HSD271 Today!

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    AKG HSC171

    AKG HSC171 Description:

    These professional headsets from AKG have been designed for broadcast and recording use.

    In addition to excellent comfort, optimum ambient-noise attenuation, and outstanding audio quality, the HSC Series professional headsets use the same proven detachable cable as the Studio Series headphones. So should a cable become defective under the enormous stress of day-to-day broadcast work, it can be replaced quickly and without any tools.

    The flexible microphone arm swivels through a 270-degree arc and mutes the microphone automatically as you move it up - no need to fumble for a mute button! Also, you can wear the microphone to the left or right of your mouth depending on your preferences or available space.

    Commentators, off-camera moderators, camera operators, or sound engineers - AKG professional headsets are always the perfect tools for any application in professional audio and satisfy every user's personal preferences.

    AKG HSC171 Features:

    AKG HSC171 Specifications:

    Get Your AKG HSC171 Today!

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    AKG BBB DFive

    AKG BBB DFive beatboxing microphone is a dynamic vocal microphone for solo performing and lead vocals on stage and in the studio. BBB-D5 is a supercardioid dynamic microphone ensures high gain before feedback and delivers a powerful sound throughout the entire range of any multivocalist. AKG's BBB DFive has been derived from the D 5/D 5 S microphone. D-Five's most remarkable new feature is an optimized internal windscreen that prevents wind noise even in lip-contact use without altering the microphone's finely accurate high-frequency response.

    BBB-DFive from AKG has been designed for use in beatboxing, live applications, lead vocals, and sound/AV company stock. The patented Laminated Varimotion diaphragm deep-drawing process allows the diaphragm to be fine-tuned with no need for extra tuning resonators, leading to a quantum leap in audio performance. The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice! The user manual contains a section on basic beatboxing techniques, and the BBB DFive microphone has been appointed the official Beatbox Battle microphone for the coming years.

    Features:

  • Extremely rugged vocal/speech microphone
  • Patented AKG Laminated Varimotion diaphragm
  • Spring steel wire-mesh grill
  • Optimized internal windscreen

    Get Your AKG BBB DFive Today!

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    AKG Groove Pack

    The AKG Perception Groove Pack is an entry level drum microphone kit for project recording, rehearsals, sound reinforcement etc. The kit includes a P2 bass drum microphone, 2x P17 microphones, and 3x P4 microphones, each with their own mount. Everything stores in the foam-lined microphone case for maximum protection and easy transport.

    Get Your AKG Groove Pack Today!

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    AKG Rhythm Pack

    The AKG Rhythm Pack Recording Kit is a complete drum and percussion microphone package for the stage or recording studio. The kit includes a D112 kick drum microphone, two C430 overhead microphones and three D40 tom and snare drum mics. No drum microphone package is complete without microphone mounts, windscreens and a durable aluminum storage case. An extra insert is featured for added storage space.

    Get Your AKG Rhythm Pack Today!

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    AKG C516ML

    Accordion/speaker MicroMic with mini-XLR output for use with AKG wireless.

    Lightweight cardioid miniature microphone for use on accordions, guitar speakers, piano and keyboard/organ cabinets.

    The included screws and double-sided, solvent-free adhesive pads make it easy to install the microphone on your instrument or amp exactly where you need it.

    Using two C 516 MLs (one on the bass and one on the treble side) and an optional B 29 L battery power supply is an ideal way to mic up an accordion.

    The C 516 ML is the only version available and can be used with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering.

    The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters.

    Features:

  • Cardioid instrument microphone with miniature mounting bracket
  • High mechanical-noise attenuation
  • Including wireless direct adapter for easy use with AKG pocket transmitters
  • Detachable microphone cable
  • Ideal for miking up accordions and guitar, piano, keyboard, or organ amplifiers

    • Specifications:

  • Polar pattern cardiod
  • Frequency range 60 Hz to 20 kHz
  • Sensitivity 5 mV/Pa (-46 dBV)
  • Max. SPL 130/132 dB SPL (bei k = 1 %/3 %)
  • Equivalent noise level 31 dB(A)
  • Signal/noise ratio (A-weighted) 63 dB
  • Impedance <= 200 ohms
  • Recommended load impedance >= 2000 ohms
  • Current consumption <= 2 mA
  • Power requirement B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  • Connector 3-pin mini XLR
  • Cable 1.5 m (5 ft.)
  • Finish matte black
  • Dimensions length: 235 mm (9.3 in.) (microphone only); max. width: 47 mm (1.9 in.)
  • Net weight 46 g (1.6 oz.) (microphone and cable)
  • Shipping weight 320 g (11.3 oz.)

    • Get Your AKG C516ML Today!

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    AKG C 417 PP

    Specifications:

  • Polar pattern: omnidirectional
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 10 mV/Pa (-40 dBV)
  • Max. SPL: 118/126 dB (for 1%/3% THD)
  • Equivalent noise level: 34 dB-A
  • Signal/noise ratio (A-weighted): 60 dB
  • Impedance: 200 ohms
  • Recommended load impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596 (C 417L needs battery powering from B 29 L or AKG bodypack transmitters)
  • Current consumption approx. : 2.2 mA
  • Connector C 417 PP: 3-pin XLR, C 417 L: 3-pin mini XLR
  • Cable C 417 PP: 3 m (10 ft.), C 417 L: 1.5 m (5 ft.)
  • Finish: matte black
  • Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in.
  • Net weight: C 417 PP: 68 g / 2.4 oz., C 417 L: 8 g / 0.3 oz.
  • Shipping weight: C 417 PP: 220 g / 8.1 oz., C 417 L: 160 g / 5.9 oz.
  • Accessories (included): H 40/1, H 41, Microphone bag, W 407

    Get Your AKG C 417 PP Today!

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    AKG C544L

    The AKG C544L Headworn Cardioid Microphone is a miniature, moisture resistant microphone well suited for fitness instruction, presentations and any application where a quality unobtrusive headworn microphone is needed. The headband is mounted around the back of the neck for a comfortable, low-profile fit. The highly sensitive cardioid capsule yields excellent feedback and noise rejection at the off-axis sections, and its moisture barrier protects against humidity, sweat, makeup and other moisture. The output cable features a mini 3-pin XLR connection for use with an AKG bodypack transmitter or power supply (sold separately).

    Features:

  • Ergonomically optimized behind-the-neck headband
  • Moisture shield
  • External shock mount for high mechanical-noise rejection

    Get Your AKG C544L Today!

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    AKG CM311A

    AKG CM311A Applications:

  • Premium head-worn Microphone
  • Handsfree use
  • Lead vocals
  • Backing vocals
  • Lectern
  • Intercom systems

    AKG CM311A Features:

  • Cardioid Polar Pattern
  • Defferoid Noise cancelling technologie
  • Outstanding gain-before-Feedback and isolation

    AKG CM311A Specifications:

  • Polar Pattern: Cardioid
  • Frequency Range: 50 to 17,000 Hz
  • Sensitivity: CM-311A: 4 mV/PA (-48 dBV); CM-311L: 1.25 mV/PA (-58 dBV)
  • Max. SPL: 148 dB
  • Equivalent Noise Level: 26 dB-A
  • Signal/Noise ratio (A-Weighted): 68 dB (A-Weighted)
  • Impedance: 75 Ohms Balanced
  • Power requirement: 18 to 48 V Phantom Power to DIN/IEC
  • Connector: CM-311A: 3-pin XLR; CM-311L: 3-pin Mini XLR
  • Cable: 106 cm (42 in.)
  • Finish: satin black
  • Dimensions: see folder
  • Net weight: 61g (2.1 oz.)

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    AKG CM311AESH

    AKG CM311AESH Applications:

  • Premium head-worn Microphone
  • Handsfree use
  • Lead vocals
  • Backing vocals
  • Lectern
  • Intercom systems

    AKG CM311AESH Features:

  • Cardioid Polar Pattern
  • Defferoid Noise cancelling technologie
  • Outstanding gain-before-Feedback and isolation

    AKG CM311AESH Specifications:

  • Polar Pattern: Cardioid
  • Frequency Range: 50 to 17,000 Hz
  • Sensitivity: CM-311A: 4 mV/PA (-48 dBV); CM-311L: 1.25 mV/PA (-58 dBV)
  • Max. SPL: 148 dB
  • Equivalent Noise Level: 26 dB-A
  • Signal/Noise ratio (A-Weighted): 68 dB (A-Weighted)
  • Impedance: 75 Ohms Balanced
  • Power requirement: 18 to 48 V Phantom Power to DIN/IEC
  • Connector: CM-311A: 3-pin XLR; CM-311L: 3-pin Mini XLR
  • Cable: 106 cm (42 in.)
  • Finish: satin black
  • Dimensions: see folder
  • Net weight: 61g (2.1 oz.)

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    AKG CM311L

    The CM-311 offers the best of both worlds: Differoid performance in a comfortable headworn Microphone. Designed for touring and live-Sound applications it sounds like the best handheld microphones-full, clear, and distortion-free, even with the loudest singers.

    Differoid stands for differential Cardioid it is a noisecancelling Mic, which cancels sounds beyond a few inches away - such as floor Monitors, instruments on Stage, and crowd Noise. Controlled field tests showed that the Differoid provides up to 12 dB more Gain before Feedback than conventional Cardioid microphones. This results in the CM-311 having outstanding gain-before-Feedback and isolation. Many users of the Differoid say that their House mix is better because the Mic's isolation is nearly complete.

    AKG CM311L Specifications:

  • Polar Pattern: Cardioid
  • Frequency Range: 50 to 17,000 Hz
  • Sensitivity: CM-311A: 4 mV/PA (-48 dBV); CM-311L: 1.25 mV/PA (-58 dBV)
  • Max. SPL: 148 dB
  • Equivalent Noise Level: 26 dB-A
  • Signal/Noise ratio (A-Weighted): 68 dB (A-Weighted)
  • Impedance: 75 Ohms Balanced
  • Power requirement: 18 to 48 V Phantom Power to DIN/IEC
  • Connector: CM-311A: 3-pin XLR; CM-311L: 3-pin Mini XLR
  • Cable: 106 cm (42 in.)
  • Finish: satin black
  • Dimensions: see folder
  • Net weight: 61g (2.1 oz.)

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    AKG C568B

    High directivity and wide frequency response in a relatively short shotgun make this microphone a perfect tool for theater, sound reinforcement, and film/TV applications.

    Due to its compact and lightweight design, the C 568 B is ideal for camera mount applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz the acoustic interference tube introduces increasing directivity.

    A switchable 12 dB/octave 120 Hz bass cut filter effectively suppresses rumble and wind noise.

    The rugged, all-metal body contains the built-in preamp.Phantom powering (9-52 V) required; foam windscreen and stand adapter included.

    Features:

  • Compact, short shotgun microphone
  • Integrated, switchable bass cut filter minimizes mechanical noise
  • Operates on phantom power

    • Specifications:

  • Polar pattern hypercardioid/directional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 11 mV/Pa (-39 dBV)
  • Max. SPL 128 dB
  • Equivalent noise level (CCIR 468-3) 29 dB
  • Equivalent noise level 18 dB-A
  • Signal/noise ratio 76 dB
  • Bass filter 12 dB/octave at 120 Hz
  • Impedance 600 ohms
  • Recommended load impedance >2000 ohms
  • Supply voltage 9 to 52 V phantom power to DIN 45596
  • Current consumption <2 mA
  • Connector 3-pin XLR
  • Finish dark gray
  • Net weight 160 g / 5.6 oz.
  • Shipping weight 715 g / 1.6 lbs.
  • Hypercardioid/directional microphone. Applications: Lectern, places of worship, live and studio recording, theater, stage miking.
  • Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 11 mV/Pa; impedance: 600 ohms; switchable bass cut filter: 12 dB/octave, 120 Hz.
  • Dimensions: 21 mm (0.8 in.) dia.; 253 mm (10 in.) long. Net/shipping weight: 160/715 g (5.6/1.6 lbs.).

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    AKG CK98

    The CK 98 combines high sensitivity and controlled directivity.

    It offers excellent reach, thanks to a very tight polar pattern and exceptionally low self noise.

    Small size and low weight make the CK 98 ideal for boom applications.

    The smooth, wideband frequency response makes it a superb choice for edge-of-stage and ceiling placement in theaters.Includes foam windscreen.

    Features:

  • Short shotgun for use in noisy environments
  • Mounts directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable
  • Quick-lock bayonet mount for easy connection to powering unit

    • Specifications:

  • Polar pattern hypercardioid/directional
  • Frequency range 20 to 20,000 Hz
  • Sensitivity 25 mV/Pa (-32 dBV)
  • Max. SPL 124/134 dB (for 1% THD)
  • Equivalent noise level (CCIR 468-3) 28 dB
  • Equivalent noise level 17 dB-A
  • Signal/noise ratio (A-weighted) 77 dB
  • Connector bayonet mount
  • Finish dark gray
  • Net weight 80 g / 2.8 oz.
  • Shipping weight 500 g / 1.1 lb.
  • Patent(s) Electrode support for condenser transducer (Patent no. AT 392.182, DE 4.021.661)
  • Miniature shotgun microphone capsule for the AKG BLUE LINE modular studio condenser microphone system.
  • When attached to the SE 300 B power supply module, the capsule shall perform to the following specifications: Frequency range: 20-20,000 Hz; sensitivity at 1 kHz: 25 mV/Pa; maximum SPL: 124/134 dB SPL for 1% T.H.D.; equivalent noise level: 17 dB-A.
  • The capsule shall be provided with an extremely rugged bayonet mount for attaching to the SE 300 B power supply module.
  • The case shall be no larger than 19 mm in diameter and 247 mm long. The maximum net weight of the capsule shall be 80 g (2.8 oz.).

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    AKG CK 69 ULS

    Features:

  • Two Shotgun capsules in one, using two-part interference tube
  • Ultra-low Noise
  • Long Shotgun for recording from medium distances
  • Short Shotgun for Video close-up recording

    AKG CK 69 ULS Specifications:

  • Polar Pattern: Hypercardioid/Directional
  • Frequency Range: 20 to 18,000 Hz
  • Sensitivity: 54/27/8.5 mV/PA (-25/-31/-41 dBV)
  • Max. SPL: 134/140/142 dB (for 0,5% THD)
  • Equivalent Noise Level (IEC 60268-4): 21/20/26 dB
  • Equivalent Noise Level: 11/9/15 dB-A
  • Signal/Noise ratio (A-Weighted): 83/85/79 dB
  • Preattenuation Pad: +6/0/-10 dB, selectable
  • Finish: matte black
  • Net weight: 70 g / 2.5 oz.
  • Shipping weight: 500 g / 1.1 lbs

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    AKG CS 5 PS12 Power supply

    Power (w/o IEC power cord) for up to 12 Microphone units.

    AKG CS 5 PS12 Power supply Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 ID10 ID CARDS

    Conference System ID Cards

    AKG CS 5 ID10 ID CARDS Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 MF Mounting Frame

    Flush mounting frame for permanent installation of the AKG conference Microphone units.

    AKG CS 5 MF Mounting Frame Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 IU Interpreter Unit

    Interpreter station for use with selectable microphones. Four input channels selectable: floor, two pre-selected languages, relay. An external Microphone input allows the station to be used either with a Gooseneck Microphone and separate Headphones or a Headset.

    Gooseneck, Capsule and connecting cable are not included.

    AKG CS 5 IU INTERPRETER UNIT Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

    Features:

  • Choice of microphones for every kind of system and room acoustics.

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    AKG CS 5 Irr Ir Receiver

    Rugged infrared receiver for up to seven selectable channels, for use with Headphones, e.g., AKG K77. Operates for more than 12 hours per battery charge.

    AKG CS 5 IRR IR RECEIVER Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 IRT1 Infrared Transmitter Small

    Infrared radiators providing wireless transmission of up to seven language channels for persons (e.g., observers) listing to a conference without asking for the floor.

    AKG CS 5 IRT1 INFRARED TRANSMITTER SMALL Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 IRT2 Infrared Transmitter Large

    Infrared radiators providing wireless transmission of up to seven language channels for persons (e.g., observers) listing to a conference without asking for the floor.

    AKG CS 5 IRT2 INFRARED TRANSMITTER LARGE Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 MK 1,25 Connector Cable

    Connecting cable for connecting the individual CS5 Microphone stations, 1.25 m (4 ft.) to 20 m (66 ft.) long.

    AKG CS 5 MK 1,25 Connector Cable Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 MK 2,5 Connector Cable

    Connecting cable for connecting the individual CS5 Microphone stations, 1.25 m (4 ft.) to 20 m (66 ft.) long.

    AKG CS 5 MK 2,5 Connector Cable Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG C414 XLII

    The AKG C 414 XL II condenser microphone is the successor to the famous AKG C 414 B-TL II mic. The AKG C 414 XL II mic shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.

    The XL II mic version differs from the XLS version in one major respect—the capsule. Both the slight presence boost and the impressive spatial reproduction is similar to the legendary AKG C 12 microphones.

    Features:

  • Upgrade of the AKG C 414, a legend since 1971
  • Nine selectable pickup patterns enables to choose the perfect setting for every application
  • Lock Mode: all controls can be disabled easily for trouble-free use
  • Peak Hold LED even detects shortest overload peaks
  • Incredible Dynamic Range of 152dB
  • Three switchable different bass cut filters and three pre-attenuation levels
  • Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture
  • Designed, engineered, and built in Vienna, Austria
  • Excellent for: Lead vocals
  • Lead instruments
  • Choir miking
  • Drum overhead miking
  • Classic music recording

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    AKG CS 5 MK 10 Connector Cable

    Connecting cable for connecting the individual CS5 Microphone stations, 1.25 m (4 ft.) to 20 m (66 ft.) long.

    AKG CS 5 MK 10 Connector Cable Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG CS 5 MK 20 Connector Cable

    Connecting cable for connecting the individual CS5 Microphone stations, 1.25 m (4 ft.) to 20 m (66 ft.) long.

    AKG CS 5 MK 20 Connector Cable Applications:

  • Conferencing
  • Interpretation system
  • Voting
  • Discussion

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    AKG C535WL/1

    AKG C535WL/1 Description:

    C535EB condenser microphone head for AKG wireless system.

    C 535 WL 1: C 535 EB microphone element with threaded connection for use with various AKG WMS handheld transmitters.

    THE professional vocal/instrument microphone from AKG for stage and studio use, the C 535 EB provides the ultimate combination of excellent, highly detailed audio and exceptional ruggedness.

    Perfect weight distribution ensures fatigue-free handling - another asset for discriminating vocalists! Bass cut/rolloff filters and a switchable preattenuation pad let you match the frequency response and output level to the most diverse recording and onstage miking situations.

    The C 535 EB is one of the great, legendary microphones.

    AKG C535WL/1 Specifications:

    Get your AKG C535WL/1 today!

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    AKG MK HS Studio C Cable for HSC

    Detachable cable for AKG HSC/HSD Headsets with 3pin XLR Connector (male) and 6.3mm (1/4") Stereo Jack. For use with HSC 171 and HSC 271. Phantom powering 9-52V required.

    Net/gross weight: 235 g / 240 g (8.3 oz. x 8.5 oz.)

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    AKG WMS450 Choir

    The AKG WMS 450 Choir System is a flexible wireless microphone system that offers the reliability of multi-band UHF operation, professional features and a cost effective price for use in any application. The system is delivered with the SR 450 receiver, PT450 bodypack transmitter, MK/GL instrument cable and GN155 choir stand for wireless choir capturing in halls, houses-of-worship, live performances, etc.

    The SR450 diversity receiver is a rugged tabletop mounted device with twin antennas to minimize drop-out, RF noise and increase range. The SR450 features up to 12 preset channels per frequency band. A programmable back-lit LCD display provides channel, frequency information and more. An integrated frequency scanner with country specific management database, scans for the best possible frequencies specific to the country.

    The WMS450 bodypack transmitter features a mini XLR input connector for compatible AKG microphones and instrument cables. The transmitter includes the MK/GL instrument cable with a 1/4" phone connection for direct connection to the GN155 choir stand and output stage. The lightweight and rugged transmitter operates up to 6 hours with a single AA battery.

    Features:

    Multi-Band UHF Operation: The SR450 features up to 12 preset channels per frequency band.

    GN155 Choir Stand: The AKG GN155 is a combination choir microphone stand and output stage for use with AKG CK Series microphone capsules (not included). The combination of the GN155 and WMS450 microphone system, delivers a powerful wireless solution for capturing choirs in any application.

    Diversity Reception: The SR450 diversity receiver features dual antennas to minimize drop-out, RF noise and increase range.

    Integrated Frequency Scanner: An integrated frequency scanner with country specific management database, scans for the best possible frequencies specific to the country

    Rehearsal Function: The receiver features a rehearsal function for finding "dead spots".

    Back-Lit LCD Display: A programmable back-lit LCD display provides channel, frequency information and more.

    Specifications:

    System:

    Type of System: UHF Bodypack RF Carrier Frequency Range: Band 1 / 650.100 - 680.00 MHz Approx. Working Range: Not Specified By Manufacturer Overall Frequency Response: 35Hz to 20kHz Signal-to-Noise Ratio: 120 dB(A) # Of Channels: 1200 Carrier frequencies, 12 Preset # Of Simultaneous Systems: Up to 12

    Receiver:

    Type of Receiver: SR450 Type of Outputs: 3-pin XLR Balanced, 1/4" Phone Unbalanced Headphone Monitoring: No Power Requirements: 12 V DC Battery Type/Approx. Life: Not Applicable Display: Back-Lit LCD Mounting Options: RMU 400 Rackmount Kit Antenna Type: Diversity Dimensions (WxHxD): 7.6 x 1.7 x 7.4" (200 x 44 x 190mm) Weight: 2.2 lbs (972 g)

    Transmitter:

    Type of Transmitter: PT450 Bodypack Type of Input Connector: 3-pin Mini XLR Type of Microphone: MK/GL Instrument Cable Polar Pattern: Not Applicable Interchangeable Mic Heads: No Battery Type/Approx. Life: Single AA Alkaline, 6 hours Mute Switch: On/Mute/Off Level Control: 10 mW, 20 mW, or 50 mW Antenna Type: Internal Display: LCD Dimensions (WxHxD): 2.4 x 2.9 x 1.2" (60 x 73.5 x 30mm) Weight: 90 g (3.2 oz)

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    AKG SR450 BD7 50mW

    AKG SR450 BD7 50mW Frequency-agile UHF true-diversity receiver. Features all-metal chassis and comes complete with rack mount hardware and separate power supply.

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    AKG SR450 BD8 50mW

    AKG SR450 BD8 50mW Frequency-agile UHF true-diversity receiver. Features all-metal chassis and comes complete with rack mount hardware and separate power supply.

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    AKG PSU 4000/US

    AKG PSU4000 Central Power Supply for Powering

    Central power supply for powering up to 12 SR 4000 or SR 450 receivers plus antennas via three PS 4000 W antenna splitters, or three CU 4000 chargers. Also powers the HPA 4000 headphone amplifier and HUB 4000 Q network concentrator.

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    AKG KM260/1-BLACK

    Floor stand with heavy cast iron base. Inserted rubber ring for noise suppression. Two-section telescopic pole with durable clutch. Matte black finish.

    Specifications:

  • Height: 34.25" - 61.8"
  • Base: 9.8" diameter
  • Net weight: 13.2 lbs.

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    AKG KM265-BLACK

    Lightweight tripod floor stand. Two-section telescopic pole with durable clutch. Matte black finish.

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    AKG KM260/80 Black

    One-hand grip release stand with heavy cast iron base.  Easy one-grip release for height adjustment. Soft touch grip on both sides.

  • Height: 36.2/59.1 in.
  • Net weight: 14.7 lbs.

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    AKG KM260/85 Black

    With the unique "Soft-Touch" one-hand clutch the height can be adjusted with a quick squeeze to easily raise and lower the mic. Sleek, flat, cast-iron base is very stable and durable. Quality black powder coating is extremely durable. Weight: 7.05 lbs. Height: 41.73"/70.47"

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    AKG KM251-Black

    Heavy-duty tripod floor stand similar to the AKG KM 201A/2, but with three-sections. Noiseless clutch. Matte black finish. Height: 23/53". Weight: 5 lbs.

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    AKG KM211/6-Black

    A short, adjustable one-piece boom with noiseless, non-marring locking assembly. Easy to tighten wing nuts provides smooth adjustments. Available in black only. Boom length: 15.6". Net weight: 1.1 lbs.

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    AKG KM211 Black

    Heavy-duty boom arm, 33-inch.

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    AKG KM211/1 Black

    Telescoping black boom arm adjustable from 18.25 to 30.75 inches.

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    AKG KM211/2 Black

    Telescoping black boom arm adjustable from 22.5 to 38.25 inches

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    AKG KM210/6 Black

    Light-duty black tripod stand with two-section telescopic pole and one-piece adjustable boom. Height-adjustable from 38.2 - 65.9 inches.

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    AKG KM210/9 Black

    Heavy-duty black tripod stand with telescopic boom. Height-adjustable from 35 - 63 inches.

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    AKG KM210/21 Black

    Extra tall heavy-duty floor stand designed for studios and drummers. Cast-iron base with folding legs. Two section telescopic pole with noiseless clutch. Extra long boom. Matte black finish.

    Specifications:

  • Height: 43.3" - 79.5"
  • Boom length: 42.1"
  • Net weight: 12.5 lbs.

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    AKG KM210/70 Black

    All-metal stand. Consists of tubing assembly, boom arm and zinc die-cast base with long folding legs. Square swivel joint with large wing nut.

  • Weight: 5.5 lbs
  • Height: 39.76"/67.72"
  • BL: 31.7"

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    AKG KM238/5

    Scissor boom stand w/desk clamp. Includes 16 + XLR mic cable. Arm length: 39.4"

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    AKG KM259 Black

    Low profile tripod floor stand. Two-section telescopic pole with durable clutch. Complete with KM211/1 boom. Available in matte black finish.

    Features:

  • Height: 16.8/25.6"
  • Boom Length: 18.6/30.7"
  • Weight: 5.1 lbs.

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    AKG KM259/5 Black

    Extra low profile tripod floor stand for bass drums or special use. One-piece pole with cast iron base. Complete with boom. Available in matte black finish.

    Specifications:

  • Height: 15"
  • Boom length: 16"-28.5"
  • Net weight: 6.2 lbs.

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    AKG KM254 Black

    The KM254 is manufactured and engineered specially for AKG Acoustic U.S. in Germany by KONIG & MEYER, making the KM254 the highest quality low cost stand in the music market.

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    AKG KM231/1

    Miniature tripod table stand. Folding chrome plated legs with matte black plastic base.

    Specifications:

  • Height: 2.4"
  • Weight: 0.2 lbs.

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    AKG KM235/1

    Stereo microphone bar for top of microphone stand. Clamp assembly for adjustment. Length: 8.5". Weight: 0.4 lbs.

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    AKG KM240/1

    Microphone arm for attachment to any mic stand. Locking clamp assembly, complete with adjustable and swiveling boom arm. Matte black. Height: 11.8" Boom length: 21.7" Net weight: 2.2 lbs.

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    AKG KM240/30 Black

    Vice-type clamp for attaching microphones to drum rims

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    AKG KM237

    Table clamp for goosenecks and microphones, adjustable to 1.8".

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    AKG Lectern

    Sturdy, sloping extruded aluminum column, with raised legs (for plenty of leg room). Elegant manuscript rest with an embossed aluminum surface and stop rail. Height and angle are infinitely adjustable. Elegant cable management with feed-through bushing and cable clips. Two 3-pin XLR microphone sockets, acoustically insulated for recording with gooseneck or other lightweight microphones with XLR plugs (not included).

  • Weight: 35.05 lbs
  • Manuscript Rest: 24.41" x 18.19"
  • Level Top: 21.65" x 5.28"
  • Foot Print: 31.89" x 27.56"
  • Height (when set up): 52.76"
  • Dimensions Folded: 46.06" x 9.84" x 24.41"

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    AKG KM293-90 Table Top Microphone

    Specifications:

  • Construction: Cast Iron Base
  • Connectors: XLR-M and XLR-F
  • Control: Can be added later
  • Power Requirements: Not Specified by Manufacturers
  • Dimensions: 5.75 x 2 x 6.5" (14.6 x 5.08 x 16.51 cm)
  • Weight: 6.5 lb (2.95 kg)

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    AKG KM256-80 Tripod Microphone Stand

    The AKG KM256-80 Grip Release Tripod Microphone Stand (Black) features a unique Soft-Touch one-hand clutch that lets you adjust the height. Just a quick squeeze easily raises and lowers the microphone. Raising or lowering your microphone is a snape due to the Soft-Touch one-hand clutch. Just a quick squeeze lets you easily adjust the stand's height.

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    AKG WMS450 Vocal Set/D5 BD1/EU 50mW

    The WMS450 Set with the outstanding Sound of the rugged Microphone D5.

    The AKG WMS450 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS450 provides cost-efficient, high-performance solutions for situations where several Radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-Channel systems has its limitations and may simply be too much for the available Radio band.

    AKG WMS 450 Vocal Set/D5 Band 1 Applications:

  • Musical, opera
  • Live applications
  • Houses of worship
  • Conferencing

    AKG WMS 450 Vocal Set/D5 Band 1 Includes:

  • 1 HT450 Handheld Transmitter with D5 Microphone Element
  • 1 SR450 receiver
  • 1 SA63 stand adapter, 1 AA size battery, 2 antennas, 1 Rack mounting kit, power supply

    AKG WMS 450 Vocal Set/D5 Band 1 Features:

  • Highly flexible wireless system, ready for immediate use and scalable for demanding applications.
  • Features perfect Audio transmission!
  • Brand New AKG Microphone Technology: C5, D5 and C555
  • Outstanding rugged finish for Hand- and Pocket transmitter!

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    AKG WMS450 Vocal Set/D5 BD7/EU 50mW

    The WMS450 Set with the outstanding Sound of the rugged Microphone D5.

    The AKG WMS450 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS450 provides cost-efficient, high-performance solutions for situations where several Radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-Channel systems has its limitations and may simply be too much for the available Radio band.

    AKG WMS 450 Vocal Set/D5 Band 7 Applications:

  • Musical, opera
  • Live applications
  • Houses of worship
  • Conferencing

    AKG WMS 450 Vocal Set/D5 Band 7 Includes:

  • 1 HT450 Handheld Transmitter with D5 Microphone Element
  • 1 SR450 receiver
  • 1 SA63 stand adapter, 1 AA size battery, 2 antennas, 1 Rack mounting kit, power supply

    AKG WMS 450 Vocal Set/D5 Band 7 Features:

  • Highly flexible wireless system, ready for immediate use and scalable for demanding applications.
  • Features perfect Audio transmission!
  • Brand New AKG Microphone Technology: C5, D5 and C555
  • Outstanding rugged finish for Hand- and Pocket transmitter!

    Get Your AKG WMS450 Vocal Set/D5 BD7/EU 50mW Today!

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    AKG H15/T

    Dedicated Shock Mount for the C 12 VR tube Microphone.

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    AKG H30

    Universal shock-mounted stand adapter.

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    AKG H85

    For the new C 414 B-XLS and C 414 B-XL II microphones, AKG designed a new shock mount that differs from the familiar H 100 as follows:

  • The outside ring has been reduced in diameter from 120 mm (4.7 in.) to 100 mm (4 in.).
  • The color has been changed from black to dark gray.
  • The clamping range has been increased from 22 - 26 mm (0.87 - 1.02 in.) to 19 - 26 mm (0.7 - 1.02 in.) to accommodate microphones with cylindrical or conical bodies or connectors including, e.g., the AKG Blue Line and ULS Series.

    The H 85 shock mount keeps a lower profile than the H 100 and therefore looks better on the microphone.

    The H 85 also matches several other AKG studio microphones, e.g., the C 2000 B, C 3000 B, and C 4000 B.

    At present, the only microphones including an H 85 shock mount as a standard accessory are the C 414 B-XLS and C 414 B-XL II.

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    AKG H500

    Shock Mount for use with GN 15 E/GN 30 E/GN 50 E goosenecks.

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    AKG H600

    Shock Mount for use with GN 15 E, GN 30 E and GN 50 E Goosenecks with A 608 Adapter - Lockable.

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    AKG SA38/H38

    Shock mount & swivel stand adapter

    Shock mount/stand adapter for rod-shaped microphones with outside diameters from 19 to 21 mm (0.7 to 0.8 in.), e.g., AKG Blue Line, ULS Series, or C 568 B.

    For the impeccable versatility that culminates in high-quality performance, your microphones need AKG.

    This SA38-H38 Shock Mount and Swivel Stand Adapter for any 19-21 mm diameter, rod-shaped mic is an ideal adapter that delivers absolutely necessary vibration reduction and stability.

    The SA 38-H Mount/Stand is designed to accommodate the AKG Blue Line, ULS Series, and C 568B microphones, to meet perfect sound face-to-face.

    This mount will amplify your great studio sound, while reducing static, rustling, or wind interference. Every major microphone system needs a feature boost; AKG offers it all.

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    AKG ST1

    Folding mini-tripod (Ø 26 cm/10 in., h 8.5 cm/3.3 in.)

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    AKG ST45

    Low profile stand with off-center mount, rubber Shock Mount feet (11.5 cm/4.5 in.)

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    AKG ST46

    Miniature Black Anti-Shock Table Stand for Small Microphones

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    AKG ST305

    Heavy-duty table stand (dia 17 cm/6.7 in., h 9.5 cm/3.7 in.)

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    AKG WMS 470 Instrumental Set BD1 EU/US/UK

    AKG WMS 470 Instrumental Set BD1 EU/US/UK UHF single channel wireless system for installation use with Guitar Cable. Includes SR470 receiver, PT470 bodypack, MK GL Instrument Cable, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    WMS 470 Instrumental Set BD7 EU/US/UK

    AKG WMS 470 Instrumental Set BD7 EU/US/UK UHF single channel wireless system for installation use with Guitar Cable. Includes SR470 receiver, PT470 bodypack, MK GL Instrument Cable, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Instrumental Set BD8 EU/US/UK

    AKG WMS 470 Instrumental Set BD8 EU/US/UK UHF single channel wireless system for installation use with Guitar Cable. Includes SR470 receiver, PT470 bodypack, MK GL Instrument Cable, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Instrumental Set BD9 EU/US/UK

    AKG WMS 470 Instrumental Set BD9 EU/US/UK UHF single channel wireless system for installation use with Guitar Cable. Includes SR470 receiver, PT470 bodypack, MK GL Instrument Cable, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG SR 470 BD1

    AKG SR 470 BD1 Half 19" all metal case diversity receiver with automatic setup function, up to 16 pre-programmed frequencies per group. Pilot tone prevents unexpected start-up noise.

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    AKG SR 470 BD7

    AKG SR 470 BD7 Half 19" all metal case diversity receiver with automatic setup function, up to 16 pre-programmed frequencies per group. Pilot tone prevents unexpected start-up noise.

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    AKG SR 470 BD8

    AKG SR 470 BD8 Half 19" all metal case diversity receiver with automatic setup function, up to 16 pre-programmed frequencies per group. Pilot tone prevents unexpected start-up noise.

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    AKG SR 470 BD9

    AKG SR 470 BD9 Half 19" all metal case diversity receiver with automatic setup function, up to 16 pre-programmed frequencies per group. Pilot tone prevents unexpected start-up noise.

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    AKG HT 470 D5 BD1

    AKG HT 470 D5 BD1 Handheld transmitter with D5 dynamic microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 D5 BD7

    AKG HT 470 D5 BD7 Handheld transmitter with D5 dynamic microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 D5 BD8

    AKG HT 470 D5 BD8 Handheld transmitter with D5 dynamic microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 D5 BD9

    AKG HT 470 D5 BD9 Handheld transmitter with D5 dynamic microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 C5 BD1

    AKG HT 470 C5 BD1 Handheld transmitter with C5 condenser microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 C5 BD7

    AKG HT 470 C5 BD7 Handheld transmitter with C5 condenser microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 C5 BD8

    AKG HT 470 C5 BD8 Handheld transmitter with C5 condenser microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG HT 470 C5 BD9

    AKG HT 470 C5 BD9 Handheld transmitter with C5 condenser microphone element. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG PT 470 BD1

    AKG PT 470 BD1 Extremely light and compact bodypack transmitter. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG PT 470 BD7

    AKG PT 470 BD7 Extremely light and compact bodypack transmitter. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG PT 470 BD8

    AKG PT 470 BD8 Extremely light and compact bodypack transmitter. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG PT 470 BD9

    AKG PT 470 BD9 Extremely light and compact bodypack transmitter. Quick setup via infrared link of all frequency and setup data from receiver. Pilot tone prevents unexpected start-up noise. 14 hours battery life.

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    AKG SA44

    Stand Adapter for Emotion Series Microphones.

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    AKG SA47

    Stand Adapter for C 747

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    AKG SA60

    Stand Adapter for Microphones with Straight Shafts 0.7" to 1.1" Diameter

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    AKG SA61/1

    Stand Adapter for Microphones with Tapered Shafts 0.9" to 1.1" Diameter

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    AKG SA63

    Stand Adapter for C 1000 S, HT 400, HT 4000 and Microphones with Shafts 1.2" to 1.5" Diameter

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    AKG SA50

    3/8" to 5/8" Stand Adapter with Slot for Cable Routing for GN Series Goosenecks.

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    AKG KM216

    Thread adapter 3/8" male, 5/8" female, chrome

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    AKG KM217

    Mic stand thread adapter. 3/8" female to 5/8" male.

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    AKG WMS 470 Presenter Set BD1 EU/US/UK

    AKG WMS 470 Presenter Set BD1 EU/US/UK UHF single channel wireless system for installation use with CK99L lavalier microphone and C555L headworn microphone. Includes SR470 receiver, PT470 bodypack, CK99L lavalier microphone, C555L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Presenter Set BD7 EU/US/UK

    AKG WMS 470 Presenter Set BD7 EU/US/UK UHF single channel wireless system for installation use with CK99L lavalier microphone and C555L headworn microphone. Includes SR470 receiver, PT470 bodypack, CK99L lavalier microphone, C555L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Presenter Set BD8 EU/US/UK

    AKG WMS 470 Presenter Set BD8 EU/US/UK UHF single channel wireless system for installation use with CK99L lavalier microphone and C555L headworn microphone. Includes SR470 receiver, PT470 bodypack, CK99L lavalier microphone, C555L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Presenter Set BD9 EU/US/UK

    AKG WMS 470 Presenter Set BD9 EU/US/UK UHF single channel wireless system for installation use with CK99L lavalier microphone and C555L headworn microphone. Includes SR470 receiver, PT470 bodypack, CK99L lavalier microphone, C555L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG W 23

    Foam windscreen for use with ball head microphones. 50mm diameter and specifically for AKG D80S, D95S, D90S, D230/1, D541E, D3700, D3800,D3900, C5900

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    AKG W30

    The AKG W 30 Foam windscreen for use with CK31, CK32, CK33. Stop the wind and pops with this windscreen.

    The AKG W 30 is a foam windscreen designed for the AKG CK 31, CK 32 and CK 33 microphone heads.

    Features:

  • Stop the wind and pops with this windscreen
  • Designed for the AKG CK 31, CK 32 and CK 33 microphone heads

    Get Your AKG W30 Today!

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    AKG W32

    The AKG W 32 is a foam windscreen for all ball head microphones approx. 18-20 mm (2 in.). It is supplied as standard with the AKG C 430, C 480 B-ULS microphones and AKG CK 61-ULS, CK 62-ULS and CK 63-ULS microphone capsules.

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    AKG W4000

    Foam Windscreen, For C 4000 B Microphone.

    Get Your AKG W4000 Today!

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    AKG W44

    Foam Windscreen for All Variations of C 416 and C 420.

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    AKG W68

    Foam Windscreen for C 568 B microphones.

    Get Your AKG W68 Today!

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    AKG W70

    Foam Windscreen for CK 47 and CK 80

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    AKG W77C-SET

    9 Piece Multi-Colored Windscreens for C 577 WR and CK 77 WR

    Get Your AKG W77C-SET Today!

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    AKG W90

    Gray Foam Windscreen for use with CK 91, CK 92, CK 93, CK 94 and C 451 B

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    AKG W97

    Dedicated foam Windscreen for the CK 97-C, CK 97-C/3, or CK 97-CVR AKG Blue Line miniature microphones.

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    AKG W98

    Windscreen for use with CK98

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    AKG W407

    Foam Windscreen for C 407 and C 417 Series

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    AKG W414X

    The AKG W414X Microphone Windscreen is designed specifically for the C414B-XLS and C414B-XL II microphones and it also works well with the C414B-XL II/ST, C414B-XLS/ST and C3000B.

    Protect your audio quality with a high grade W4000 Microphone Windscreen.

    Designed to Fit:

    The W414X Microphone Windscreen is designed specifically for the C414B-XLS, C414B-XL II, C414B-XL II/ST, C414B-XLS/ST and it also works well with the C3000B.

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    AKG W444

    Windscreen for use with C555L

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    AKG W880

    Foam windscreen for use with ball head microphones, approx. Ø 40-50 mm (2 in.)

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    AKG W1000

    Windscreen for use with C1000S

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    AKG WMS 470 Sports Set BD1 EU/US/UK

    AKG WMS 470 Sports Set BD1 EU/US/UK UHF single channel wireless system for installation use with C544L headworn microphone. Includes SR470 receiver, PT470 bodypack, C544L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Sports Set BD7 EU/US/UK

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    AKG WMS 470 Sports Set BD8 EU/US/UK

    AKG WMS 470 Sports Set BD8 EU/US/UK UHF single channel wireless system for installation use with C544L headworn microphone. Includes SR470 receiver, PT470 bodypack, C544L headworn microphone, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Sports Set BD9 EU/US/UK

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    AKG K701

    Reference-class open-back headphone with dual-layer, flat-wire coil Varimotion transducers. Comes with metal storage stand and is hand-assembled and tested.

    Experience pure perfection!

    Whether you prefer the holistic approach or like to listen analytically, the K 701 will turn perception into pure enjoyment.

    AKG is the first manufacturer in the world to use revolutionary flat-wire technology in headphones, namely, the K 701.

    The result is a truly dramatic sound that places every musician at their correct location with pinpoint accuracy.

    This kind of agility, spaciousness, brilliant highs, and velvety, punchy bass is simply miraculous.

    These superlative open-back dynamic headphones provide an outstandingly accurate sound and excellent imaging.

    Try the K 701 and find out what ingenious headphone engineering can do for you.

    Features:

  • Revolutionary flat-wire voice coil technology
  • Patented AKG Varimotion ultra-precision two-layer diaphragm
  • Self-adjusting cushioned genuine-leather headband
  • Bi-wiring, high-performance cable with 1/4" jack plug
  • Comfortable, specially shaped "3D-Form" ear pads
  • Complete with stylish storage cradle
  • Individually tested and numbered

    • Specifications:

  • Headphones weight without cable (g) 235
  • Sensitivity (dB/mW, dB/V*) 105
  • Audio bandwidth (Hz to kHz) 10-39,8
  • Max. input power (mW) 200
  • Rated impedance (ohms) 62
  • Convertible jack plug (1/4" to 1/8")
  • Replaceable ear pads
  • Patented self-adjusting headband
  • Exclusive leather headband
  • Unbreakable metal arches
  • 99.99% oxygen-free cable (length in m) 3
  • Single-sided cable
  • Hard gold-plated jack plug and contacts
  • Patented Varimotion diaphragms
  • 2-Layer diaphragm
  • Flat-wire voice coil
  • Open-back, dynamic headphones
  • NdFe magnets
  • Suited for (SA)CD, DVD(A), DAT

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    AKG K601

    The next level of evolution.

    Precisely tailored response and cutting-edge design: a must for all audiophiles.

    These future-oriented, open-back dynamic headphones do not only offer good wearing comfort but also deliver an incredibly detailed, full, yet crisp sound.

    This is the result of a new AKG Varimotion two-layer diaphragm that ensures optimum diaphragm motion for extremely accurate highfrequency response and a powerful low end.

    The overall sound is uncommonly natural and open. In short, the K 601 are premium reference headphones for anyone who appreciates true high-end equipment.

    Features:

  • Patented varimotion diaphragm and high-performance neodymium magnet system for minimum distortion
  • Two-layer diaphragm for highly accurate sound and superior transient response
  • Self-adjusting, genuine-leather headband for optimum comfort
  • Individually tested and numbered
  • Perfect wearing comfort. Self-adjusting, genuine leather headband for automatic fit and optimum wearing comfort
  • Acoustically comfortable optimized ear pads and washable and easy to replace
  • True bi-wiring cable

    • Specifications:

  • Headphones weight without cable (g) 235
  • Sensitivity (dB/mW, dB/V*) 101
  • Audio bandwidth (Hz to kHz) 12-39,5
  • Max. input power (mW) 200
  • Rated impedance (ohms) 120
  • Convertible jack plug (1/4" to 1/8")
  • Replaceable ear pads
  • Patented self-adjusting headband
  • Exclusive leather headband
  • Unbreakable metal arches
  • 99.99% oxygen-free cable (length in m) 3
  • Single-sided cable
  • Hard gold-plated jack plug and contacts
  • Patented Varimotion diaphragms
  • 2-Layer diaphragm
  • Open-back, dynamic headphones
  • NdFe magnets
  • Suited for (SA)CD, DVD(A), DAT

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    AKG Q701 Headphone

    Specifications:

  • Sensitivity: 105 dB
  • Warranty: 2 year
  • Manufacturer Warranty: 2 years
  • Headphone Type: Full Size
  • Weight: 235 grams w/o cord
  • Impedance @ 1kHz: 62 Ohms
  • Detachable Cable: Yes
  • Cord Length: 9ft
  • Cord Type: Straight Left-Side
  • Coupler Size: Large
  • Ear Coupler Type: Full-Size
  • Driver Type: Dynamic
  • Acoustic Seal: Open

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    AKG Q460 Haedphone

    Specifications:

  • Sensitivity: 126 dB
  • Manufacturer Warranty: 2 years
  • Headphone Type: Earpad
  • Weight: 120 grams w/o cord
  • Impedance @ 1kHz: 32 Ohms
  • Detachable Cable: Yes
  • Cord Length: 5ft
  • Cord Type: Straight Left-Side
  • Coupler Size: Medium
  • Ear Coupler Type: Earpad
  • Driver Type: Dynamic
  • Microphone: Yes
  • Bluetooth: Yes
  • Isolation: -10dB ~ -12dB
  • Acoustic Seal: Closed

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    AKG Q350 Headphone

    Specifications:

  • Bluetooth: No
  • Sensitivity: 121dB
  • Microphone: Yes
  • Manufacturer Warranty: 2 Years
  • Headphone Type: In-Ear
  • Weight: 3 grams w/o cable
  • Impedance @ 1kHz: 16 Ohms
  • Cord Length: 5ft
  • Cord Type: Straight Y
  • Coupler Size: Medium
  • Ear Coupler Type: IEM
  • Driver Type: Dynamic
  • Isolation: -12db ~ -18dB

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    AKG WMS 470 Vocal Set D5 BD1 EU/US/UK

    AKG WMS 470 Vocal Set D5 BD1 EU/US/UK UHF single channel wireless system for installation use with AKG D5 dynamic microphone. Includes SR470 receiver, HT470/D5 transmitter, stand adaptor, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    AKG WMS 470 Vocal Set D5 BD7 EU/US/UK

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    AKG WMS 470 Vocal Set D5 BD8 EU/US/UK

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    AKG WMS 470 Vocal Set C5 BD1 EU/US/UK

    AKG WMS 470 Vocal Set C5 BD1 EU/US/UK UHF single channel wireless system for installation use with AKG C5 condenser microphone. Includes SR470 receiver, HT470/C5 transmitter, stand adaptor, 19" rack mount unit, LR6 battery, EU/US/UK power supply, 1/4wave antennas.

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    Akai EWI4000S

    The Akai Professional EWI4000S is a newly designed electronic wind controller. This expressive musical instrument incorporates several improvements in the development of MIDI / Synth instrument capabilities.The EWI4000S has many of the long sought after controls and functions that are necessary for expressive performance. While these benefits have been proven by its predecessors, the EWI offers these features at a much lower price. There are several improvements to the design as well, such as having a built-in sound module, direct MIDI IN and Out, and other updated operating functions. These features make playing the EWI4000S easier than any other electronic wind instrument.

    Features:

  • All-in-one design means no external module; the module is IN the controller!
  • Built in virtual analog sound module sounds and feels like the original EWV2000
  • Reverb, Delay & Chorus effects built in.
  • MIDI in & out from controller.
  • Visual editor software puts all the parameters of the synth on one page in front of you. Organizing, saving, editing and sharing patches is super easy and you don't have to overwrite anything in your module.
  • Sustain functions allows you to hold a note and play over it or send full Sustenato over MIDI.
  • On the fly Octave functions allows you to add a note an octave below the note you are playing.
  • Patch Key Assign - allows you to assign a patch to a key note and switch to it on the fly!
  • All of the great features of previous EWI's are intact

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    Akai EWI USB

    The Akai EWI USB, USB Wind Instrument is an electronic wind instrument for musicians looking for an easy-to-play, easy-to-use controller.

    Akai EWI USB Wind Instrument is the only choice for serious wind players looking to make music electronically. While EWI USB is easy and fun to use, it’s also powerful, flexible, and most importantly reliable enough for use on stage and in the studio by professional musicians.

    Features:

  • Electronic wind instrument controller
  • Easy to play, easy to use, and easy to own
  • Powerful, flexible, and reliable
  • Plug-and-play USB connection to Mac or PC
  • Custom Garritan Aria Player software, contains wind instrument sounds
  • Multiple fingering modes: sax, traditional EWI, flute, oboe, and EVI brass
  • Expandable sound palette
  • Removable, dishwasher-safe mouthpiece
  • Neck strap
  • Cleaning cloth
  • USB cable
  • Software DVD
  • Quick start guide
  • Safety instructions

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    Akai CDM25

    Akai CDM25 Description:

    Akai CDM25 CDR for the MPC2500

    Turn your MPC2500 into a complete studio workstation.

    With the Akai CDM25 you can take your project from start to finish and have a CD at the end of it all.

    A great way to produce Demos or move projects from one studio to another.

    Use it to back up important data like samples and projects.

    Get your music heard easily and affordably.

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    Akai EXM-E3

    128 MB RAM memory expansion for MPC5000

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    Akai EXM128

    128 MB RAM memory expansion for MPC500, MPC1000, MPC2500

    The Akai EXM128 RAM Expansion Card adds 128MB of RAM to your MPC2500 Production Center (sold separately)

    Increasing the number and/or size of the samples you can run simultaneously.

    Supercharge your MPC1000. The Akai EXM128 adds 128MB RAM to your MPC1000, adding to the number and/or size of the samples you can run simultaneously.

    Make the most out of your MPC, increase the size of your musical canvas with Akai's EXM128.

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    Alesis PowerTrip 8

    1U rack mount power conditioner with 8 AC jacks, voltage meter and lights

    PowerTrip8 - the ideal power control unit for any rackmount system.

    Install the PowerTrip8 in the top of your rack and use the eight switched AC outlets on the rear panel to power all of your equipment, up to a full 15-amp load.

    The line voltage monitor displays incoming voltage, and the two slide-out, swiveling light fixtures provide illumination of your gear, adjustable via the front-panel dimmer control.

    The PowerTrip8 supports 8 grounded AC jacks on its rear panel, activated via a large lit power switch on the front panel.

    The PowerTrip8 offers superb surge and transient suppression, so all power outputs are clean and noise-free.

    The unit features a large front-panel LED display that shows current AC line voltage for informed power management.

    Also on the front panel, the PowerTrip8 contains two pull-out light bars that have their own separate on/off switch and dimmer-control knob.

    Alesis PowerTrip 8 Features:

    VOLTAGE METER & POWER CONDITIONER

  • The PowerTrip8 protects your delicate electronic equipment with a highvoltage surge and transient suppressor and an RFI/EMI interference filter.
  • The fast-acting suppression circuit responds in less than a nanosecond, clamping transient voltages to safe levels.
  • The filter works to prevent noise from fluorescent lights, certain dimmers, radio transmitters, and similar sources of "electronic pollution" from entering the AC line, and, from there, leaking into sensitive audio, video, or computer circuits.

    • OUTLETS